Ask Baba Yaga by Taisia Kitaiskaia

Ask Baba Yaga: Otherworldly Advice for Everyday Troubles
Taisia Kitaiskaia
Andrews McMeel, 2017

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Review by Katessa S. Harkey.

Author Taisia Kitaiskaia traces her connection with the spirit of this gnarled fairytale witch to her childhood on the borderlands of a deep Russian woodland. Kitaiskaia served as mediator to the voice of Baba Yaga to querents on the website The Hairpin. This is a “best of” collection of these inquiries and the channeled responses received by the author.

The style is poetic, yet chthonic and earthy, as befits such a wild entity. The questions reveal an unusual depth of vulnerability, which strengthens the emotional investment for readers. While the poetry can be somewhat cryptic at times, seldom does one expect an old witch to give a straight answer; and thus the twisty answers only add to the mystique.

In example, to the question “How do I feel my feelings?” we get:

“Your feelings look to you like bison in the distance — stormy, powerful, & ready to charge. But feelings are not anything solid, to be killed or butchered and carried home. Walk toward yr bison; when you reach them, you will walk through them, as they aren’t bison at all, but clouds. You will feel the hue & mist of them, & then you will be on the other side.” (p. 69)

Presuming that the issue of this question that the querent is afraid to fully embrace their feelings, carrying through the visualization exercise contained in the response would act, in effect, as a powerful palliative spell. Anyone in the same boat has recourse to it by simply allowing the poetry to do its work upon the imaginal faculties.

This diminutive volume can be read in an afternoon, but it is better savored, as one would a fine wine, over many days. The book is peppered throughout with bold, tricolor artwork and design elements (black, white, and red) in traditional Russian motifs. Ask Baba Yaga is a rare opportunity to explore the traditional Russian mindset and worldview in very practical modern application.

There are other uses for the work besides as a “straight through” reader. An index of “summary questions” allows for searching topically for reference to one’s own life issues. Of course such matters are purely personal, but I have tested the work on three natural occasions for its use as a bibliomancy tool. I felt I got a “hit” two out of the three occasions. It would also be an ideal study for anyone preparing to embody Baba Yaga in ritual.

Finally, the greatest treasure of the work is the potent echo of the archetypal Crone Goddess’s voice. So much of our view of the Goddess is restricted to the beautiful Ladies of love and youth and even homely motherhood. Age has faced the world and no longer fears its phantasms.

To the question, “What’s the point?” Baba Yaga replies:

“Plow-horses carry out the duty given to them by some Master. For some-such reason, you have decided there is some other being —some Master — telling you what is to be done. & if so valiant, on whose behalf have you gone crusading?” (p. 105.)

On whose behalf, indeed, dear reader?

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Gwyn Ap Nudd by Danu Forest

Pagan Portals: Gwyn Ap Nudd — Wild God of Faerie, Guardian of Annwn
Danu Forest
Moon Books, 2017

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Review by Anthony Rella.

A contribution to Moon Books’ Pagan Portals series, Danu Forest’s Gwyn Ap Nudd is a slender book that provides an accessible and welcoming path to Celtic mythology, Welsh divinities, and a nature-centered practice. At only 94 pages, one still has the foundational material to begin a rich journey into nature worship, connection to the Fae, and devotional practice with this powerful god of the old Britons.

Through each section, Forest provides overviews and discussion of various myths associated with Gwyn Ap Nudd — as guardian of the underworld, as king of the fae, as leader of the Wild Hunt, and as one who lives in the glass castle of Glastonbury Tor. With each facet of this complex and intriguing figure, Forest offers suggestive insights into how a modern-day connection with wildness, the forest, and the dark spaces provides a rich and revivifying journey of transformation.

Forest also provides guided pathworkings to help practitioners make contact with and build their own connections to the figures described therein. Along with these pathworkings, she utilizes prayers and images from Celtic tradition to offer readers foundational tools for space clearing, purification, and personal initiatory experiences with the gods. Along with herthoughtful and researched discussions of the material, Forest offers suggestive hints or questions that could lead the curious practitioner into their own explorations of practice and research to root more deeply into the mythology.

For those interested in Celtic history and practice, this book would serve as an excellent addition to one’s research shelf. For those who are brand new to the tradition or — like myself — struggle to fully understand the mythology and its language, this book provides a gentle introduction that helps one to begin to understand the core concepts that arise so often in these practices.

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Dancing with Nemetona by Joanna van der Hoeven

Dancing with Nemetona: A Druid’s Exploration of Sanctuary and Sacred Space
Joanna van der Hoeven
Moon Books, 2014
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Review by Jennifer Lawrence.

When I first began reading this book, I was wholly unfamiliar with the goddess Nemetona. I knew the word nemeton, of course; as a member of several druid organizations, it would be difficult to remain unaware of the idea of a sacred grove. As it turns out, it isn’t odd that I was unfamiliar with Nemetona, because very little is known of her with any sort of historical accuracy. A few place-names, a few inscriptions: all that’s left to tell us about a goddess whose worship apparently once stretched from Germany to Spain to Britain. Greece, Gaul, Ireland, Wales; these places paid reverence to her, but today she has all but vanished from history, and the author tells what little is known of her within a page and a half of introduction.

The first chapter talks about one’s personal “nemeton,” which, rather than being a term for the sacred space outside of one’s body, appears to be the author’s way of discussing a person’s aura — that veil of energy which wraps around and through the physical body, changes color and shape with health and mood, and can be impinged upon by others both positively and negatively.

As the book moves into further chapters, it takes time exploring Nemetona’s titles and purviews: the Lady of Edges and Boundaries, of Hearth and Home, of the Sacred Grove, of Sanctuary, of Ritual, and finally, of Everything and Nothing. Of all these, only the final chapter seems to be a stretch: while the last title might be valid in a modern interpretation of Nemetona’s strengths (which, of course, this is), I suspect that the original peoples that venerated the goddess might have found room to argue the point. If nothing else, “everything and nothing” smacks of a monotheistic deity that rules all, and given how many modern Pagans came to Paganism after leaving such monotheistic religions, they might not want much to do with a deity that claims some of the same qualities as the god they left behind. However, the rest of the material leading up to that chapter is excellent, both well-written and well-presented, although I might have wished that the book as a whole was longer.

It was a bit of a surprise to see how much of the material in this book was originally found by the author within the ideology of Zen Buddhism. This is less odd in today’s mix-and-match Paganism than one might suspect. The Zen material woven into the book actually supports the ideas on Nemetona well enough to not be objectionable.

There is so much good material that works well in this book that the above-mentioned issues are of very small import. Not only are the exercises simple to do and effective, the greatest mass of the written material reads like poetry, full of elegant and beautiful imagery that flows like clean water. When the author describes the shadowed, quiet peace of the forest, the sweet smell of earth after the rain, the songs of the trees and the sunshine, the reader is vividly and instantly able to see that forest, smell the wet earth, and hear those songs. That ability to paint a vivid picture is one of the marks of a really talented writer. This is especially so in any book on material of a spiritual nature, where the reader must be lifted — or even torn — away from the dull reality of mundane life. That Van Der Hoeven has succeeded so well at this minimizes anything I might find fault with otherwise.

This was a beautifully-done book with some excellent exercises and enough material to give an individual the tools to begin a relationship with this obscure but important goddess and the things she rules over.

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Journey to the Dark Goddess by Jane Meredith

Journey to the Dark Goddess: How to Return to Your Soul
Jane Meredith
Moon Books, 2012

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Review by Pegi Eyers.

She is the one who makes and unmakes us. She is the one resting deep inside us when we think we have nothing left.” — Jane Meredith

The Dark Goddess as we know her is Kali the Destroyer, Hecate the Nightwalker, Morgana the Villainess, the Wicked Stepmother, Persephone Descending, and the Crone. She is also the necessary shadow side of life, the terrifying or womb-like darkness we all encounter. Sudden change, illness, accidents, grieving or sea changes of the soul — all these things can bring us face-to-face with the terrain of the Dark Goddess. Meet Her we must, but as Jane Meredith tells us, better to get to know Her ahead of time, and become familiar with the intricacies of change, healing and renewal. Journey to the Dark Goddess is a wise and wonderful guidebook for our journey into the transformational darkness and back again.

Using powerful symbols in the myths of Persephone, Inanna and Psyche, Jane traces the many stages of our visit to the Underworld, offering stories, rituals and guideposts to prepare for our Descent, our time in the Underworld, coming back, and continuing the cycle of life.

The myths and fairy tales of heroines who have lost everything, who are stripped to the bone and still come back reborn, have deep fascination and meaning for us. Similar to the many personal narratives found in the book, during my own experience with serious illness, I spent many months firmly in Her dark embrace. Feeling safe and protected at all times, I arose from the ashes and gained powerful life lessons. The Dark Mother grabbed me, held me, loved me and let me go. I learned that once you surrender and embrace Her in her full glory, powerful insights are waiting to be found.

Meredith is a superb guide to uncovering the meaning and metaphor in ancient mythologies as maps that we can apply to our lives today, and she fully grounds us in the self-inquiry and soul-expression tools such as journaling, dreaming, dancing, creating mandalas, altars, art and poetry. She offers powerful and meaningful rituals that connect us to Diety and the Earth, bringing clarity and integration to our own unique journey.

Instead of resisting, or being dragged kicking and screaming, Jane suggests that we deliberately seek out the means and methods to face the Dark Goddess. As much as the dominant society denies it, the fertility and blessings of the darkness are a natural part of nature’s cycles, such as the waxing and waning of the moon and the growth and passing away of the seasons. “Living eternally in the dark is no more a natural existence than staying eternally in the light.” Jane urges us to taste the pomegranate, open Pandora’s box and willingly step into the unknown to bring much-needed balance to our lives and the Earth.

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The Chrysalis Tarot by Holly Sierra and Toney Brooks

The Chrysalis Tarot
Art by Holly Sierra, text by Toney Brooks
US Games, 2014

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Review by Hayley Arrington

Chrysalis Tarot is now one of my favorite decks. Holly Sierra’s paintings for the cards are truly beautiful; I’m even enamored of the back of the cards, showing delightful, psychedelic butterflies. There is so much to see in each card that meditating on the images alone would be time well spent.

Chrysalis has some characteristic differences. Let us begin with the Minor Arcana:

Stones replace Pentacles/ Coins
Mirrors replace Cups
Spirals replace Wands/ Rods
Scrolls replace Swords

At first, I had trouble differentiating Spirals and Scrolls. However, remembering the idiom, “the pen is mightier than the sword,” when encountering Scrolls, has helped me to remember that they have the same associations as Swords. In Chrysalis, Spirals are associated with fire and Scrolls with air, but there is little in the cards to let the reader know this, it is told to us in the little white booklet (henceforth referred to as LWB). So, in my opinion, associate these suits with whichever element you feel comfortable associating them as, or are most accustomed to doing.

The court cards for these suits are collectively called The Troupe and are each given a distinct name. For instance, “The Weaver” is the name given for the “Queen of Scrolls” while “ The Acrobat” is the “Page of Stones.” These are delightful cards, but I must say that their representations bear little association with their suit, so it is all the more important that their “Queen of-,” “Page of-” names remain on the cards.

Working with Chrysalis has been fun and enlightening, although my experience with the LWB was generally frustrating. Upon reading through it, I noticed some cards whose interpretations were almost like their reversal meanings.

The Major Arcana is an interesting mix of world cultures and characters. I found these to be heavier on the Celtic theme than I would have thought based solely on the paintings. Here are several that I noted as odd or especially liked.

II – Sorceress (The High Priestess)”: This card is beautiful, and I like this card, overall. Brooks writes that Sorceress portrays Morgan le Fay, and in fact, calls her this exclusively in the description. I wonder why they just didn’t name the card this, then.

IX – Storyteller (The Hermit)”: This beautifully evocative card is my favorite in the Major Arcana, possibly my favorite overall.

XII – Celtic Owl (The Hanged Man)”: At first, I was taken off guard by this card’s representation not as a human figure, but as an owl in flight. Working with the deck has made me appreciate this card and the symbolism I feel it has. I am a little confused, however, by the description and keyword Brooks gives it, as “REBIRTH” (p. 14) is usually a keyword given to the Judgment card.

XIII – Ariadne (Death)”: If this is what death looks like when it comes my time to die, I will be happy to slough off my mortal coil. Brooks’ description, though, leads me away from the images in the card. Brooks writes that the figure in the card is “Ariadne, Celtic goddess of the gates of time…” (p. 15). The heroine of Minoan, society is suddenly Celtic. I am left guessing at the reasons for Brooks calling her Celtic and a goddess of something I’ve never heard her associated with. This description made me throw the LWB across the room.

Apart from using my favorite Tarot spreads, I used Brooks’ “Pentagram 5-Card Spread” which is similar to Shekhinah Mountainwater’s “Pentagram Tarot Layout,” from her book, Ariadne’s Thread.

Chrysalis Tarot is a beautiful deck, clearly made with love, and is currently a favorite of mine. It is my recommendation that Tarot readers, lovers, and collectors go out and get a deck and learn the many intricacies found within. Working with Chrysalis has definitely made me a true fan.

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Merlin Stone Remembered by David H. Axelrod, Carol F. Thomas, and Lenny Schneir

Merlin Stone Remembered: Her Life and Works
David H. Axelrod, Carol F. Thomas and Lenny Schneir
Llewellyn Publications, 2014

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Review by Barbara Ardinger.

Merlin Stone’s book, When God Was a Woman, was a lightning bolt of feminist scholarship that told the world that before there was a Judeo-Christian god there were goddesses, and before there were goddesses, there was the Goddess. If you’re reading this review and you have not read When God Was a Woman, buy the book. Right now. As you sink into Stone’s book, try to imagine what it was like before we knew about Isis or Inanna or Astarte, before we knew that the tree in the Garden of Eden was probably a sacred fig and that the serpent was a symbol or aspect of the Goddess and that people who ate figs or worked with serpents were honored priestesses and prophets. The work of the second wave feminists added to the work of scholars like Merlin Stone and Marija Gimbutas, but this didn’t begin until the second half of the 20th century. Before that? Just “God the Father, maker of heaven and earth.”

Gloria Orenstein puts Stone’s work in context. Orenstein cites G. Rachel Levy’s The Gate of Horn (1948), Helen Diner’s Mothers and Amazons (1973), and Elizabeth Gould Davis’ The First Sex (1971). These books gave us some of our foundational myths, but, Orenstein writes, “we can see that although there was some writing that had already attempted to reconstruct a history of women …, much more expertise and authority were needed” (p. 8).

She continues, “Once Merlin Stone provided us with her careful scholarship and a truly feminist (not biased, patriarchal) accounting of ancient Goddess cultures, I and all who found Merlin’s work were finally able to understand our herstory…” (p. 9).

Merlin Stone Remembered is divided into eighteen parts; one is a timeline. Stone was born as Marilyn Jacobsen in 1931, became a sculptor and teacher, and in 1972-73 traveled in the Middle East to do research. She met her life partner Lenny Schneir in 1976, was featured in Donna Reed’s film The Goddess Remembered in 1989, and died in 2011.

Another part is Schneir’s memoir, a panegyric in which he describes himself when they met as a wannabe “manly man.” Though they never married, he and Stone lived together for thirty-four years. She turned his life around. “I worshipped her,” he writes. “She … sculpted me into everything I wanted to be. I needed her energy to succeed, and she gave it to me generously, naturally, and fully” (p. 74). He describes a homey, hippie life. It’s a fascinating read.

Unraveling the Myth of Adam and Eve” is Chapter 10 from When God Was a Woman. Rereading this chapter, we see again the depth of Stone’s work. Citing the best known male scholars of the 20th century, she also tells us about evidence of Goddess cultures — not cults! —found by those scholars and others in sites around the Mediterranean.

Regarding Stone’s second book, Ancient Mirrors of Womanhood, which is descriptions of goddesses, stories about them, and liturgical free verse, editor Axelrod writes that Stone’s poetry “teaches, coaches, and sings the long-lost, the banished, the often-forbidden goddesses back into our lives” (p. 141).

There’s more in the book, including Stone’s notes for a presentation in which she carries on a conversation with the voice, named Intuition, in her head. Unpublished works, including parts of a novel, poetry, color photos, a long section on Stone as an artist and sculpture, a remembrance written by one of her daughters. You may be long familiar with Stone’s work or this may be your introduction to it; either way, this is a valuable resource. Highly recommended.

P.S. A personal note. The book was lying on my couch when a friend who is an astrologer and Tarotist came to visit. She saw it, exclaimed, picked it up, and said. “I read When God Was a Woman in 1988 or 89 and it changed my life.” Me, too.

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Tarot For Healing by Kara Owl

Tarot for Healing
Kara Owl
Jupiter Gardens Press, 2012
176 pages

Reviewed by innowen

Tarot for Healing by Kara Owl describes a healing journey/pathworking that readers can learn to incorporate into their practices. Owl recommends that you have a basic knowledge of tarot (in that you know the card meanings, and can do readings for self and others) before diving in and using the techniques. The author has over 20 years of tarot experience. I think she puts the book best in her words when she says, “Why use the Tarot? Because the cards can pinpoint problem areas, and the reaction of the individual can aid in finding the proper path to solving them. Healing with the Tarot is a journey, a path to greater understanding of self.”

Owl begins the book by laying down her ideas of what tarot can do for healing, picking a deck, how to deal with ethics of healing work and doing healing readings. Throughout these introductory chapters, she does give small bite-sized techniques that you can try out and apply immediately to your practice. The meat of the book then focuses around card meanings, card meditations, and a sampling of spreads to use in your practice. The final chapters discuss setting up a practice, case studies, and ends with a note on trusting one’s intuition.

What I Liked
I liked that before Owl gets into the meat of the book, she instructs readers how to ground and take care of themselves first. Healers often forget that they need to be in “perfect” shape in order to effectively heal others. I also liked how she suggests that readers develop their own strengths into what subjects they’re willing to tackle and when to call in extra help on the areas/issues they are weaker in. The chapter on Tarot Healing Meditations was great. Owl gives a small guided meditation for each major arcana card to help aid the practitioner in diagnosing client issues. The spreads chapter, although short, gave a wide variety of created and modified spreads to use.

What I Didn’t Like
Early on Owl recommends that healers “be ever vigilant that those you read for do not become reliant on you.” I understand that we, tarot readers, do not want to be seen in a bad light. I know I hope that one day the health care community understands the power of tarot and how it can help uncover issues buried deep in our bodies. But… I disagree that we need to be hyper-vigilant to this need. There are just as many bad clients as there will be readers, and it’s our goal as healers to try and help everyone… even if it’s just a placebo.

However, my biggest beef with Tarot for Healing is that once again, we’re treated to a book with card meanings and the Minor Arcana are left with smaller info than their Major Arcana counterparts. Owl does an amazing job at describing how each of the majors relate to various areas of a client’s life. But, the minors are left to contend with generic “upright” and “reversed” diagnosis meanings. I am happy to report that the court cards get a small chapter with suggested meanings based on their rank in the court and their elemental and astrological connection. Oddly enough, Owl still gives the Court Cards the generic meanings alongside their other suit-mates in the minors sections.

This “shortening” feature was once again done in the Meditations chapter where Owl suggests mediations such as, “Two of Swords: For this meditation, ask how you can free yourself from things blocking you. Alternately, you can ask how to find a good compromise. Either way, the swords people can tell you the answers,” rather than giving the healer sample scripts to use.

I also want to mention that I’m not good with astrology and tarot yet, so the reader is left to decide whether the information Owl gives for astrological meanings in the Court Cards chapter and the Spreads chapter are correct.

Bottom Line: Interested in doing healing work with Tarot, or combining the divination system with another type of healing? Then Tarot for Healing is a good place to start reading, learning, and developing your own style.

Three Pawprints Out of Five

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Magical Identity by Taylor Ellwood

Magical Identity: An Exploration of Space/Time, Neuroscience, and Identity
Taylor Ellwood
Megalithica Books, 2012
252 pages

Reviewed by Selah

Taylor Ellwood’s Magical Identity is a important book for an occult library. Instead of giving us ways to change the world, it furthers the discussion he started in Inner Alchemy to how we can change our inner world (aka our selves)). In his introduction, Bill Whitcomb says, “Much of Magical Identity is concerned with identity; defining the other, defining the self, and redefining the boundaries between the two.” Ellwood’s main focus is how identities are made and how the occult magician can harness neuroscience, psychology, and elements of space/time to re-create oneself. Sounds rather big, right? I went into reading the book hoping that the book would help me change the way I saw myself.

Unfortunately, Taylor’s writing is way too academic. The book bogs down the practical exercises in with tons of in-depth theory. There are paragraphs that run on for a long time and it took a lot of time to get through them. Sometimes Ellwood’s definitions don’t align with what he is saying. While he mentioned that he contradicts himself in this book, I feel that a book needs to have a solid ground to help the reader along. It also doesn’t help that he tries to be all inclusive and overuses he/she or him/her.

There are a lot of great exercises in this book but you have to wade through many pages of definitions, lecture, and clunky sentences to understand how to apply the ideas to one’s life.

Three pawprints out of five.

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The Last Circle by Gretchen Blickensderfer

The Last Circle
Gretchen Blickensderfer
Self-published 2013
486 pages

Reviewed by Amanda Fisher

This is a rather long but very compelling thriller, set in a near-future American dystopia. What could happen if all of the fundamentalist Christian wing-nuts got it all their own way politically? This, like the very different Handmaid’s Tale, shows a version of the results, and why we need to take their sometimes ridiculous rhetoric seriously. I know this is a political comment, and I make it because the politics of the book are unavoidable. If you are sympathetic to the extremes of right-wing political rhetoric and its aims, you will hate this book.

It’s very focused on the action, which is fast moving with strong tension- so much so that I finished it in 2 days, even though it’s almost 500 pages! (Don’t be too put off by the length; it moves very fast, plus the type size is large and the line spacing very open.) The plot is very twisty, too, and primarily character-driven… which leads to one of its problems. The characters of the Bad Guys, especially Shelby, are more like caricatures. They’re definitely sociopathic, and possibly (especially Shelby) literally insane. I do not see how a pragmatic, if sociopathic, leader like Stephen Palmer would allow someone as basically unhinged as Shelby into the top circle of power. But then, we don’t see enough of him to know if he’s also psychotic; he may be, and just hides it better.

The Good Guys are better drawn- generally sympathetic, but flawed and they quite often irritate both each other and the reader. The main problem I had with them is that they did not seem consistently flawed. Sometimes their attitudes and responses didn’t seem coherent to what had gone before. However, compared to the kind of action story in which all the Good Guys seem to be of one mind and always in accord, this is refreshingly realistic. I also did enjoy reading a thriller where modern Pagans were definitely the Good Guys!

I liked the way the setting addressed the idea of what the USA would look like if extremist fringe of the right wing got their way. This was pointed up by the quotes that start each chapter- actual quotes from actual public figures, cited at the end of the book- though I wished the cites had been included with the quotes themselves, and think that would have made a stronger point that people are really talking about doing these things, here and now.

Dystopias tend to be exaggerated, and that’s true here. I really don’t think that the USA would slide into becoming a nation of fanatics in 5 or so years, especially not to the degree depicted.
Mostly people are far too apathetic for that…and if they were going for the apathetic as well as the “unbelievers”, they would not have much popular support- especially after they took away all the raunch in the media! I could be wrong about this, but very much hope I am not.

My final quibble has to do with the writing style, especially some of the word choices. They were odd in their rhythms and connotations. For example: “…[Texas] closing its borders to all but the most loyal paramours of Jesus.” (pg. 454) “Paramours” implies a far more carnal relationship than I think the author meant! Similarly, “She was screaming in berserk agitation as a third [agent] hammered a baton onto her gunshot wound.” (pg. 362). The nuances of neither “berserk” nor “agitation” really seem to fit the described scene. Also: “All were tacitly organized and, under Lilyan’s covert direction, assuaged their outraged guilt…” (pg. 377) It’s really awkward, since the adjectives do not match up well with the nouns they’re paired with. These are three examples, but this dissonance permeated the book. It’s as if the author used a thesaurus to find a fancier word with an arguably similar meaning, rather than choosing a plainer word that fit the sentences more comfortably.

I got this book for reviewing for paganbookreviews.net and I’m glad I did. I enjoyed it a lot despite its flaws, and would be interested in more from
Blickensderfer.

3.5 pawprints out of five.

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Grail Alchemy by Mara Freeman

Grail Alchemy: Initiation in the Celtic Mystery Tradition
Mara Freeman
Destiny Books
Rochester, VT 2014
278 pages

Reviewed by Micheal

I’ve had this book for a few months now, and despite my best intentions, I cannot finish it in one or two days.

Freeman, has done an excellent job at relating the Celtic myths to their counterparts in Christian, Hindu, and other mythos. Relating the Fisher King not only to masculine principle severed from the feminine but also to various other deities such as Osiris, Adonis(dying and being reborn) for example.

Additionally, Freeman views the silver branch to being a miniature version of the tree of life, and she correlates it to a Siberian Shamanic practice of attaching tree branches to their drums, as an aid to help them reach the tree on their journeys (pg. 49).

The meditations, VisionJourneys, are beautifully crafted, I would suggest that they be recorded prior to beginning the journey. Freeman offers a dedication and healing ritual at the end of the book.

Grail Alchemy presents the reader with a lot of information that simply should not be read over in one or two nights. While it has merely ten chapters, this reviewer would suggest that the reader take their time to truly benefit from the research and information that Freeman is making available.

Given the books depth of information, exercises, visualizations, I give the book:

Five pawprints out of five.

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