The Way of the Shaman – Michael Harner

The Way of the Shaman
Michael Harner
HarperSanFrancisco, 1990
172 pages

This is the fourth time in the past decade I’ve read this book cover to cover (as opposed to looking up specific factoid and techniques) and I’m finding that this time through, I’m not so fond of it. It’s not that it’s horrible; it’s just not as impressive to me these days, now that I know more than I used to.

Harner’s book is pretty much a classic on NEOshamanism; it forms the foundation of core shamanism, a shamanic practice that is (mostly) devoid of specific cultural trappings. His background in anthropology, as well as experience training as a shaman in the Jivaro and Conibo tribes, make this a well-researched and well-informed book. There are plenty of endnotes, and a good bibliography, so it’s easy to trace where he got his information from.

The problem is the presentation of the practical material. First off, my main complaint is that his selection of techniques seems incredibly arbitrary. He draws on the tobacco ties of certain Native American traditions, Jivaro-flavered sucking shamanism, and the spiritual canoe from a particular Northwest Native tribe. And he seems to ignore a number of shamanic practices that may not be necessarily appealing to the New Age crowd, such as spiritual dismemberment and reassembly.

Also, he fails to mention that even within a specific culture there are several types of shamanism. He should have, IMO, either billed this as a form of healing shamanism, or stuck to one of the cultures he trained in, rather than adding in elements of numerous cultures. He doesn’t quite draw shamanism far enough away from its cultural roots to make it fit together well; rather than doing as Peter J. Carroll did with Chaos magic, and making a system that is not at all culturally specific (and so can be plugged into any culture), Harner attempts to make (certain) cultural artifacts relevant for people outside that culture, while also trying to make it relevant to modern mainstream American (and other postindustrial) culture. Unfortunately, the end result still retains enough of the original cultural material (such as biases against certain animals like snakes and insects) without explaining the contextual relevance of such elements.

Finally, he waters down certain pieces of information. “The SSC [Shamanic State of Consciousness], it can be said, is safer than dreaming,” he says (xxii). Yet shamanism, even in modern practice, is NOT safe. He doesn’t talk about spiritual defense, other than talking about how one’s power animal and other guardians are supposed to protect you. He barely brings up any dangers, other than seeing animals with bared fangs. Nor does he talk about how close to the edge shamanism can bring a practitioner (or the skills needed to maintain a proper balance).

In short, this is shamanism for the living room. The techniques itself are solid, despite the contextual issues, and can be easily used by most people who pick up this book. If presented as a book on shamanic techniques, I give it a four. However, as a book on *shamanism*, I give it a two. This balances out to….

Three pawprints out of five.

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The Shaman – Piers Vitebsky

The Shaman
Piers Vitebsky
Little, Brown and Company, 1995
184 pages

This is one of my favorite books on basic shamanism from an anthropological perspective. I’ve read it before, but this is the first time I’ve read it since I started this review blog. I think it’s well worth talking about, though, so here’s my official review 🙂

The author, an anthropologist, has spent several decades studying shamanism within the context of a number of cultures. He presents a nice collection of facts and anecdotes about the shamanic experiences of people in these cultures. From the altered states of consciousness to the spirits encountered along the way, from healing to showmanship, from the political status of shamans to neoshamanism today, Vitebsky offers one of the best introductions to the concept of shamanism and what it is the shaman does. This concise book is quite thorough, and while the material is densely packed it’s written in a manner that even a rank beginner can understand. You won’t find a bunch of how-to instructions, but what you will get is solid research to get a good understanding of the context of shamanism.

Unlike earlier anthropologists, Vitebsky’s viewpoint is quite enlightened. He points out the shortcomings of his predecessors, who characterized shamans as everything from archaic leftovers to mentally disturbed outcasts. He also cautions against trying to boil shamanism down to a particular facet, such as trance, while tossing out other important aspects, like community and culture. He is not overly critical of neoshamanism, though he only devotes a very small portion of the book to it and explains how it differs from traditional shamanism. He clearly shows his research, and is not afraid to critique other scholars; for example, he challenges Mircea Eliade’s assertion that shamanism has “an apparently timeless quality…[and] appears to stand outside political history” (p. 116). To back up this criticism Vitebsky goes into great detail how shamanism has interacted, both positively and negatively, with both political and religious bodies in various cultures, and how it has sometimes come into great conflict with various powers thereof. (I should also add that I have no opinion myself on Eliade yet, though his work is on my reading pile.)

This contributes to a very down to Earth look at shamanism worldwide, though it does NOT purport to be the do-all and end-all resource; nor does it try to claim that all shamanisms are one shamanism. Rather, as I said, it’s an excellent introductory book, mixing text and illustrations to create a good resource for anyone interested in traditional shamanism from a theoretical point of view (as opposed to a hands-on workbook).

Five pawprints out of five.

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Borrowed Power – Ziff and Rao (editors)

Borrowed Power: Essays on Cultural Appropriation
Ziff, Bruce and P.V. Rao (editors)
Rutgers University Press, 1997
338 pages

Every so often I get into the mood to sink my teeth into a nice, meaty chunk of….

…academic writing.

(What did you think I was going to say?)

So when the craving hit this time, it just so happened to be on the same day as the arrival of my copy of Borrowed Power. It took me almost a week to work my way through it (amid editing manuscripts and other such things) but I finished it, and I can definitely say it was a great read.

Borrowed Power is an anthology addressing cultural appropriation, the use/borrowing/theft of elements by one (usually dominant) culture from another (usually not dominant) culture. A common example in the pagan community is white pagans raised in Suburbia drawing on Native American religious practices and taking them out of context while not actually participating in the culture they draw from. While cultural appropriation isn’t always considered a neopagan topic, it’s one that’s crucial to the evolution of our community. (I deemed it important enough that I’m compiling an anthology specifically on cultural appropriation in the pagan community inspired by Borrowed Powerclick here for details.)

The topics are varied; while one essay addresses “white Indians”, hippies and New Agers who try to be more Indian than the Indians, most either don’t mention the phenomenon or only do so in passing. Instead, the essays cover the legalities of property rights and copyright in the face of cultural theft; financial restitution for cultures that have been taken from; returning historical and cultural religious items to the cultures they were taken from; the impact of non-Native artists using traditional Native American patterns; ethnomusicology; and post-colonialism, among others. While some of the essays focus on Native America, other cultures are addressed. There is an excellent essay addressing the appropriation of African-American culture through music, from jazz to rap.

Most of the essays are readable even to those without an academic background. A few do get tough to chew through, particularly those dealing with legalities, and postcolonialism. But for the most part the writing is accessible, and the tougher writing styles aren’t entirely impossible. There’s an excellent variety of viewpoints and topics presented here, and much food for thought. And, as is expected, the research is impeccable, and is joined by a sensitivity to the cultures being explored that’s often missing from academic writing.

Overall, this is a wonderful read for those who want an introduction to the problem of cultural appropriation. While the specifically neopagan content is almost nil, the concepts herein are worth looking into. (I also recommend this as a source for those writing essays for the anthology I’m compiling, just FYI, along with the cultural appropriation chapter in Earthly Bodies, Magical Selves by Pike.)

Five pawprints out of five.

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Primitive Song – C.M. Bowra

Primitive Song
C.M. Bowra
World Publishing Company, 1963
284 pages

Since paleolithic cultures fascinate me, I was really excited about reading this book. The author uses anecdotes and information about modern hunter-gatherer cultures ranging from Eskimos to the Andamanese to Australian aborigines as a way of attempting to trace the roots and development of song. He weaves his theory with samples of song lyrics and his analysis thereof, and explains how day-to-day life in such a culture affects the role and subject material in songs. The material is well-balanced in this regard, and I felt that the author had really done his research thoroughly.

The book is a product of its time; while it’s not as heavily Euro-centric as some older (or even contemporary) anthropological texts, there’s still a subtle bias in the writing. Additionally, Bowra makes some assumptions about hunter-gatherer cultures across the board, though he does do a good job of trying to back his theories up with examples. And the writing style is rather dry; I found myself sometimes having to reread something because it simply didn’t register.

Still, overall it’s a good resource even despite its age. Anyone interested in paleolithic cultures, particularly paleopagan religions or music, may want to check this out. Those experimenting with shamanic techniques may also find material of interest here, particularly if song is a part of their practice.

Five pawprints out of five.

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The Way of the Animal Powers (Part 1) – Joseph Campbell

Historical Atlas of World Mythology Volume 1: The Way of the Animal Powers, Part 1: Primitive Hunters and Gatherers
Joseph Campbell
Harper & Row, 1988
125 pages (large coffee table book)

I was thrilled when I found this book and its companion volume (which will be reviewed at a later date). I love Joseph Campbell’s work, and particularly enjoyed his Primitive Mythology. The Way of the Animal Powers ties nicely into that volume. This book is also one of a large set of books, the Historical Atlas of World Mythology. It’s a decent-sized coffee table-style book, so don’t let the page count fool you!

The content isn’t strictly animal-related. Along with evidence of cave paintings, ritual spaces and other sacred items in the theoretical religious practices of paleolithic cultures, Campbell gives a decent amount of background on the evolution of humanity and its mythology. This is a fascinating read, with numerous threads weaving together telling the story of our ancestors’ beliefs, at least as far as we can surmise. The text is punctuated with a variety of illustrations showing specific examples; the combination is well balanced and informative.

There are those who take issue with some of Campbell’s material, particularly his attempts to globalize mythological concepts. While he does discuss archetypes and motifs, and demonstrates how different cultures (sometimes very far away from each other) may have affected each others’ myths, one should not take this as evidence of a monolithic mythology or that “All Gods are one God”. Still, if supplemented with other resources, this is an excellent read for the neopagan interested in the roots of pagan beliefs.

Five pawprints out of five.

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Man and Beast – Reader’s Digest

Quest For the Unknown: Man and Beast
Reader’s Digest
1993
144 pages

I originally bought this book as a single copy rather than part of the entire series. As is normal for the type of book collections that Reader’s Digest, Time/Life and other magazine publishers put out on “odd” topics, this one is a nicely designed hardcover with a good mixture of text and pictures. The cover, in fact, has an awesome picture of an eagle mask on it.

But enough about the cover. Let’s go inside.

The book covers a wide variety of mystical aspects of animals, starting with a solid introduction to cryptozoology, then seguing into shapeshifter lore, and finally heading into the worship of animals and animal-based deities. Each section devotes well-researched text about its topic, punctuated with many full color illustrations, all captioned to show relevance.

It is a pretty basic book, of course, as it’s meant for the general public. Those who are already well-versed in animal-based mythology, cryptozoology and related topics will find most fo the material familiar. On the other hand, if you’re new to any of these topics, or just want a basic reference book around, this is a good choice. Additionally, if you’re a parents and want to introduce your teenaged child to animals in mythology and ritual, this would be an excellent guide as the language isn’t particularly difficult and most intelligent teens (even preteens) should have no problem with it.

Overall, a really nice coffee table book. Nothing really outstanding in the pagan/occult realm, but a good introduction.

Four and a half pawprints out of five.

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Shamanism Volume III: Animal Medicine Powers – Dolfyn

Shamanism Volume III: Animal Medicine Powers
Dolfyn
Earthspirit, 1992
30 pages

This little booklet of 30 pages was published way back in 1992, before the current glut of totem animal dictionaries settled itself into the market. It’s a precursor to Shamanic WIsdom II, which was a full sized book that Dolfyn wrote a couple of years later with Swimming Wolf.

The Good: The author’s interpretations of various totemic qualities are largely based on actual animal behaviors. They’re quite innovative, and it’s rare for me to say that about Yet Another Totem Animal Dictionary. There’s also a wide variety of animals, not just the Big Impressive North American Mammals and Birds. And the author is very ecologically-minded, talking about why it’s important to give back to the Nature we take from and supporting a balance.

The Bad: Lots of typos and spelling errors, which drove me nuts as I was reading. Also, it’s pretty white-light. I was reading the entry on Dolphin: “People who swim with Dolphins in the wild often report great emotional healing from Dolphin’s unconditional love” (p. 13). Funny how no one ever mentions how dolphins are also known to commit rape, both on other dolphins and, according to unsubstantiated rumors, human beings. Not that it necessarily has much bearing on totemism, but dolphins have been particularly romanticized by the New Age.

The Ugly: Very, very wannabe Native. Any animal-magic related book with “Medicine” in the title should raise warning flags. The author constantly refers to how “the tribes” or “Native American Indians” did X or believed Y. And, of course, there’s absolutely no bibliography, let alone in-text citations, showing where the author got the information.

Still, if you can overlook the bad and the ugly, the good is, well, pretty good. I’m hanging onto this to take to my totemism classes (along with a slew of other totem dictionaries) for people to use post-meditation to get some initial research on the animals they talked to.

Three and three quarters pawprints out of five.

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Animal Totem Astrology – Debbie Burns

Animal Totem Astrology
Debbie Burns
Lansdowne, 2001
~78 pages

The concept for this book was really neat; the execution, on the other hand, fell far short of full potential. This was an attempt at a totemic zodiac, a combination of neopagan totemic qualities and traditional Western astrology, mixed in (supposedly) with some indigenous beliefs about the animals associated with certian birth months (though the source material pretty much confirms a basis in plastic shamanism.

The author explains the animals associated with each month (conveniently, they correspond to the twelve Western zodiac signs). She also brings in seasonal and time-of-day correspondences to try to show the qualities of people according to when they were born, all based on totemic qualities mixed with common astrological information.

Unfortunately, what could have been a really neat idea fell flat. I would love to see someone work with totem animals in association with Western astrology to create a new system–but I’d like to see it done in more depth. I highly doubt that what was described here is traditional to any tribe,a dn i think the author would have been much better off starting from scratch, studying both astrology and modern totemism, and then creating her own system based on these two areas of spirituality. Instead, she draws from some of the worst offenders of plastic shamanism, including Sun Bear and Jamie Sams, and perpetuates a whole bunch of drek. Her bibliography is barely over a dozen books, and almost all of them are New Age treatments of indigenous topics. She presents the whole thing as genuine “Native American” spirituality, in the grand tradition of her predecessors, and the whole thing ends up a train wreck.

I’m giving it an extra half of a pawprint, just because I like the concept (as long as it’s presented as a new system). But other than that, meh.

One and a half pawprints.
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The Power of Animals – Brian Morris

The Power of Animals: An Ethnography
Brian Morris
Berg Publishers, 2000
288 pages

Brian Morris spent a number of years living among the indigenous people of Malawi in southeast Africa. His focus in this, and a companion volume that I’ll be reading soon, “Animals and Ancestors: An Ethnography”, is the relationship between the various cultures in Malawi, and the native fauna. “The Power of Animals” specifically focuses on relatively more mundane aspects, such as the hunt and other everyday interactions with animals, as well as touching on moeity in relation to animal-symbolized clans.

The book is divided up into four primary chapters. The first goes into great detail about the basic social structure common in Malawi cultures, and describes its matrilineal nature. Central to this structure is the sedentary village-based lifestyle that primarily involves women, children, and elders, and the mature men who are considered outsiders, and who may have several families in several villages among whom they divide their time. This segues into the next chapter which goes into greater detail on hunting traditions. Not only are older traditions covered, but the changes wrought by European invasion and the rise of capitolism, as well as the overhunting of wildlife by European hunters and the ivory trade in general, are examined as well. Folk classifications make up the third chapter. The taxonomy of animals in Malawi is quite different from Eurocentric taxonomy, and the differences in relationship between humans and animals is made quite clear per culture in this respect. Finally, there’s a chapter dealing specifically with the attitudes the Malawi tribes have towards animals, based upon the research done in the previous three chapters.

This is an incredible look at one particular set of cultures’ views towards animals, and nature in general. The difference in worldview between these people, and people in post-industrial countries, is at times astounding. Reading this also reminded me of the detachment that American culture has from nature in general. For instance, Morris pinpointed the erroneous argument that meat-eating, and the pleasure derived thereof, is primarily a Caucasian corruption, by exploring the eagerness to procure meat that the people around him studied. Additionally, Morris is careful to point out that his research was done in the field, while digging mice up or otherwise participating in day to day activities with his “subhects of study”, and his close relationship shows in his work, which lacks the detachment, Eurocentricism and condescension often found on anthropological work.

The writing is quite academic, and those who aren’t used to this style of writing may take a bit to get used to it. However, it is far from being a dry read, and once I got into the rhythm of Morris’ writing style I really enjoyed myself. I will say there are a number of typos and grammatical errors, but content-wise this book is excellent.

This truly is a wonderful look at a very complex series of human-animal attitudes. I’m looking forward to reading “Animals and Ancestors” to see what the rest of his research on this says.

Five pawprints out of five.

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Meditations With Animals – Gerald Hausman

Meditations With Animals: A Native American Bestiary
Gerald Hausman
Bear & Company, 1986
144 pages

This is a unique little book; part of it is traditional Native American chants and stories from various tribes, taken from interviews for The Bureau of Ethnology Reports. However, the author also provides his own meditations on these tales. The meditations are mindful of the ecological disasters that are destroying the world, piece by piece, as well as humanity’s increasing detachment from Nature, and the importance of renewing that relationship before it’s too late.

The book is divided up by region–tribes of the plains, of the Pacific coastline, the woodlands, etc. Interspersed among the meditations and stories are piece of information about the tribes themselves. It is a sensitive conveyance of tribal lore without being New-Age-crystally (with the exception of one tiny mention of the Natchez being a possible remnant of the Atlanteans, though the mention of it is rather ambiguous, more of a “By the way” kind of thing).

This is a good book for opening up your mind a bit more to the idea of all things being interconnected, particularly in regards to other animals. While occasionally it romanticizes the lives of various tribes, it lacks the “Hey! Look! We’re really Indians!” feel of writers like Brooke Medicine Eagle. I would also recommend the idea of using some of the chants and meditations in here for personal totemic work and animal magic in general.

Four pawprints out of five.

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