Enchanted Cat – Ellen Dugan

Enchanted Cat: Feline Fascinations, Spells and Magick
Ellen Dugan
Llewellyn, 2006
165 pages

This is one of several books on the market that specifically deal with cat magic. Unfortunately, so far from what I’ve seen they all seem to follow the same basic template and include the same basic information. This newest one is no exception.

Granted, there’s only so much material on the topic, and Dugan does make a valiant effort to make this book stand out. It’s more practical than some of the other books on the topic, involving more spells and simple rituals. Of course, some of the connection these spells have to cats is a little stretched–a number of the spells simply have a few cat hairs involved.

Additionally, she has one of the better chapters on feline familiars from a practical standpoint. She explains some of the ways you can actually work magic with the cat, and gives us more than just a naming ceremony and a blessing. The feline power animals chapter has some decent working material in it as well, though it shouldn’t be taken as a substitute for an entire introductory book to totemism.

But for the most part, she falls back on the usual–cat mythology and lore, cat correspondences, and even cat astrology and feng shui. It seems like she was really fighting for content here. And she falls back on the idea that certain colors of cats are better at specific types of magic–if that were true, then shouldn’t red-headed people be better at some types of magic than blondes and brunettes?

This would be a cute book to give to your friend who likes cats quite a bit and is just getting started in witchcraft. It’s a 101 book and it’s limited by its subject matter. It stands out in some ways from similar books on the market, but it’s nothing earth-shaking.

Three and a half pawprints out of five.

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Your Magickal Cat – Gerina Dunwich

Your Magickal Cat: Feline Magick, Lore and Worship
Gerina Dunwich
Citadel, 2000
169 pages

In recent years there have been several books out detailing the magical and religious lore surrounding cats throughout history. This is one of the older ones, though not the first. However, it follows pretty much the standard formula–after all, there’s really only so much you can dig up on one particular animal. Cats seem to get all the books, though, simply because they’re the animals most associated with witches, the target audience.

The book is about 2/3 mythology, folklore and superstitions from various cultures. There’s the prerequisite discussion on Egypt, Bast and Sekhmet, as well as the Inquisition-era feline familiar. It’s pretty standard material that you’d find in just about any book on animal mythology; the one advantage is that it’s all collected in one place.

Dunwich does add some of her own original work throughout the book, mostly consisting of–you guessed it–spells. Her chapter on familiars isn’t particularly practical, though she does mention that not all pets a witch owns are familiars. Still, most of the information is vague, and a large portion of the chapter deals with how to name your familiar.

The chapter on feline totems is similarly basic, and this is one of the downfalls of the glut of 101 material–it skims over a bunch of topics without really going into any real depth. There’s really not enough in any of the “practical” material to really do much of anything beyond a couple of spells.

Then there’s the cat astrology section. Dunwich basically takes sun sign astrology and turns it into a kitty horoscope. You don’t need astrology to tell you what sort of personality your cat has–that’s what observation is for.

Overall, I’m not particularly impressed. The research on the historical end was good, but the practical material left a lot to be desired. Get it if you need a quick reference to feline lore, but otherwise feel free to spend your money on toys for your cat instead.

Three pawprints out of five.

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Cloisters Bestiary – Metropolitan Museum of Art

Cloisters Bestiary
Metropolitan Museum of Art, 1960
60 pages

A rare find in a used bookstore, this is an assemblage of lore from medieval bestiaries,the collections of quaint and often fantastic natural histories of animals ranging from stags and wolves to unicorns and dragons.

“A Cloisters Bestiary” draws primarily from T.H. White’s “Book of Beasts” which itself combined material from a number of medieval texts. It is illustrated with photographs of contemporary sculptures, illuminated scripts and other artwork contemporary to the bestiaries, including some fine details from the Unicorn Tapestries.

It’s a quick read–60 pages, mostly pictures, more meant as an example than heavy reading material. Still, it captures the spirit of the medieval bestiary very nicely, and is good for a reference of that particular literary niche. The animal magician will find it useful as an example of where certain beliefs, particularly about mythical beasts, were derived.

Four pawprints out of five.

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Animal Spirits – Nicholas J. Saunders

Animal Spirits: An Illustrated Guide
Nicholas J. Saunders
Little Brown and Co., 1995
256 pages

Here’s another book that ended up on my Top Ten Most Underappreciated Books on Animal Magic list.

It’s not aimed specifically at pagans; rather, it’s a more general audience text on the symbolism and folklore surrounding various animals from around the world. While a lot of the information is historical rather than modern, it’s still rather easy to translate it into practical usage.

The text itself is easy to read without being fluffy, and is punctuated well with a variety of lovely full color pictures. The material is preossionally presented and well-organized.

I’d really recommend this as a more high-quality totem dictionary of sorts; while it doesn’t have the same formulaic feel, it’s good basic information on both wild and domestic animals that animal magicians may find useful in their studies. It’s a part of the “Living Wisdom” series, and there are several other books in this series I’m looking forward to reading.

Five pawprints out of five.

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The Compleat Vampyre – Nigel Jackson

The Compleat Vampyre: The Vampyre Shaman, Werewolves, Witchery & the Dark Mythology of the Undead
Nigel Jackson
Capall Bann, 1995
180 pages

Sometimes a book promises something grand, and then falls short of its mark. This is one of those books.

I like the basic idea. Jackson brought together a large amount of folklore regarding the supernatural in Slavic and Baltic Europe, and then applied it to shamanic experience. He pulled out some fairly obscure information, which impressed me.

The problem came when I actually tried to read the book cover to cover.

I found parts of it stylistically impossible to read. Much of this was due to a lack of transitional phrases from one piece of information to the next. The various beings, archetypes, and motifs weren’t tied together in a particularly convincing manner, and not enough to support the author’s thesis. While the idea he wanted to support was clearly defined, he didn’t use his material very well to support it. It came across as a rather poorly edited draft rather than a completed book.

I also didn’t care for his scholarship; for example, he drew on the work of Margaret Murray, which has already been disproven a number of times. That and other outdated material on witchcraft really damages the integrity of the research. While he included a bibliography, because there were no citations there was no way of knowing exactly where he got certain facts.

Th ebook really could have used better editing overall, even in proofreading terms. He continually confused “its” and “it’s”–“it’s” is the contraction of “it is”, not the possessive, which is “its”. As in “The werewolf shed its skin,” not “The werewolf shed it’s skin”. This really made me wonder about the rumor that Capall Bann doesn’t actually have in-house editors and just expects the authors to edit their own work.

I’d love to see a rewrite of the book by the author. The idea is a good one, but the execution of it is so bad that a lot gets lost in translation, so to speak. I think I know what he’s tryig to say, but without better editing there’s no way to know for sure.

Two and a half pawprints out of five.

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Book of the Dragon – Allen and Griffiths

Book of the Dragon
Judy Allen and Jeanne Griffiths
Quality Books, 1979

I was first alerted to this book’s existence via the Otherkin and Therianthrope Book List when I was looking for sources for the Field Guide. Orion Sandstorrm liked it, so I figured it was worth a look–and it was!

People may assume that because it has lots of pretty pictures that it’s not particularly in depth. On the contrary, the authors study the history of the dragon from Mesopotamia onward, covering the globe from China to Mexico. The dragon is explored as archetype, as cryptozoological beastie, as a case of mistaken identity, and as alchemical matter.

Common themes are explored, though the differences between various types of dragons are duly noted. The authors provide plenty of evidence for each statement they make in a clear, concise manner and discuss less common knowledge, such as Western and Eastern alchemy, in a way that even the newest neophyte can understand.

The illustrations are very well selected, and punctuate the text beautifully. Photographs and contemporary artistic depictions serve to bring the text to more vivid life. The text and pictures are balanced nicely, without the former being overwhelmed by the latter.

All in all, this is an excellent basic guide to world dragon mythos. The bibliography is worth plumbing for further research, but this is a great starting place.

Five pawprints out of five.

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Daimonic Reality – Patrick Harpur

Daimonic Reality: A Field Guide to the Otherworld
Patrick Harpur
Pine Winds Press, 2003
329 pages

If you have even the smallest interest in the Otherworld, read this book.

Harpur examines phenomena ranging from UFO sightings to black dogs and phantom cats to fairies and crop circles (and more). He regards them not as purely literal, but as denizens of what he terms daimonic reality. Daimonic reality seems in its nature to be metaphorical, but it has a very real effect on our world as well.

Drawing on Jung and Yeats, travelling to the Anima Mundi, Collective Unconscious, and Imagination-with-a-big-I, the author reveals the appearances of daimons which have evolved over time to meet our own changes, how the beings known as fairies who used to show themselves to us as diminunitive humanoids in green coats, now appear as alien humanoids in silver spacesuits–and why they’ve changed.

Harpur isn’t a debunker; he doesn’t attempt to disprove the Otherworld’s existence; rather, just the opposite. Harpur provides a unique and substantial set of theories regarding the long-running tradition of the Otherworld that has long fascinated humanity.

This is a truly well-written piece of work. It is academic rather than New Age, and the research provides a solid base for his theories. It’s not a dry read, though newbies may find it to be a bit difficult, but it’s well worth the investment of time and money. Those who identify as Otherkin will find some useful ideas on metaphorical reality that can be applied to being Other.

I can’t even begin to do it justice; all I have to say it–read it!

Five pawprints out of five.

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