Ritual Body Art: Body Painting for Ritual & Magic
Charles Arnold
Phoenix Publishing, 2001
176 pages
When I first got this book I thought it was going to be a hell of a lot more advanced than it is. Instead, it’s useful only because it draws together a whole bunch of magical correspondences, which you could get out of a collection of Cunningham’s books.
This isn’t to say there isn’t any good material in it. If you’re new to paganism and don’t know much about correspondences, and want to play with body art a bit, this is a good book for you. The chapters mainly deal with color symbolization, oils, materials you’ll need, props and jewelry, and some common symbols you may want to try using. There are also some suggestions on how to tailor body painting to different Sabbats and Esbats. In short, it’s a very basic how-to-get started guide.
The examples are rather limited, and divided sharply by a polarized view of male and female–there’s a lot of “male this” and “female that”, and, in addition, are heavily fertility-based, particularly for women. Pregnancy and childbirth get a lot of time, especially in the photos in the center. And his only body art for a woman who has had an abortion involve tears of mourning and a bloodstained hand–in fact, it’s the exact same design as miscarriage except for the bloody hand. How about an abortion design of rejoicing in one’s own choice, maybe with an Artemisal motif? Granted, the reader can certainly create new designs, but couldn’t the examples have been a little more imaginative and varied?
I’d really only recommend this book to beginners who don’t have the cash to pick up a few books on correspondences and symbols. It’s a good pocket guide, but nothing I’d be running out to buy.
Two pawprints out of five.