Cluck: Murder Most Fowl – Eric D. Knapp

Cluck: Murder Most Fowl
Eric D. Knapp
Self-published, 2007
338 pages

Okay, okay. “Zombie chickens” aren’t pagan. Not in the religious sense, anyway. But when I got offered a review copy of this novel, I had to bite.

Take one flock of zombiefied chickens, with an uber-rooster at the head. Throw in one inept wannabe farmer living in a haunted house. Top it off with an order (no pun intended) of secret zombie chicken hunters, with a particularly talented mortal off on a solo crusade to end the plague of undead fowl once and for all. Mix well with a good dose of off-the-wall humor, some camp, and enough talented description to give you a movie in your head, and you have the makings of one very fun read.

It started out a little questionably. While Knapp is a talented author and does a good job of describing what’s going on, the intentionally campy writing got to be a bit much to slog through, especially after the umpteenth time there was a description of a zombie chicken moving in such a way that a random body part fell off. Camp doesn’t really translate over to writing nearly as well as film, as far as I’m concerned, though Knapp made a really good effort of it. Additionally, the backstory took a while to build up to an interesting point, though for good reason–the story behind the story is actually somewhat complex, and made what could have been a relatively simple zombie chicken novel into a more solid read.

I urge prospective readers who find the beginning to be a bit tough to get into to hang in there; it all makes more sense the more deeply you get into the story. The second half of the book grabbed me much more firmly, and it was hard to put it down after that point. The writing, though still campy, had more going on plot-wise, so I was less distracted and more enthralled. While I think the ending (which I won’t spoil for you) came out of left field to an extent, it was satisfying, and left me with a good feeling about the entire adventure through zombie chicken land.

Overall, while it has a few flaws and could use a bit of tightening up in the first half, “Cluck” is definitely an amusing read. It’s particularly commendable as a self-published work, and is among the best self-pub works I’ve ever read, nonfiction or fiction. And, as I said, Knapp is very good with descriptions, and I had a clear mental picture of what was happening the entire time, even if it didn’t make sense at first. Pick this one up if you have a long plane flight, need something to read on the morning commute, or simply want something entertaining to read over a weekend. It has good re-read potential, too, so you’ll definitely get your money’s worth.

Four pawprints full of undead feathers out of five.

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Weather Shamanism – Nan Moss with David Corbin

Weather Shamanism: Harmonizing Our Connection With the Elements
Nan Moss with David Corbin
Bear and Co., 2008
258 pages

Now that I’m telecommuting instead of commuting to a workplace via public transit, I’m not reading as much as I used to (plus I admit to having been reading more comic books from the library than usual, now that I have the time to go!). However, I picked up a copy of Weather Shamanism, a book I’ve wanted to read since I first heard about it last year. I just finished it off, and I’m rather pleased with the result.

I was a bit concerned that this would be a text on how to control the weather, a modern-day mix of spirituality and human-centric overpowering. However, I was pleasantly presented with a book full of concern for the impact we’ve already had on the atmosphere and the Earth, how this has affected the weather, and how further manipulation is not the answer. Nor is the power placed entirely in our hands; the authors focus on working with the spirits of the weather–not ordering them about, but aligning ourselves with them, and learning to see the bigger picture even when our immediate needs may not be being met.

The bulk of this book is theoretical in nature. It is not a “how-to” book with a bunch of exercises and rituals and prayers. I was quite thankful there wasn’t some dictionary of weather spirits, talking about the personality of cloud spirits or the favorite offerings of rain spirits–the authors stress building your own relationships with the weather spirits, which I very much support. Also the authors seem to go on the basic assumption that the reader will already have a decent understanding of shamanism, particularly core shamanism which is the foundation of their own practice. Therefore, this is not a shamanism 101 text.

I think my only complaint is that there’s too much theory; while the authors do a good job of explaining things like respect and power, animistic perspectives, and the nature of certain weather spirits in particular, as well as share a lot of anecdotes (their own and others’), they could have gotten their points across effectively in a lot less space. Really, it’s only the last few dozen pages where there’s any explanation of practical applications beyond anecdotes. My favorite chapter was probably the second to last, the one on healing with weather. And yet, there was so much more they could have described. The book spends a lot of time setting up the stage, for a comparatively brief “performance”. While I don’t expect a bunch of precrafted rituals, it felt at times like they were making the same general points again and again in different words. I would have liked more specific information on practical applications and considerations.

Still, this is a very worthy text, especially for being the first of its kind, and I would definitely recommend it–I am most assuredly hanging onto my copy, because I learned quite a bit that woke me up to the reality of weather spirits, and since I started reading it I’ve been much more aware of them in my everyday life. Thank you to the authors for providing this text.

Four pawprints out of five.

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An Enchanted Life – Patricia Telesco – May BBBR

An Enchanted Life: An Adept’s Guide to Masterful Magick
Patricia Telesco
New Page, 2002
224 pages

This is one of a number of books that have come out in recent years that have attempted to break beyond the paganism/magic 101 barrier. Rather than giving all the answers, Telesco instead works to give the reader a lot to think about–something that’s exceptionally important when moving beyond the basics.

There are dozens of incredibly useful exercises in the book. Some involve self-questioning and reflection; others provide the reader lessons in shifting perceptions. They’re much more in-depth than yet another pile of precrafted spells and rituals, and the reader who makes use of them won’t be disappointed. The first two chapters of the book deal mainly with perceptions and awareness, as well as working more with all five senses, not just sight, our primary sense.

The rest of the book is dedicated to four different archetypes–the Healer, the Teacher, the Warrior and the Visionary. Now, this is just a personal preference, but I’m not really fond of directing people towards specific roles. While I understand the reasoning behind promoting archetypes as templates of the self, the problem is that people have a tendency to lock themselves firmly into those archetypes, newbies especially. I think, perhaps, it would be wiser to offer up archetypes, but then encourage the reader to learn to take them all on, rather than sticking with whatever “element” or “role’ they feel they fit the most. IMO, the more advanced you get, the more adaptable you may need to be (even as you may have your specialties).

I wouldn’t call this an advanced text; rather, it’s intermediate-right-after-the-basics. It’s the kind of book you give to a person when they’re just beginning to branch out from learning about the Sabbats, and correspondences, and some of the more common deities and spirits. Despite my qualms about the archetypes, I do think it’s a great text for bridging the way between basic and intermediate magical work, and the wealth of information and exercises in the text is the real strength of this book.

Four pawprints out of five.

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Mercury Champagne – Dan Goodrich

Mercury Champagne
Dan Goodrich
Erie Harbor Productions
280 pages

I do like a good occult-themed novel. I gotta say, though, that this one’s a little on the weird side. Okay, a lot on the weird side–and that’s something, coming from yours truly! This one brings in slipping through multiple layers of reality, Jack Kerouac, and the magic of cigarettes and booze. In other words, not your average novel.

The book starts off with as much disorientation as the main character, Ed Derringer, is feeling. Having lost his job and gone on a bender, he wakes up the next day to find that his world has suddenly gone very, very wrong. An “assurance agent”, John Stanford, just wants “a moment of his time” in return for giving him a ride home. And this is where the story stops being relatively straightforward, and get dropped somewhere between The Twilight zone and the Illuminatus! Trilogy.

For reasons unbeknownst to Ed–or the reader–reality shifts violently, and Ed is suddenly sputtering in a freezing cold ditch in very rural Canada. From this point on, the storyline reels like a carousel with a half-broken axis, trying desperately to gain balance again. Ed ends up in the company of a pair of sorcerors and the ghost of Kerouac, and dives into an alternate version of reality where a Moment and a Dream are the most crucial things a sorceror can work with–and John, the assurance agent, wants his Dream back at any cost, even Ed’s life.

It’s a bizarre hero’s journey, quite worth reading. Be aware that this book may be really tough to get into because the first third of it is incredibly strange, and the background information is lacking. However, hang in there–it’s well worth it. I will say that the book doesn’t make sense until the last fifty pages or so, which makes this a good book for re-reading later on. But it was sufficiently interesting to keep my attention all the way through the first read over a two-day period.

If you want an original novel and don’t mind feeling a bit shaken up as you go along, then Mercury Champagne is a good choice. Personally, I’m hoping for a sequel, because I really appreciated how Ed developed over the course of the book, and I’d love to see where he goes next–and I don’t say that about a lot of characters. Goodrich has created a modern mythology out of his world, and more exploration would be lovely. On the other hand, even as a standalone novel, this is a superb read.

Five pawprints out of five.

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Magickal Mystical Creatures – D.J. Conway – April BBBR

Magickal Mystical Creatures
D.J. Conway
Llewellyn, 2001
260 pages

This book was a freebie from a friend. I had been less than excited about Conway’s Animal Magick and Dancing with Dragons (though I just got the newest edition of the latter from newWitch magazine, so we’ll see what kind of a review it gets).

I was actually surprised; I liked this one better than the other two. I still have my gripes, but I am admittedly pretty picky. This particular book is an encyclopedia of various mythological beings from around the world–primarily Eurasian, but with a smattering of beings from other places as well. They’re divided by type–canines, gryphons and their ilk, various types of unicorn, etc. (I do have to say I loved the illustrations, too!)

There’s a decent amount of information on each being gleaned from mythological and historical sources. Additionally, Conway adds in psychological interpretations of the kind of people who could either be helped or hindered by each entity, depending on its nature. She does also recommend that dangerous beings be avoided by all but the most experienced magicians (and sometimes not even then).

I think my biggest complaint is that it’s simply not enough. Many of the beings that she recommends as being safe aren’t necessarily so. For example, she presents unicorns as being mostly positive beings who can lead the reader into Faery. However, there’s not much warning about the fact that unicorns were originally seen as fierce, dangerous creatures, and that Faery generally isn’t someplace you want to just waltz on into. Even the “nice” faeries aren’t particularly safe, especially if you study the original lore. As with a lot of basic pagan titles of the mid 1990s, things that really aren’t safe and easy are presented as welcoming and available to all, with little warning of potential hazards.

And this is why I strongly recommend that you not stick with just a dictionary. While this has its uses, it’s a starting point primarily, and the actual practical information comprises less than a score of pages, and it’s mostly spellwork 101. Use this guide to get you introduced to what’s out there, but then do your research with other sources, both on magical practice and on lore surrounding the beings you want to work with.

Three pawprints out of five.

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Wealtheow – Ashley Crownover

Wealtheow: Her Telling of Beowulf
Ashley Crownover
Iroquois Press, 2008
208 pages

I admit that I’m rather jaded against the “feminist revision” of numerous traditional tales. I enjoyed MZB’s Mists of Avalon way back when, but got tired of the “Women are always good” vibe I got after a while (as well as the Avalonian-Goddess-worship-is-historical movement that also rose up in response to the novels). And I continue to see rather awkward, “GIRL POWER!” reworkings of various stories and themes, including in fantasy lit.

Wealtheow manages to avoid the cliched pitfalls while maintaining a unique perspective on the story of Beowulf. The story centers on Hrothgar’s wife, Wealtheow, from the time of their marriage through Grendel’s siege and on into Beowulf’s arrival. Rather than presenting a simpering maiden or a GODDESS! worshipper, Crownover gives us a Wealtheow who is dedicated to her people (both those she grew up among, and those she married into), as well as to the sanctity of the land. Though she shows strength of character, this is no Mary Sue; not everything is perfect for her. And the devastating secret that brings about the creation of Grendel becomes a burden only she can truly carry. And I like how the story doesn’t turn into “Women are always good, men are the bad guys” dualism; Grendel’s mother has a surprising origin in this tale!

This is a very quick read; I finished it in a day, and it would be a good book to take on a plane trip. It’s well-written, though. I had no trouble remembering which character was which, and she manages to tell a relatively short story without using cardboard characters. She weaves the traditional tale of Beowulf with her own embellishments that are believable and blend well with the original. I can’t speak to the historical accuracy, so I can’t guarantee that modern heathens won’t be having similar wincing moments that other pagans had in response to the Avalon books. However, the descriptions of Danish culture and religion didn’t strike me as nearly as fanciful as some other modern revisionist tales, and I found myself thoroughly enjoying the tale rather than groaning in pain from some poorly executed “update” or “improvement”.

Overall, this is a great debut novel, and I very much look forward to more from this author.

Five pawprints out of five

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Facing North Reviews

For those who don’t know, I’ve been a reviewer with Facing North from its inception. Webmistress and author Lisa McSherry started it as an online database of reviews of esoteric texts; while I’ve shared some of my reviews from here over there, I also have some that are unique to that site. Here are the links to what I have there at this point:

The Druid Magic Handbook by John Michael Greer
Your Altar by Sandra Kynes
Wisdom Walk by Sage Bennett
Pagan Prayer Beads by John Michael Greer and Clare Vaughn
The Bitch, the Crone and the Harlot by Susan Schacterle
Creativity for Life by Eric Maisel, Ph.D.
When Fear Falls Away by Jan Frazier
Circle, Coven and Grove by Deborah Blake
Moon Days by Cassie Primo Steele

I strongly suggest checking out Facing North, as well as the other reviewers I have linked on the left sidebar.

Wicked Game – Jeri Smith-Ready

Wicked Game
Jeri Smith-Ready
Pocket Books, May 2008
384 pages

Branching into more fiction has been good for my sanity. It’s been a nice break from all the nonfic, especially denser texts that may take a while to process. I’m fortunate in that I’ve gotten some good selections, and the vampire novels that Simon and Schuster (who own Pocket Books) have been sending my way are among the best.

Jeri Smith-Ready’s Wicked Game is no exception to that. Set in a small town in the northeast, the story follows Ciara, a sometimes con artist, newbie assistant at a radio station, and well-seasoned skeptic. All’s well for about the first thirty pages–and then the bomb gets dropped. Those nighttime DJs? Vampires, all of them. Which is to be expected in a vampire novel. However, Smith-Ready creates an interpretation of the vampire that goes well beyond the black cape, bats, and Bela-wannabes. In the world of Wicked Game, vampires become locked into the time they were turned; Spencer, for example, has the slick ducktail and greaser style of a 1950s rocker, while Shane’s circa-1995 death keeps him in a perpetual state of Cobain-seque grunge. The music they play as DJs keeps them linked to both the past and present–but what about the future? After all, the radio station’s about to get sold to a major conglomerate, and somebody very important is very unhappy about the station’s latest ad campaign…

Interested yet? You should be. The plotline is incredibly fast-paced and well balanced. Smith-Ready is quite talented with first person voice, managing to give the reader enough background information while at the same time showing Ciara at her most public–and most private. In many novels there’s a tendency to lag at some point in the story. Not so here. This tale kept my interest all the way through, whether the moment was action-packed or sweet and silent.

The characterization is even stronger. Ciara starts with her temporally challenged vampires, adds in some extra quirks, and manages to make them quite likable. Smith-Ready works in minor details that remind the reader of what makes them vampires, and successfully blends these details into the rest of the story. However, they’re not so minor as to be insignificant. And she comes up with good reasons for them–she even manages a plausible theory on the garlic thing! The human characters are equally fleshed out, and she managed to not get me confused about who was who (which is a tougher feat than you might assume!)

What makes this novel really fun are the numerous musical references. It’s nice to see a vampire novel that doesn’t hinge entirely on Goth aesthetics to make it go, and this includes the choice of music. From 1940’s blues to contemporary pop-punk, Smith-Ready gives this book a virtual soundtrack that shows her knowledge and research of music, and a good ear for good listening. Music trivia geeks will find a few gems in here, and fans of various musicians mentioned may find some joy in shared fandom. (Plus I picked up a few extra CD ideas that I hadn’t heard of before–added bonus!)

Overall, this is a fun novel, and it definitely stands out from the crowd of Anne Rice wannabes. It’s a great choice for commute, plane trip, or curling up in a comfy chair for a few hours. Plus it’s a good enough story that it’s got plenty of re-read value. And there are enough hints towards a continuing story that I’m quite hopeful for a sequel–something I definitely encourage the author to do!

Five pawprints out of five.

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A Field Guide to Modern Pagans In Hamilton, Ontario – Neil Jamieson-Williams

A Field Guide to Modern Pagans In Hamilton, Ontario
Neil Jamieson-Williams
Australopithecine Press
146 pages

This is a really cool book. It’s an in-depth study of the pagan community in Hamilton, Ontario by a member of said community. Neil Jamieson-Williams is an academic as well, holding degrees in both anthropology and sociology, and he approaches this work with that as well as his personal background in a healthy balance. His experience as an academic lends itself to a professional treatment of the topic at hand, but his experience within the community he studies tempers it without showing too much bias.

The author starts with a basic overview of modern paganism, and then proceeds into some good advice on how to observe pagans (for we are wily critters!) He’s quite open about the fact that academics may do some pretty covert observations of people who don’t realize they’re being observed, including online in forums and elsewhere. And he stresses the importance of being open with the people you’re observing (no doubt to help would-be observers to avoid “Luhrmann syndrome”*) However, he’s also honest about the methods by which academics may “ethically” obtain material, some of which may raise the hackles of more private pagans. It’s a refreshing sort of honesty.

The rest of the book is dedicated to profiles of different covens and other groups in the Hamilton area at the time of the book’s publication. Jamieson-Williams is quite open about the fact that pagan groups are often short-lived, especially those he terms “Eclectic”, and that his book may be dated in a short time. However, this does not detract from the systematic explanation of the different groups and lineages represented in his chosen demographic, nor the frank appraisal of their varying levels of participation in the community at large (and how that may affect the budding ethnographer’s attempts to study them).

My quibbles are minor. There are a few typos scattered throughout the book, even taking into account my American eyes and the author’s Canadian English. Additionally, there are a few points I would question, such as his assertion on p. 14 that “the vast majority of Modern Pagans absolutely despise the term Neopagan”. I’d say that some do, but not the vast majority. Even if this were a regional difference, it goes against his later cautioning against generalizing based on too small a selection of study participants.

But these are small things, and should not deter even the casual reader. Overall, I applaud the existence of this book. It’s valuable to pagans because it shows us a potential way of communicating about ourselves in a way that nonpagans may be more amenable to than, say, a practical book on spells. It also points the way towards a more advanced way of exploring the community; we do have our academics in the community, though even nonacademics may use this as inspiration for their own explorations and ways of communicating about paganism to others. For academics, pagan or otherwise, it’s an example of a sensitive, yet effective, study of a particular group of pagans that allows the freedom to explore and learn, but also shows areas where we may feel particularly vulnerable and may ask for more respect. And for members of the mainstream community who are not pagan or academic, it’s an accessible guide that shows pagans in a realistic, relatively neutral light. The writing style, while fitting academic standards, is still understandable to the layperson rather than couching itself in too much complexity and jargon. In all, it’s a very balanced book.

Personally, I would like to see more books like this, studies of specific demographics. Granted, not every community has its very own long-term resident pagan-academic. And I don’t think every book should be a carbon copy of this one. However, just as some people study specific tribes, or even specific indigenous communities, so may there be value in looking at individual pagan communities in detail. This has tended to be more slanted towards specific traditions spread across wide geographic locations. But in-depth studies of specific locales and their corresponding communities may help give some insight on unique concepts, such as where pagans are more populous and/or active, and what factors may contribute to that. I also encourage people to take the same well-balanced approach that Jamieson-Williams has in this book, offering a little of something for everyone.

Five pawprints out of five.

* This refers to Tanya Luhrmann, an academic who studied pagans in the ’80’s, who took advantage of the trust of pagans who treated her less like an academic and more like their own after a time. They gave her oathbound material that she then released into a more public domain. (In Wallis 2004 as referenced by Ellwood 2008, p. 62)

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Good Fortune and How to Attract It – Titania Hardie

Good Fortune and How To Attract It
Titania Hardie
Quadrille, 2008
304 pages plus three divination coins

I like creative reworkings of old systems (at least as long as they don’t claim to be the original!). Good Fortune is just such a book. Titania Hardie offers her own modernization of the I Ching; she argues that as the original was created in an entirely different culture, including one in which women weren’t even allowed to use it, a form friendly to both men and women was in order. I am pleased by this.

The first section of the book describes what the basic concept is, how to throw and read the coins, and the different personality types that affect the outcome of the reading. There’s also some interesting elemental correspondence worked in there as well. It was a bit complex to understand at first, but a little closer study made it make sense. The readings rely on a grid with numbers on it; the way the coins fall in six throws, and the lines created on the grid by recording these throws, determines what the answer is. With a little practice, it’s a wonderfully effective divination system.

I’m a bit on the fence about the personality types, specifically the element of birth order which is used to help determine what the dominant aspects of your personality are. According to The Birth Order Book by Dr. Kevin Leman, one’s sex isn’t as important as Hardie makes it out to be; it’s more about the interactions of the family members. Hardie covers that too, though, so it’s a more thorough view. I’m not a big fan of rigid gender/sex dichotomy, and occasionally a bit of “female-nurturing, male-doing” sentiment got to me a bit, especially with the “Mother always equals Earth and Father always equals Sky” aspect. Overall, though, personal biases aside, it adds a useful dimension to one’s reading and understanding of how who you are affects what may occur and how you react to it.

Quibbles and bits aside, I did thoroughly enjoy this book. It’s quite possibly one of the prettiest books, with some spectacular layout and design work. Don’t let the loveliness fool you, though–this is an effective system of divination suitable for anyone who resonates with it. Don’t expect classic I Ching; you’ll be disappointed. Instead, open yourself up to a new derivation that goes in some creative directions.

Four and a half pawprints out of five.

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