Temple of the Twelve, Vol. 1: Novice of Colors by Esmerelda Little Flame

Temple of the Twelve, Vol. 1: Novice of Colors
Esmerelda Little Flame
New Gaia Press, 2008
278 pages

A young woman finds herself at the threshold of service to great deities who embody archetypal powers. Rather than a relationship of fear, though, can she create connections of love and devotion with them?

I had heard about the Temple of the Twelve books from a few friends who were working through the pathworking system woven into the novels, and I’ll admit I was quite intrigued. I do like fiction that also serves as a teaching tool, but unfortunately a lot of it turns into awkward monologues about what Wicca is shoehorned into a badly written teaching scene or somesuch.

While there is some teaching dialogue scattered throughout this book, much of what each of the archetypal Twelve deities in this story–one for each of several colors and their correspondences–have to teach is demonstrated in their interactions with the main character, Caroline. For example, Caroline creates paintings of several of the deities, and one deity, Lord Blue, felt them strongly: “He felt the colors radiating from them. The hot red. The cool white. Need. Love. Lust. Pain. Joy” (p. 96). The author does an excellent job of “show, don’t tell”.

The story is nicely paced, and allows Caroline to develop not only in her relationships with the gods and others, but as an individual. At the same time, a usable spiritual path is drawn out as the story progresses; shortly after the experience with the paintings, Lord Blue tells Caroline she will bond in particular with one god and one goddess, which reflects the tendency of many pagans to have strong bonds with a few deities in particular (often along perceived lines of balance, such as between male and female energies).

In this, the book creates a mythology upon which nonfiction workbook materials have been based, and there are other novels that expand on this mythos (and I will be reviewing other books in this series). I can see this particular text being everything from a good read in and of itself, to the foundation of a pagan practitioner’s magical path based on colors and correspondences. The author’s personifications of the archetypes shows a strong connection, and I look forward to seeing more implementation of this in a practical sense.

Five pawprints out of five.

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The Little Book of Odes and Invocations by Auntie Matter

The Little Book of Odes & Invocations
Auntie Matter (Sondra Slade)
Self-published, 2010
10 pages

One of the things I love about reviewing self-published works is that while a good number of them are in sore need of editing, there are those wonderfully independent gems that are both well-written, and defy conventional publishing rules. A ten-page book of nothing but sacred poetry may not sound all that exciting or original, but this particular little chapbook packs a lot of quality into a small space.

The booklet begins with a Winter solstice invocation, with meditative lines on “The Slumbering Seed”, “Endless Night” and “Formless Energy”. The air of anticipation and turning toward the sunnier part of the year again is apparent. The last invocation is, appropriately, the Summer Solstice, a joyous celebration of life and light. In between these, Slade writes of the Moon, a Wiccan-flavored raising of energy, and one of the few things written about 2012 that I didn’t hate, among other themes.

Her writing style is incredibly descriptive even in a few words, and I can definitely see where these invocations would have a very powerful effect in a ritual. Her words have a good flow and rhythm to them, which should help bring on altered states of consciousness rather nicely. They’re interesting to look at, too. She patterns some of her free verse poetry with indentations to punctuate specific words or ideas following a general idea earlier in the stanza. This adds a wave-like quality to the works.

Pretty much my only complaint is that this is a very slim volume for the $10 price. I recognize that because it is printed on a home printer, to include some wonderfully detailed full-color illustrations, that printing up these booklets probably requires a lot of ink cartridges. However, seven poems and two pieces of artwork on ten pages is going to be a tough sell for a lot of people, even with the excellent quality of both writing and art. I might suggest that the layout be redone, and maybe some content added, to accommodate the minimum page count for a book at Lulu.com.

Still, it’s a wonderful compilation, and if you are looking for some really effective creative invocations for use in either solo or group rituals, this is a great resource to have on hand. It’s obvious that the author is tapped into the energies she writes about, and this comes through in every piece in this book.

Four pawprints out of five.

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Earthwalks for Body and Spirit by James Endredy

Earthwalks for Body and Spirit
James Endredy
Bear and Company, 2002
200 pages

One of the things I have always appreciated the most about James Endredy’s writings is that he takes spirituality and roots it very firmly in the physical world, perhaps more than just about any other author on shamanism and related topics. It’s a much-needed reconnection in a time and place where too often “spirituality” is focused on ethereal, untouchable things of the mind and imagination, with little hooking them to the “everyday” world. So having exercises and concepts that remove the gap between this word and the other one (if there is even a distinction) is a really welcome change. This, his first book from nearly a decade ago, is no exception.

The premise is simple: walking meditation. For a lot of people, sitting and being quiet simply isn’t a good option. Walking meditation is a way to focus the mind while also allowing the body a chance to settle down and move more intently. However, this book is not simply about focusing on the body, but focusing on the body as being an integral part of the environment it is within. The ability to be aware of both within and without simultaneously allows one to break down the barriers until there is no within or without, only what is.

This isn’t just the same steps made over and over, however. The book contains dozens of unique and incredibly useful ways to walk, starting with the most basic Walk of Attention, which trains the person to be aware of how the body moves and what it’s moving in, to more elaborate group walks, and walks that are aimed at focusing on specific elements or other parts of the environment. In fact, one could work with this book for months, if not years, and not get bored.

Very little of it could be misconstrued as woo-woo; this is spirituality grounded constructively and healthily. Any beings of spirit are encountered in their physical forms, for the most part, and the animals, plants and other phenomena behind the spirits are what are brought into focus. Yet the wonder and awe is not at all lost; on the contrary, Endredy’s walks encourage and facilitate the most fine and complex amazement at the world around us, as well as the bodies we wear. Even the final Walk for Vision only calls for a vision after an entire day immersed in the beauty of physical things.

This is an extraordinary book that doesn’t get nearly enough attention. Anyone practicing shamanic practices–in fact, anyone who professes a nature-based spirituality–would do well to pick this book up. And even those who are not particularly spiritual but who would like to reconnect with nature and the world at large may very well benefit from this text.

Five walking pawprints out of five.

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Animal Spirits Knowledge Cards by Susan Seddon Boulet

Animal Spirits Knowledge Cards
Susan Seddon Boulet
Pomegranate, 2007
48 cards, no booklet

I have loved Susan Seddon Boulet’s artwork for a good long while; her detail and original, ethereal style make fitting imagery for animal totem work (though I recommend her other creations, such as depictions of various deities, too). I am fond of the lush colors as well and the depth of the figures. Her creations are alive, if any art can be said to live and breathe.

However, this deck is not only about the art, but also about the meaning. There’s no book, but on the back of each card is Boulet’s brief interpretation and keywords for the totem on the front. Each is necessarily brief because there’s only so much room on each card, and text can only be shrunk so far. However, Boulet did her best to pack in as much information as she could. Generally, each card contains both historical and mythological information about the totem, and some commentary on the image she herself created.

This is not at all exhaustive, and should not be taken as the end of your research on each totem. And, as with any dictionary, it’s the author’s interpretation of what each totem means. Additionally, there is somewhat of a New Age approach, with smatterings of Eastern religions, “feminine energy”, and rather light associations with each totem; this has been aimed at a broader audience than the neopagan community. Some may find these meanings lacking; others may wish to primarily see them as commentary on the art, and attribute more detailed, personalized meaning to the cards.

The thin cardstock is disappointing, and if you’re wanting to preserve the art, you should have two decks–one for art, one for divination. However, the selection of animals is nice, if being almost exclusively vertebrates. Additionally, some of the cards are really general, like “Birds” or “Animal Deities”, which isn’t particularly helpful if you’re looking for something more specific.

Overall, though, this is a lovely addition to any collection of totem cards, whether for art or divination.

Four and a half pawprints out of five.

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Hiatus is Over!

So, it’s been the better part of two years since I put this blog on hiatus so I could focus more on my graduate school endeavors. I’m coming back to reviewing, though, so let’s just call it official!

Since I’m still in school, to be followed by full-time self-employment, my posting may not be quite as often as before school, but I need some things to read that aren’t all about my academic career, and I’ve missed writing these reviews quite a bit.

So expect more to read from me, and if you’re an author or publisher who’d like me to review something for you, just let me know!

Update on Hiatus

Hiya, folks. In case you haven’t noticed the note on the info about getting your book reviewed, I am on hiatus, and I haven’t updated in a few months. This is because graduate school is taking a LOT of time and effort, and right now that’s where my priority needs to be.

Once I’m ready to start reviewing again, I’ll post something here. In the meantime, feel free to peruse the archives to see what I’ve read in the past 🙂

Thanks!

–Lupa

Sacred Kink by Lee Harrington

Sacred Kink: The Eightfold Path of BDSM and Beyond
Lee Harrington
Mystic Productions, 2009
406 pages

I’d been waiting for this book for a while; the author is an acquaintance of mine, and I’ve been following his blog adventures for a while. What I’d seen impressed me, so I was really happy to get a review copy of this. Among books on BDSM and magic, this is by far one of the absolute best you can get.

Every author who writes on this subject has hir own take on it. However, Harrington has gone above and beyond by creating a most thorough structure to work within. He elaborates on eight different paths that are much more nuanced than “top” and “bottom”. The Path of the Horse, for example, goes into the controversial topic of god-slavery, as well as other interactions of the divine in sacred kink practices. The Ordeal Path, which others such as Raven Kaldera (in Dark Moon Rising) have spoken about, involves suffering for a purpose, such as rites of passage and catharsis. And the Path of Sacred Plants is a well-designed, responsible approach to entheogen use. (Quite obviously, this book is going to raise some eyebrows–and some voices. Not a bad thing at all.0

Harrington is a good writer, and has organized the material in an understandable and useful manner. Each chapter has a nice balance of theory, ideas for practice, and anecdotes. Sadly, my reading experience was marred by some typos and other language errors, which is an all-too-common problem in self-published works. However, the content is solid, so the proofreading errors can be overlooked easily enough.

This is a solid text on the topic of esoteric BDSM. I would recommend having at least a basic understanding of both kink (particularly roles within it) and magic before attempting the material in here, but once you have good context for it, this stuff is incredibly valuable. There’s enough to explore for years of practice.

Five pawprints out of five.

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The Shamanic Way of the Bee by Simon Buxton

The Shamanic Way of the Bee: Ancient Wisdom and Healing Practices of the Bee Masters
Simon Buxton
Destiny Books, 2004
208 pages

If you’ve been reading my reviews for a while, you’ll know there are three things that set me off. (Okay, more than three. But these are big ones.)

–Nonfiction, particularly speculative, really niche, or otherwise shaky, with poor research backup.
–Highly questionable anecdotes presented as literal, undeniable truth, without even an acknowledgement that there may be questioning of the sources.
–The idea that the above two are okay because spiritual writing doesn’t need academic/historical/other factual justification.

Sadly, there’s a lot of neoshamanic material that pings these pet peeves of mine. And this book especially hits them hard. The basic premise is that this guy meets this bee shaman when he’s a child, and spends a couple of years learning about beekeeping as well as spiritual elements thereof. Then later on in his twenties he manages to find another bee shaman of a secret, unbroken tradition called the Path of Pollen. Of course, there’s no written record or other evidence of this tradition. While there are some possible bee-related spiritual traditions associated with ancient Greek civilizations, the idea of a complete system derived from that, or contemporary to it, that survived into modern-day Austria and England is highly questionable. So we’re already starting on incredibly shaky ground.

Then come the amazing spiritual experiences–a bee flying through the author, who is accepted by his teacher without question right after his other apprentice graduates (which just seems conveniently perfect). Oh, and the sex scene. There are apparently sexy bee priestesses in this tradition. And we’re treated to a highly metaphor-laden (how many times can you fetishize a bee entering a flower? Never mind that worker bees are female…).

Finally, I want to know how in the hell he managed to kill a full-grown red deer stag (that just happened to knock itself out on a nearby tree) by suffocating it with his hand full of pollen without only a single gash from an antler. Don’t you know there’s a reason wolves and other smaller-than-stag predators, humans included, hunt them in packs? Not to mention, for fuck’s sake, that’s one of the cruelest ways you can kill an animal–if that even actually literally happened.

The whole book is like this. If it’s a Castaneda-style allegory presented as a real, completely true story, then the author is irresponsible for not prefacing it as such. If this all actually happened, then he really needs to question spiritual gurus and their authority.

One pawprint out of five.

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Chinese Power Animals by Pamela Leigh Powers

Chinese Power Animals: Archetypes of Transformation
Pamela Leigh Powers
Weiser, 2000
322 pages

Some things just don’t translate well across cultures–or, at least, the execution could be better. This is one of those things. This book is one of a number out there on Chinese astrology–you know, Year of the Fire Horse, Year of the Metal Dragon, etc.–that tries to make the system available to Westerners. The author takes elements of this system, and then adds them into a rather awkward synthesis along with Western astrology and New Age-flavored animal totemism.

Don’t get me wrong–I like new and interesting ideas. The problem is that the context of Chinese astrology, and various Chinese and other Asian healing systems, isn’t nearly as solid in this book as it needs to be to help people understand the why of the material. We’re left instead with an incomplete and sometimes confusing collection of quick-fix correspondences, and not enough answers.

For example, in talking about different relationships, the author says things like “The Horse has a Cat for a father”, regardless of the actual birth year or personality of the Horse person’s father himself. This makes no sense. And in fact, the whole system falls prey to the common pitfall associated with trying to make Chinese astrology “work” in the U.S.–it becomes a “You’re a [insert animal here], so therefore that means you are [insert stereotyped traits here]”. Because we don’t have the cultural contextual background to really get where these concepts came from, they end up oversimplified.

This could have been a much better book, but it feels slapped together out of convenience and connections between concepts that may or may not actually be relevant to each other. I was unimpressed.

One pawprint out of five.

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Guns, Germs and Steel by Jared Diamond

Guns, Germs and Steel: The Fates of Human Societies
Jared Diamond
Norton, 1999
496 pages

I’m sure there are going to be people scratching their heads in complete confusion when they see this book on Pagan Book Reviews. However, this blog isn’t just for books that are specifically about paganism, but are also useful to pagans. And this one is useful–for giving us perspective.

See, lot of (usually, though not always, white) neopagans romanticize their conceptions of what “tribal” societies are like, and glorify rather unrealistic portrayals of hunter-gatherer and basic agrarian societies. This is not to say that these societies aren’t of value; quite the contrary. But many pagans have insufficient understandings of what makes a society sustainable, which then turn into overly simplistic arguments about how technology is evil and indigenous people are noble savages.

The beautiful thing about Guns, Germs and Steel is that Diamond painstakingly traces the various factors that caused some societies to advance technologically quicker than others, ranging from access to large, domesticatible animals and cultivatible plants, to proximity to animals that can pass on diseases and build a population’s immune system, to specific geographical and geological features, and so forth. Obviously, the book is not flawless; Diamond, despite his attempts to be matter-of-fact, still shows a Eurocentric bias in some areas; additionally, this book should not be seen as the do-all and end-all of its subject matter. But there are a lot of salient arguments here, too.

For pagans, it’s a nice break from the sometimes technophobic attitudes that pop up. Additionally, as neopagans are mostly found in developed, English-speaking and/or European-culture-based nations, it’s a good look at societies outside of those contexts. And who can’t use a good history lesson now and then?

Four pawprints out of five.

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