Happy Three-Year Anniversary!

Okay, so I’m a wee bit late this year. But here it is–the three year anniversary post! Even though I’m on semi-hiatus (meaning I’m not really reviewing anything except what I happen to read along the way, and I’m not currently accepting review copies), the blog is still as active as I can make it. I’ve had this domain name for a year now, and I think I managed to get most of the links to it fixed, though old lupabitch.wordpress.com links should still go here. Here’s last year’s anniversary post, and the year before that. And here are this year’s stats, building on the stats from previous years:

–293 posts (not including this one), of which 290 are reviews or lists of reviews at other sites.
–92,414 views
–The best-ever day for views was last year’s anniversary post on Thursday, 18 December 2008, with 429 views.
–255 legitimate comments, some of which are my replies.
–100 categories, 99 of which are book-related
–PaganBookReviews.com is still the very first result on a Google search for “pagan book reviews”! However, it’s only #10 for “pagan books”.

The first review since my first anniversary post was The Goat Foot God by Diotima; the most recent post was Echoes of Alexandria by H. Jeremiah Lewis. Ironically enough, both of these are (or, until recently, were) published by Bibliotheca Alexandrina.

Even with the hellacious amount of reading I’ve had to do for school, which has cut down significantly on my fun reading time, I’ve still managed to get a good bit of reviewing done, and read some neat books. Here are some of the highlights of my year:

Bear Daughter by Judith Berman – one of the best novels I’ve read, and a must-read for any shamanic practitioner.
Lightbreaker by Mark Teppo – another good novel (two for two on the fic, now!) by a promising new author who’s going up on the must-reserve-next-book list with Jim Butcher and Patrick Rothfuss.
Drawing Down the Spirits by Kenaz Filan and Raven Kaldera – finally, an entire book dedicated to possession-based spirit work, particularly friendly (though not exclusively) to neopagans and other non-indigenous folk.
Christopaganism by Joyce and River Higginbotham – I’ve long maintained that eclectic/syncretic neopaganism can include Christianity as much as elements of any other religion, and this is a great guide for those who want to know how to do just that.
Darkwood by M.E. Breen – while I started this review blog to primarily review nonfic, I got a lot of good fiction this year. This YA fantasy novel is excellent, and I would recommend it to adults as well who want a well-written story in a fleshed-out world with good characterization.
Beyond 2012 by James Endredy – amid the huge pile of drek that’s accumulated around the 2012 hype, Endredy’s take is an excellent reality check about the real problems we face–environmental degradation, for example, instead of hostile lizard people and misplaced typhoons.
Ecotherapy edited by Linda Buzzell and Craig Chalquist – I love this book for so many reasons, personal, spiritual and professional. Even if you aren’t a professional therapist, this is an excellent read for working with the psyche as a part of a greater, interconnected whole (but without fluff and conjecture).
Make Merry in Step and Song by Bronwen Forbes – one of the reasons I really like this book is that it’s on a niche topic, Morris Dancing in theory and practice. Good research, well-applied.
Trance-Portation by Diana L. Paxson – a superb guide to trance work and altered states of consciousness which came in handy in some of my journeying work.
The Druidry Handbook by John Michael Greer – I’ve liked everything JMG has published, and this one stood out to me because it gave me a good understanding of some modern druidic practices, as well as their context. While it’s not my path, I’m keeping it on my reference shelf.
The Art of Shapeshifting by Ted Andrews – This is a really underappreciated book by the late Ted Andrews; if you ever wanted a thorough guide on shapeshifting as a form of magic and spirituality, this is it.
The Phillupic Hymns – An excellent variety of stories and poems ranging from the death of Antinous, to what happened to Sobek set up on a blind date.

As for my semi-hiatus, I’m going to see how things look late next summer, as I end my classwork and start into my practicum. My classes at grad school require a LOT of reading, which is why I had to cut down on the review copies. I do want to keep reviewing, though, and I will keep readers and publishers posted as to my status. I really appreciate everyone’s patience and support; please do feel free to contact me if you have any questions, or are just curious as to how I’m doing. Thank you 🙂

Echoes of Alexandria by H. Jeremiah Lewis

Echoes of Alexandria: Poems and Stories
H. Jeremiah Lewis
Bibliotheca Alexandrina and Nysa Press
260 pages

I actually read this a few weeks ago, but I’ve been so backed up with finals that I just now got the chance to sit down and write out the review. I have the Bibliotheca Alexandrina edition, but the book is now available via Nysa Press.

Whereas the last of Lewis’ books that I reviewed, Balance of the Two Lands, is nonfiction, this text includes fiction and poetry, as well as a scattering of nonfic essays, flavored heavily by the author’s Greco-Egyptian polytheistic syncreticism. He displays a great deal of versatility as a writer, because I like this book every bit as much as the last.

Much of the poetry scans like old Greek verses, addressing the gods and other beings with praise and fine description. One could simply say “Eilieithuia is associated with midwifery”, but instead Lewis writes “…lend [the expectant mother] your strength, so that she can grit her teeth/and bring her screaming baby into the world” (105). These poems would be excellent choices for ritual work, even if not in a strict Greco-Egyptian context. However, they also make for good reading as well.

The stories are of a similar quality. They make the gods seem even more real, multi-dimensional, even moreso than the original myths which often focused on the foibles and failings of divine and semi-divine beings. I think my favorite story is “The Beautiful Reunion”, which describes Hathor’s thoughts as she awaits her lover Horus, and how she feels conflicted over her attraction versus her independence. (And, of course, there’s the amusement of Horus greeting her with “Hello, sexy. I’ve missed you”.)

Overall, I found this to be a highly entertaining and enjoyable collection, and once again, Lewis does not disappoint. Highly recommended whether you want a good read for a cold night, verses for ritual use, or alternate, though faithful, interpretations of ancient myths.

Five pawprints out of five.

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Book of Witchery by Ellen Dugan

Book of Witchery: Spells, Charms and Correspondences for Every Day of the Week
Ellen Dugan
Llewellyn, 2009
321 pages

Note: This is a guest review by Bronwen Forbes, who graciously agreed to take on some of the extra review copies I had when I decided to go on semi-hiatus.

I am thoroughly enjoying this guest review gig here; I’m going to be sorry when Lupa runs out of books for me to review!

Next on my pile is Book of Witchery: Spells, Charms & Correspondences for Every Day of the Week by Ellen Dugan. I wish she’d written this book in the mid-1980s when I, a new Pagan, was struggling with correspondences and magick and trying to get some sort of regular personal spiritual practice started – preferably one that didn’t involve my almost burning down my own house during a solitary Lammas ritual (which is another story for another day).

Dugan refers to this work as her Book of Shadows. However, unlike most Books of Shadows, this one is organized by the day of the week rather than by season or by Sabbat – which, if you think about it, makes perfect sense, especially for beginning ritualists and spellcrafters. There is also an extra section on full moon workings for each day of the week; If the full moon is on a Monday, do this, if it’s on a Wednesday, do this. Why overwhelm readers with long, complicated sabbat rituals that they can only do once a year and promptly forget when they can cut their teeth on small workings that can be done fifty-two times a year. Frequency breeds familiarity and competence; the more one does a ritual, the easier it becomes to do it, and Dugan had a stroke of genius to make magick, spells and kitchen witchery accessible to all with this format. Kudos!

As a quick reference for correspondences, this book has some value for the more experienced practitioner as well. I’ve never memorized correspondences beyond the basics, have you? However, devotees of the various deities connected with each day of the week may wince at the oversimplification of their Patron’s/Matron’s aspects and history. Fortunately there is enough material about the mentioned deities elsewhere (including the Internet), so anyone who wants to know more can easily research them in depth.

Overall, though, this is a useful, well-written, logically organized book. Alas, my current living situation is such that I cannot try any of Dugan’s spells or rituals for myself and report on their efficacy. If I could, I definitely would!

Four and a half paws out of five!

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The Idumean Covenant by Eugene Stovall

The Idumean Covenant: A Novel of the Fall of Jerusalem
Eugene Stovall
OPC, 2009
430 pages

Note: This is a guest review by Bronwen Forbes, who graciously agreed to take on some of the extra review copies I had when I decided to go on semi-hiatus.

Guest reviewer Bronwen Forbes again with the third book that Lupa invited me to comment upon here.
The Idumean Covenant is the story of two men, Robban and Lupo who find themselves caught up in the fall of Jerusalem in the time of the Roman emperor Nero. When childhood friends Robban and Lupo run away from their powerful yet benevolent owner, they join the Sicarii, an army of Jewish bandits that are sworn to liberate Jerusalem from its Roman rulers. The two friends inadvertently find themselves making history as the son of their former owner rises in power.

I wanted to love this book, I really did. I even tried to set aside my longstanding dislike of novels that are told in third person present tense (“Josephus remains immobile, saying nothing.”). But when character point-of-view switched every few paragraphs, I quickly gave up on whose head I was supposed to be in at any given moment. Very confusing.

There is also an overabundance of telling the reader about the major historical events that frame the novel, rather than placing the characters in those events and letting the reader see them through the character’s eyes. I am not a scholar of this particular period in history (that’s my history professor husband’s job), so I was completely lost as to the deep significance of these events as they pertained to the novel. And without a good understanding of the historical events, the entire point of the story was lost to me.

For instance, the author indicates that the Sicarii raids on Roman caravans is a major plot point, yet the reader is only told about these raids in a few lecture-dreary info-dump paragraphs. Seeing the raids, being there with Robban and Lupo would have been much more effective and interesting to read. Sadly, this is just one of many examples of why “show, don’t tell” is Rule #1 for all good fiction authors.

However, the story (as opposed to the mini historic lectures) is well-written with interesting, sympathetic characters, and Stovall is quite good at illustrating little details about life in the first century c.e. Jerusalem. Perhaps someone more familiar with the history of the period would appreciate the book more.

Three pawprints out of five.

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Synarchy by D.C.S.

Synarchy
D.C.S.
SVT Publishing, 2009
216 pages

Note: This is a guest review by Bronwen Forbes, who graciously agreed to take on some of the extra review copies I had when I decided to go on semi-hiatus.

The second book on the stack that Lupa gave to me to guest review was Synarchy, a novel about the end of the world – the one currently scheduled for December 21, 2012.

As with most other fin de siècle tales, Synarchy features conspiracies, counter-conspiracies, power-hungry world leaders, intrigue, and super-advanced technology working to either bring about the end of the world or prevent the end of the world – all for the good of mankind. And this is only the first book in the series!

What makes Synarchy truly stand out from the other stories in the genre are an overabundance of appallingly amateur grammar and punctuation errors, frequent awkwardly constructed sentences, and too many character-building sentences that consist solely of a description of the person’s eye color. The fact that the author’s bio in the back of the book states that she is also working on a series of short stories based on the Synarchy 2012 txt roleplay game explains the abrupt descriptions, but does not excuse them.

A little digging on the Internet proved my suspicion that this is a self-published book – the basic grammar and punctuation issues alone speak of a total lack of an editor’s eye. I am aware that a lot of good books go unread by the general public because the established publishing companies don’t want to take a chance on an unknown author and/or niche market story. For those books and authors, I am all in favor of small press and self-publishing opportunities. I am also aware that a lot of stuff the established publishing companies reject they reject due to lack of unique story and basic writing skills.

That being said, the addition of ancient aliens (including one we referred to as the Norse God Loki) is a novel and interesting addition to the fin de siècle formula. Technogeeks may love this book and cope better with the Twitter-esque characters and odd sentence structure. Apparently this luddite curmudgeon reviewer is just not the target audience.

One and a half paws out of five.

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Llewellyn’s 2010 Sabbats Almanac – Various

Llewellyn’s 2010 Sabbats Almanac
Various
Llewellyn, 2009
312 pages

Note: This is a guest review by Bronwen Forbes, who graciously agreed to take on some of the extra review copies I had when I decided to go on semi-hiatus.

I am honored to be a guest reviewer for Lupa’s book review blog, eager to read something closer to my “field” than the erotica and science fiction I normally critique for a national book review magazine. I bravely told her to “send me anything” only to receive the most random collection of Pagan books I’ve ever seen!

First on the stack was Llewellyn’s Sabbats Almanac: Samhain 2009 to Mabon 2010. In the interest of full disclosure, I will say upfront that I am a relatively new member of the Llewellyn author family. That being said, this latest addition to the Llewellyn annuals (Witches’ Spell-A-Day Almanac, Witches’ Companion, etc.) is, I think, a useful and worthy one. I may not feel comfortable pulling out a Llewellyn Witches’ Datebook out of my backpack when scheduling my next dentist appointment in this small Kansas town, but the Sabbats Almanac is something I will likely refer to from time to time throughout the year – in the comfort of my own home, of course.

Contributing authors to the Almanac include a deliberate mixture of relatively new writers and Pagan “celebrities”; Oberon Zell-Ravenheart, Kristen Madden, Ann Moura, Dan Furst, Raven Grimassi, Michelle Skye, and Thuri Calafia (plus others) all add their expertise and voices.

The history of each sabbat is thoroughly discussed, including an astrological section by Fern Feto Spring. I would have liked a little more explanation of astrological terms for the zodiacally-impaired reader. Kristen Madden provides seasonal recipes for an appetizer, main course, dessert and beverage for each holiday far beyond the usual “bread at Lammas, apple pie at Samhain” fare. Every sabbat section ends with a holiday ritual that can either be done as a solitary or with a group (except Mabon, which definitely requires several people).

In further interest of full disclosure, I’ve never once opened any of the Llewellyn Almanac series until Lupa sent me this one. If the Sabbats Almanac is any indication, I’ve been missing out on a basic, useful source of inspiration and ideas. The Sabbats Almanac, at least, may just become a permanent addition to my holiday book-buying binge.

Four and a half paws out of five!

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Arbatel translated by Joseph Peterson

Arbatel: Concerning the Magic of Ancients
Joseph Peterson (translator)
Ibis, 2009
128 pages

This is a guest review by Sannion, who graciously offered to help me clear out my review shelf as I’m on hiatus.

A while back, Lupa put out a request for guest reviewers to handle some of the overflow she’d gotten through her Pagan Book Reviews blog. Being the shameless book hound that I am, I answered the call and snatched up a couple choice titles to read in between my usual Greco-Egyptian fare. The choicest of the choice was undoubtedly Joseph Peterson’s new translation of Arbatel de magia veterum. Just holding the book in my hands was a pleasure. This is a handsomely designed volume by people who take pride in craftsmanship. The illustrations were lovely; the notes added much without being overwhelming; and the original Latin text was provided for comparison, something I always appreciate in a translation.

Although I had never read the Arbatel before, I’d read plenty about it. It’s one of the classic texts of Renaissance magic, influential in the development of the system of planetary or Olympic spirits so important in modern CM. Most of the passages I’d seen quoted from it were fairly dense and dry and a little difficult to follow. They also employed hopelessly archaic language. If ever a book was in need of a clear, concise, and modern translation – it was this one! (After all, the previous translation, from which most of the quotes I’d read had come, was done in the 17th century.)

And Peterson’s translation does not disappoint. He makes this important esoteric text come alive through his simple yet elegant prose. It almost gives one the impression that they’re sitting in at a lecture of learned scholars discussing magic, philosophy, religion and history. In fact, that was probably the most surprising thing about the Arbatel. Most of what I had read about it had led me to believe that the Arbatel was something along the lines of a philosophical grimoire. And there are parts of it like that, but mostly it seems concerned with Neoplatonic theology, providing an overview of the history of magic, and driving home sound ethical advice. In fact, a sizable portion of the aphorisms which make up the Arbatel are devoted to that last topic, which gives a very different impression of magic than many people often have. As Peterson points out in his introduction, throughout the text there are admonitions “to help our neighbors, be positive and grateful, and use time wisely. Above all, it teaches us to pay attention, looking for the wondrous and miraculous. In fact, to the author this virtually defines the magus.”

Peterson’s introduction was one of the most enjoyable parts of the book, and would almost be worth the price alone. He traces the history of Renaissance magic back to Late Antiquity and the Neoplatonists and Hermeticists, with a lengthy discussion on the preservation, use, and adaptation of these important texts. Although none of the information was new to me, considering my interests, I think he handled it well and I’d definitely recommend it to someone who was curious about authentic pagan survivals during this time period.

Of course, the Arbatel being a product of the Renaissance as it is, the “paganism” that it presents is of a very curious sort. There are nymphs, and daimones, and magical creatures and even gods and demigods as part of its cosmology – but these are all subordinate to the one true god of the Christians. The author may quote Homer and Hesiod as authorities on certain matters, but he defers to the Holy Scriptures above all else. Still, if you can manage to skim past the pious interjections, I think you’ll find a lot of genuine worth and historical curiosity in this text. I’m sure I’ll be reading it a couple more times.

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The Pagan Clergy’s Guide by Reverend Kevin Gardner

The Pagan Clergy’s Guide For Counseling, Crisis Intervention, and Otherworld Transitions
Reverend Kevin Gardner
Waning Moon Publications, 2009
212 pages

As both a pagan and as a student working on a Master’s in counseling psychology, this book interested me greatly. The number of books on counseling for minority groups is on the rise, and to my knowledge this is the first one to specifically address counseling neopagans. However, rather than being strictly psychological counseling, it is instead a text on spiritual counseling–a distinction that is incredibly important to note, as I’ll explain shortly.

Pagan spiritual counselors don’t have nearly the resources available that spiritual counselors in some other faiths, such as Christianity, do. Gardner does an admirable job of delineating some of the common issues that clients may bring to the table, from relationship woes to the need for facilitation of rites of passage. A large portion of the book is dedicated to grief counseling of various sorts. There’s also a good selection of basic ritual scripts for funerals and other rites of passage, including a few specific to individual neopagan traditions. This makes the book invaluable to pagan spiritual counselors.

Psychologically speaking, however, the book is on shaky ground for a couple of reasons. First of all, there’s no indication that the author has a license for psychological counseling, something that’s a grey area when it comes to spiritual counseling. He does make it clear that there are times when referrals to licensed psychological practitioners are necessary, and that this book should in no way be seen as a sole reference for the psychological elements of spiritual counseling. However, he also has had much more experience–counted in decades–of experience, something most readers will not have, and so I hesitate to recommend this to a newer spiritual counselor who may not have learned through trial and error how to counsel for deeper psychological issues. Additionally, in perusing the bibliography, many of his resources on psychological counseling are outdated; while, for example, the works of Carl Rogers are classics, there are newer approaches to client-centered counseling available.

As a text for spiritual counseling and being clergy in the sense of ritual facilitation, I think this is an excellent guide, and I recommend it highly. My misgivings about the psychological aspects of counseling should be noted, but not to the point of not buying the book. Supplement with other works or, better yet, get formal training in psychological counseling (particularly since there’s very little formal training available for pagan spiritual counselors).

Three and three quarters pawprints out of five.

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A Guide to Zuni Fetishes and Carvings by Kent McManis

A Guide to Zuni Fetishes and Carvings
Kent McManis
Treasure Chest Books, 1995
48 pages

Note: There are expanded editions of this text available; this is an older edition. Please see the link at the end of the review. Please follow the link at the end of the review if interested.

Often imitated, but hard to reproduce at authentic quality, the small stone animal fetishes created by the Zuni and other southwestern American Indian cultures are well-known artifacts. However, most people don’t know much beyond the fact that they’re made by indigenous peoples, and perhaps that they’re worth money to collectors. This little book serves as an introduction to their origins and the current state of the art form.

A very basic explanation of the spiritual cosmology that informs the creation of Zuni fetishes is offered at the beginning. This creates a nice context for what follows, brief but interesting explanations of some of the more common animals found in fetish art, and what their spiritual and cultural significance is. Unlike Zuni Fetishes by Bennett, this is not a how-to text, and sticks pretty closely to the source material as opposed to extrapolating rituals that may or may not be authentic.

The book is largely aimed at collectors, and the absolutely stunning full color photographs that grace much of the book make it worth the cost on their own. McManis showcases the works of some of the better-known fetish artist families, as well as giving some information on the current living artists, and a bit on how to tell a fake apart from the real deal. The depth of the talent and creativity displayed in the examples given is amazing, and the book made me appreciate this art form even more than before.

Whether you’re a potential collector, a spiritual or artistic researcher, or simply interested in knowing a bit more about a neat niche topic, this is a good starting point. It’s not the be-all and end-all, but it’s an easy to digest intro.

Five pawprints out of five.

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White as Bone, Red as Blood by Cerridwen Fallingstar

White as Bone, Red as Blood (The Fox Sorceress)
Cerridwen Fallingstar
Cauldron Publications, 2009
356 pages

Seiko is a child of Inari–or, rather, daughter of one of the god’s priestesses. Orphaned at a young age, through a series of events she finds herself ensconced in the royal palace itself, aide to the empress of twelfth century Japan. As herbalist and midwife, it is her duty to help the empress conceive and give birth to the son that will secure the current royal family’s possession of the throne. Time is ticking, and rival factions gather at the gates!

It took me a few tries to get into this novel. While it is a work of fiction, it is by no means simple brain candy, and so did not come across as the sort of pablum that’s commonly found on the big box shelves. While it was a quick read, it didn’t follow many of the typical tropes and events found in much of today’s fiction. For example, there’s not the usual buildup toward one specific climax of the story. While near the end there is quite the significant event, it is merely one of several important twists and turns to the tale.

More interestingly, where many novels might focus on the military aspect of this time period, instead this one follows Seiko as she spends year after year within the palace walls, building relationships with other women who are there to find suitable husbands, and participating in exchanges of poetry among the court, an art form on many levels (not the least of which being subtle communication hidden in symbols). The author boldly tells of Seiko’s sexual exploits, with women and men alike, as well as the details of childbirths and illnesses. These things may seem somewhat sedate compared to military maneuverings, sword duels, and ambushes, but the novel holds it own even better for the lack of these.

I will admit that I was a bit disappointed with the ending, hopefully without giving away too many details. While I understand that this is the first of a series, and the author wished to leave an opening for the next book, the final chapter delving into a sudden rush of political activity after so much relative domesticity was jarring. While the political context of events throughout the book was clear, it took a backseat to seemingly everyday events, and that last bit seemed tacked on to try to move on to the next book.

The other thing that I expected was more involvement of Seiko’s role as a priestess of Inari, especially given the title of the series. This element of her life, though, seemed to be almost a background, something to be mentioned from time to time, but not really a major part of her life or the story itself. I would have liked to have seen more overt discussion about Inari’s presence in her life and how that was connected to the things we got to see a lot of, such as her sex life, and her healing abilities.

Overall, though, I really liked this book, and I’m looking forward to more from this author. If you’d like a good read that isn’t the usual mass-marketed pulp, particularly if you like interesting, well-rounded and engaging female main characters, pick this one up.

Four pawprints out of five.

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