Santa Muerte by Tracey Rollin

Santa Muerte: The History, Rituals, and Magic of Our Lady of the Holy Death
Tracey Rollin
Weiser, 2017

wp36 santa muerte review

Review by Holli Emore

A saint for criminals? A goddess who accepts everyone? A holdover from the blood cult of the Aztecs? It seems that everyone from the New York Times to Reza Aslan (Believer 2017 television series) to the Roman Catholic Church are either intrigued, enchanted or upset about Nuestra Señora de la Santa Muerte, or Santa Muerte for short. Our Lady of Holy Death, the skeleton in a colorful dress, is rapidly acquiring new followers throughout Mexico and the southeastern United States. The Bony Lady, as some call her, is either a folk saint unauthorized by the church, or a goddess, depending on who you talk to. Either way, she is beloved and revered, particularly for her power to answer the prayers of her devoteés.

Tracey Rollin has written what might be the definitive Pagan book about Santa Muerte, skillfully weaving the bright colors of personal experience, history and lore, and suggested modern practice. Santa Muerte: The History, Rituals, and Magic of Our Lady of the Holy Death is beautifully-written. Rollin begins with an account of her Catholic childhood then goes on to provide fascinating details about the presumed origins of Santa Muerte, who is arguably based on the Aztec goddess Mictecacihuatl (also connected with the goddess Tonantein, who many believe to be the source of Our Lady of Guadalupe.) The church already had several patron saints of the dead, but Rollin notes that Santa Muerte is a haven of last resort for the marginalized such as prostitutes, addicts and, yes, drug cartel members.

This is the dark underside of Santa Muerte devotion which leads law enforcement to dread cartel followers who they feel act with more abandon and violence, thinking that they are under a special protection by the saint-goddess. It is even murmured that some will kill as an offering to Santa Muerte. Rollin does not apologize for this unfortunate connection, but relates it as being a natural outgrowth of Santa Muerte’s universal acceptance of all who come to her for protection and favors. In that aspect, she closely resembles many mother goddesses associated with death such as Kali, Hela, Oye or Sekhmet, or even the earth itself, which both gives and reclaims life with apparent disregard of status or even goodness. Neither death nor Santa Muerte discriminate; they come for each of us eventually.

If you are up to the challenge of looking into the compassionate but unyielding face of death, Santa Muerte (the book) may be your best introduction to a relationship with the saint-goddess. You will read about color aspects, using candles and novenas, rosary, incense, oil– even chocolate offerings. Rollin shares a number of prayers, blessings and other liturgical elements, even a banishing ritual à la the Lesser Banishing Ritual of the Pentagram. While ending with a helpful glossary and a recommended reading list, a glaring omission from this otherwise excellent volume is the complete lack of references. Perhaps a future edition will add citations to satisfy those of us with inquiring minds.

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