Animal, Vegetable, Miracle by Barbara Kingsolver

Animal, Vegetable, Miracle: A Year of Food Life
Barbara Kingsolver
Harper Perennial, 2007
370 pages

On occasion I find a book that isn’t particularly about pagan religious or related topics that I still feel adds value to concepts often explored in paganism. One of the biggest ones is food. While not all pagans are Wiccan, obviously, the harvest cycle of holidays that originated in Wicca has spread throughout many branches of paganism, and other traditions have created their own approaches to the cycles of life and death. Additionally, as animals, we all eat, and so pagan or not, this book has immediate relevance.

Barbara Kingsolver writes here about the first year she and her family decided to become locavores, eating food that only originated within an hour’s drive of their home. Having the distinct advantage of enough land and money to be able to have their own small farm made a huge difference, and the degree of her locavorism is beyond most people’s ability at this point (which she even admits). But it’s inspiring, and her story is illustrative of the differences between corporate farming, and traditional small farming, on numerous levels. Over the period of a year she not only describes what it was like to only be able to have certain produce fresh at specific times of the year, raising poultry, and how to keep a family of four fed this way. She also wove in a lot of information about just how destructive large-scale agribusiness is, from the human body to the animals and plants raised in it, and the environment as a whole. Also, the fact that the family saved several thousand dollars by being locavores is a huge revelation in this economy, and busts the myth that locavorism must be expensive because a whole chicken costs more than four dollars. Just for this practical information alone the book is worth the cover price and then some.

However, what I feel should be of particular notice is the way that the change in practices affected the family structure. Life began to revolve around the kitchen, and not in a bad way. All four members of the family were often involved in activities ranging from cooking to canning to slaughtering poultry; Kingsolver’s older daughter contributed a number of essays detailing her experiences growing up in this household (a good place to be, apparently) and the younger took the initiative to buy her own chickens and start her own egg-selling business. The family spent more time together because of the efforts put into making food happen, and this created stronger bonds as a cohesive group, with more communication and collaboration.

Additionally, and not at all surprisingly, Kingsolver and her family became much, much more aware of the cycles of the seasons, and just how important it is to pay attention to Nature, not just as an abstract entity, but as the environment we are all immersed in and reliant upon every day. Animals and plants taken out of their cycles suffer both as individuals and as species, and the safety of our food supply is threatened because of it. If we pagans are to walk the talk about harvest festivals and being close to Nature, then our food is a damned good starting point.

This is not the how-to book of locavorism, but it’s a good inspiration. Consider it locavorism in theory, with recommended reading for practice (though this book contains a wealth of recipes to try out!)

Five pawprints out of five.

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Practical Protection Magick by Ellen Dugan

Practical Protection Magick: Guarding and Reclaiming Your Power
Ellen Dugan
Llewellyn Publications, 2011
218 pages

Back in the 1990s when I first started getting into neopaganism, the pagan publishing world was glutted with countless books on spells, rituals, how-to-do-X-type-of-magick, and other compendia of brief and not particularly deep explorations of assorted topics. This book is a throwback to that time, for better or worse.

It does have its good points. The information that the author includes in conjunction with the rituals is often pretty sound. She talks about standing up to bullies, a topic that needs much more coverage, and doesn’t just throw a spell at it. She also uses anecdotes and discussion to illustrate how not to deal with disruptive members of magical groups, how to tell a psychic vampire with good ethics from one without, and setting one’s boundaries more firmly, the latter of which is absolutely essential to staying safe on all levels of being. And the rituals and spells associated with the various topics can help to solidify the lessons in the reader’s mind.

However, there are also some major issues that severely deplete the effectiveness of even the good points. For example, early in the book she gives symptoms of a psychic attack, such as the feeling of being watched, or a heaviness about the shoulders. What’s sorely lacking, though, is a healthy application of Occam’s Razor—“the simplest answer is the most likely”. The feeling of being watched is a remnant of us being mammals, and we are aware of purely physical cues on a not-entirely-conscious level that can still create reactions we are conscious of. And she completely ignores any other potential internal source for these feelings.

In at least one case this could lead to someone not getting proper treatment for a mental condition: she states that having “Vivid, recurring dreams that are especially violent or disturbing” (p. 39). This is a classic symptom of Post-Traumatic Stress Disorder and can also be associated with other anxiety disorders, and nowhere does she suggest going to a counselor or other professional to rule out any potential diagnoses.

She also sets people up for self-pigeonholing by offering up a set of criteria to determine whether one has one of four psychic “powers”—clairaudience, clairvoyance, empathy, and intuition (the latter of two are actually found in any healthy human being and are products of our evolution as social mammals based, again, on subtle unconscious cues and responses). Some of the criteria are pretty weak:

“I always pay attention to my inner voice or my inner monologue.” Yes, that’s called thinking.
“I can hear it when someone is lying to me.” Welcome to nonverbal communication.
“While being taught something new, I do better by being shown as opposed to being told.” There are lots of people with a more visual learning style as opposed to an auditory learning style.
“I mistrust people who will not look me in the eyes or who look away while speaking to me.” There are some cultures in which it is considered rude to look at someone directly while speaking; additionally, some people even in American culture are just shy.
“I am easily influenced by other people’s moods and emotions.” So are a lot of other people with really permeable boundaries; this is not always healthy.

I wanted to give a few more examples, but this is all I could stomach. Needless to say, the majority of these criteria are just plain human being traits, and I foresee this book making people, yet again, treat these normal human traits as “I’m soooooooo special!”

Overall, I really cannot recommend this book to anyone. The shaky and questionable parts far outweigh the benefits.

One and a half pawprints out of five.

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Everyday Witch A to Z Spellbook by Deborah Blake

Everyday Witch A to Z Spellbook
Deborah Blake
Llewellyn, 2010
246 pages

I’ll start this review with the caveat that I’m really not a fan of spell books. They’re one of those remnants of the 90’s ZOMGWICCA publishing boom that I wish would just fade away. It feels as though the formula is “Write the main how-to book on a given tradition/topic/etc. Then write the related spell book. And after that? Somehow tarot.

That being said, I do not constitute the whole of the esoteric and related readership. And if someone were to insist that they needed a spell book, either to work with directly or as inspiration, I’d recommend this one as a potential addition to the witchy library. I’ve generally been a fan of Deborah Blake’s writing, and I’m not surprised she managed to write a spell book that I can give a positive review.

I think a lot of it is that she came up with a really wide variety of spell ideas. There’s more than just the usual lineup of healing, protection, money and LUV ME PLEASE! There’s a spell to boost advertising in business endeavors, and another to increase the likelihood of a damaged friendship being mended in a mutually favorable fashion. There are also things that can be used to boost–but not replace–mental health treatment, such as one to decrease emotional sensitivity, and another to focus on working through mental illness in general. And, as the title suggests, these are all arranged in alphabetical order–and some of the titles, like “Jerk Avoidance” and “Shit Happens” added a bit of levity. And the spells themselves are well-written and don’t involve hard-to-obtain materials like eye of honey badger.

There are a few pages of additional information helpful to spellcasting. Along with some guides on writing and casting spells, and when to cast or not, there’s also a bit of a blurb on familiars penned (by proxy) by Blake’s feline familiar, Magic, that’s actually pretty good even in its brevity. This is a nice guide for anyone new to the concept of spellcasting, but those who seek new ideas beyond the usual stuff may find this to be a good source of inspiration.

It’s still another spell book, and I’ll admit the cover got the hairy eyeball from me. But if ya gotta have a spell book, you could do much, much worse than this creative approach.

Four pawprints out of five.

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Temple of the Twelve, Vol. 1: Novice of Colors by Esmerelda Little Flame

Temple of the Twelve, Vol. 1: Novice of Colors
Esmerelda Little Flame
New Gaia Press, 2008
278 pages

A young woman finds herself at the threshold of service to great deities who embody archetypal powers. Rather than a relationship of fear, though, can she create connections of love and devotion with them?

I had heard about the Temple of the Twelve books from a few friends who were working through the pathworking system woven into the novels, and I’ll admit I was quite intrigued. I do like fiction that also serves as a teaching tool, but unfortunately a lot of it turns into awkward monologues about what Wicca is shoehorned into a badly written teaching scene or somesuch.

While there is some teaching dialogue scattered throughout this book, much of what each of the archetypal Twelve deities in this story–one for each of several colors and their correspondences–have to teach is demonstrated in their interactions with the main character, Caroline. For example, Caroline creates paintings of several of the deities, and one deity, Lord Blue, felt them strongly: “He felt the colors radiating from them. The hot red. The cool white. Need. Love. Lust. Pain. Joy” (p. 96). The author does an excellent job of “show, don’t tell”.

The story is nicely paced, and allows Caroline to develop not only in her relationships with the gods and others, but as an individual. At the same time, a usable spiritual path is drawn out as the story progresses; shortly after the experience with the paintings, Lord Blue tells Caroline she will bond in particular with one god and one goddess, which reflects the tendency of many pagans to have strong bonds with a few deities in particular (often along perceived lines of balance, such as between male and female energies).

In this, the book creates a mythology upon which nonfiction workbook materials have been based, and there are other novels that expand on this mythos (and I will be reviewing other books in this series). I can see this particular text being everything from a good read in and of itself, to the foundation of a pagan practitioner’s magical path based on colors and correspondences. The author’s personifications of the archetypes shows a strong connection, and I look forward to seeing more implementation of this in a practical sense.

Five pawprints out of five.

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The Little Book of Odes and Invocations by Auntie Matter

The Little Book of Odes & Invocations
Auntie Matter (Sondra Slade)
Self-published, 2010
10 pages

One of the things I love about reviewing self-published works is that while a good number of them are in sore need of editing, there are those wonderfully independent gems that are both well-written, and defy conventional publishing rules. A ten-page book of nothing but sacred poetry may not sound all that exciting or original, but this particular little chapbook packs a lot of quality into a small space.

The booklet begins with a Winter solstice invocation, with meditative lines on “The Slumbering Seed”, “Endless Night” and “Formless Energy”. The air of anticipation and turning toward the sunnier part of the year again is apparent. The last invocation is, appropriately, the Summer Solstice, a joyous celebration of life and light. In between these, Slade writes of the Moon, a Wiccan-flavored raising of energy, and one of the few things written about 2012 that I didn’t hate, among other themes.

Her writing style is incredibly descriptive even in a few words, and I can definitely see where these invocations would have a very powerful effect in a ritual. Her words have a good flow and rhythm to them, which should help bring on altered states of consciousness rather nicely. They’re interesting to look at, too. She patterns some of her free verse poetry with indentations to punctuate specific words or ideas following a general idea earlier in the stanza. This adds a wave-like quality to the works.

Pretty much my only complaint is that this is a very slim volume for the $10 price. I recognize that because it is printed on a home printer, to include some wonderfully detailed full-color illustrations, that printing up these booklets probably requires a lot of ink cartridges. However, seven poems and two pieces of artwork on ten pages is going to be a tough sell for a lot of people, even with the excellent quality of both writing and art. I might suggest that the layout be redone, and maybe some content added, to accommodate the minimum page count for a book at Lulu.com.

Still, it’s a wonderful compilation, and if you are looking for some really effective creative invocations for use in either solo or group rituals, this is a great resource to have on hand. It’s obvious that the author is tapped into the energies she writes about, and this comes through in every piece in this book.

Four pawprints out of five.

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Earthwalks for Body and Spirit by James Endredy

Earthwalks for Body and Spirit
James Endredy
Bear and Company, 2002
200 pages

One of the things I have always appreciated the most about James Endredy’s writings is that he takes spirituality and roots it very firmly in the physical world, perhaps more than just about any other author on shamanism and related topics. It’s a much-needed reconnection in a time and place where too often “spirituality” is focused on ethereal, untouchable things of the mind and imagination, with little hooking them to the “everyday” world. So having exercises and concepts that remove the gap between this word and the other one (if there is even a distinction) is a really welcome change. This, his first book from nearly a decade ago, is no exception.

The premise is simple: walking meditation. For a lot of people, sitting and being quiet simply isn’t a good option. Walking meditation is a way to focus the mind while also allowing the body a chance to settle down and move more intently. However, this book is not simply about focusing on the body, but focusing on the body as being an integral part of the environment it is within. The ability to be aware of both within and without simultaneously allows one to break down the barriers until there is no within or without, only what is.

This isn’t just the same steps made over and over, however. The book contains dozens of unique and incredibly useful ways to walk, starting with the most basic Walk of Attention, which trains the person to be aware of how the body moves and what it’s moving in, to more elaborate group walks, and walks that are aimed at focusing on specific elements or other parts of the environment. In fact, one could work with this book for months, if not years, and not get bored.

Very little of it could be misconstrued as woo-woo; this is spirituality grounded constructively and healthily. Any beings of spirit are encountered in their physical forms, for the most part, and the animals, plants and other phenomena behind the spirits are what are brought into focus. Yet the wonder and awe is not at all lost; on the contrary, Endredy’s walks encourage and facilitate the most fine and complex amazement at the world around us, as well as the bodies we wear. Even the final Walk for Vision only calls for a vision after an entire day immersed in the beauty of physical things.

This is an extraordinary book that doesn’t get nearly enough attention. Anyone practicing shamanic practices–in fact, anyone who professes a nature-based spirituality–would do well to pick this book up. And even those who are not particularly spiritual but who would like to reconnect with nature and the world at large may very well benefit from this text.

Five walking pawprints out of five.

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Animal Spirits Knowledge Cards by Susan Seddon Boulet

Animal Spirits Knowledge Cards
Susan Seddon Boulet
Pomegranate, 2007
48 cards, no booklet

I have loved Susan Seddon Boulet’s artwork for a good long while; her detail and original, ethereal style make fitting imagery for animal totem work (though I recommend her other creations, such as depictions of various deities, too). I am fond of the lush colors as well and the depth of the figures. Her creations are alive, if any art can be said to live and breathe.

However, this deck is not only about the art, but also about the meaning. There’s no book, but on the back of each card is Boulet’s brief interpretation and keywords for the totem on the front. Each is necessarily brief because there’s only so much room on each card, and text can only be shrunk so far. However, Boulet did her best to pack in as much information as she could. Generally, each card contains both historical and mythological information about the totem, and some commentary on the image she herself created.

This is not at all exhaustive, and should not be taken as the end of your research on each totem. And, as with any dictionary, it’s the author’s interpretation of what each totem means. Additionally, there is somewhat of a New Age approach, with smatterings of Eastern religions, “feminine energy”, and rather light associations with each totem; this has been aimed at a broader audience than the neopagan community. Some may find these meanings lacking; others may wish to primarily see them as commentary on the art, and attribute more detailed, personalized meaning to the cards.

The thin cardstock is disappointing, and if you’re wanting to preserve the art, you should have two decks–one for art, one for divination. However, the selection of animals is nice, if being almost exclusively vertebrates. Additionally, some of the cards are really general, like “Birds” or “Animal Deities”, which isn’t particularly helpful if you’re looking for something more specific.

Overall, though, this is a lovely addition to any collection of totem cards, whether for art or divination.

Four and a half pawprints out of five.

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Hiatus is Over!

So, it’s been the better part of two years since I put this blog on hiatus so I could focus more on my graduate school endeavors. I’m coming back to reviewing, though, so let’s just call it official!

Since I’m still in school, to be followed by full-time self-employment, my posting may not be quite as often as before school, but I need some things to read that aren’t all about my academic career, and I’ve missed writing these reviews quite a bit.

So expect more to read from me, and if you’re an author or publisher who’d like me to review something for you, just let me know!

Update on Hiatus

Hiya, folks. In case you haven’t noticed the note on the info about getting your book reviewed, I am on hiatus, and I haven’t updated in a few months. This is because graduate school is taking a LOT of time and effort, and right now that’s where my priority needs to be.

Once I’m ready to start reviewing again, I’ll post something here. In the meantime, feel free to peruse the archives to see what I’ve read in the past 🙂

Thanks!

–Lupa

Sacred Kink by Lee Harrington

Sacred Kink: The Eightfold Path of BDSM and Beyond
Lee Harrington
Mystic Productions, 2009
406 pages

I’d been waiting for this book for a while; the author is an acquaintance of mine, and I’ve been following his blog adventures for a while. What I’d seen impressed me, so I was really happy to get a review copy of this. Among books on BDSM and magic, this is by far one of the absolute best you can get.

Every author who writes on this subject has hir own take on it. However, Harrington has gone above and beyond by creating a most thorough structure to work within. He elaborates on eight different paths that are much more nuanced than “top” and “bottom”. The Path of the Horse, for example, goes into the controversial topic of god-slavery, as well as other interactions of the divine in sacred kink practices. The Ordeal Path, which others such as Raven Kaldera (in Dark Moon Rising) have spoken about, involves suffering for a purpose, such as rites of passage and catharsis. And the Path of Sacred Plants is a well-designed, responsible approach to entheogen use. (Quite obviously, this book is going to raise some eyebrows–and some voices. Not a bad thing at all.0

Harrington is a good writer, and has organized the material in an understandable and useful manner. Each chapter has a nice balance of theory, ideas for practice, and anecdotes. Sadly, my reading experience was marred by some typos and other language errors, which is an all-too-common problem in self-published works. However, the content is solid, so the proofreading errors can be overlooked easily enough.

This is a solid text on the topic of esoteric BDSM. I would recommend having at least a basic understanding of both kink (particularly roles within it) and magic before attempting the material in here, but once you have good context for it, this stuff is incredibly valuable. There’s enough to explore for years of practice.

Five pawprints out of five.

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