The Celtic Shaman – John Matthews

The Celtic Shaman: A Handbook
John Matthews
Element Books, 1991
224 pages

I’m in the middle of reading (or re-reading) all the books on shamanism and related topics currently in my home. I wanted a light read, so I pulled this one off the shelf. It’s one that I “inherited” through marriage, and while my husband normally has impeccable taste, I wasn’t so crazy about this particular book.

I suppose the main theme of this book could be “Where’s the Shamanism?” The author is apparently attempting to reconstruct the Celtic shamanic tradition; thankfully, he doesn’t try to say that the druids were all shamans. However, what this book ends up being is Celtic neopaganism with some shamanic techniques and concepts thrown in for flavor.

The book *is* well-written, though there are some typos in there. And as a book on shamanic-flavored Celtic neopaganism, it would actually be pretty good. Maybe not entirely historically accurate, but it would be functional for those who are quite happy in a modern paradigm. The author covers a lot of ground for the basic to lower-intermediate practitioner, particularly in introducing hir to this magical/spiritual system. While a lot of the material is Celtic neopaganism 101, there are some exercises which would have the potential to help the reader start on a more intermediate path.

One of the biggest problems is that the mixture of components isn’t well-blended. There’s information on Celtic mythology, including various dictionary-style lists of gods, “totem” animals (animals found in Celtic myth, but with no proof as to whether they served as clan/family totems or not), and correspondences for the directions that don’t seem to have any actual foundation in Celtic culture. (I’ll touch more on this in a minute). The shamanism portion is mainly a sprinkling of techniques, and the idea that the shaman is primarily an eco-pagan, with not too much focus on the community service. The two areas of study do not sit well together.

The issue is that there’s too much *neo*paganism and *neo*shamanism mixed into this. I can see elements of Harner’s core shamanism in there, particularly the focus on healing (as opposed to other shamanic functions), and it seems that the author has a rather incomplete understanding of what *traditional*, indigenous shamanism(s) is. Additionally, the bulk of the exercises are very heavily scripted guided meditations; shamanic journeys tend to be *much* more free-flowing and individual.

My other complaint is that while he seems to have a lovely bibliography in the back, the fact that there are no internal citations, either in-text, footnote or endnote, means that I had no idea how he used them (other than asterisks denoting which sources were particularly useful–but not why). This meant that there were a LOT of times when I sat there, scratching my head and wondering “Oooookay, where did he get THIS piece of information? Where is this COMING from?”

I don’t really feel the author accomplished his stated intention with this book. If he wanted to reconstruct the shamanic practices of the ancient Celts, then he needed to be looking at older forms of shamanism, not neoshamanism.

Two pawprints out of five.

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The Way of the Shaman – Michael Harner

The Way of the Shaman
Michael Harner
HarperSanFrancisco, 1990
172 pages

This is the fourth time in the past decade I’ve read this book cover to cover (as opposed to looking up specific factoid and techniques) and I’m finding that this time through, I’m not so fond of it. It’s not that it’s horrible; it’s just not as impressive to me these days, now that I know more than I used to.

Harner’s book is pretty much a classic on NEOshamanism; it forms the foundation of core shamanism, a shamanic practice that is (mostly) devoid of specific cultural trappings. His background in anthropology, as well as experience training as a shaman in the Jivaro and Conibo tribes, make this a well-researched and well-informed book. There are plenty of endnotes, and a good bibliography, so it’s easy to trace where he got his information from.

The problem is the presentation of the practical material. First off, my main complaint is that his selection of techniques seems incredibly arbitrary. He draws on the tobacco ties of certain Native American traditions, Jivaro-flavered sucking shamanism, and the spiritual canoe from a particular Northwest Native tribe. And he seems to ignore a number of shamanic practices that may not be necessarily appealing to the New Age crowd, such as spiritual dismemberment and reassembly.

Also, he fails to mention that even within a specific culture there are several types of shamanism. He should have, IMO, either billed this as a form of healing shamanism, or stuck to one of the cultures he trained in, rather than adding in elements of numerous cultures. He doesn’t quite draw shamanism far enough away from its cultural roots to make it fit together well; rather than doing as Peter J. Carroll did with Chaos magic, and making a system that is not at all culturally specific (and so can be plugged into any culture), Harner attempts to make (certain) cultural artifacts relevant for people outside that culture, while also trying to make it relevant to modern mainstream American (and other postindustrial) culture. Unfortunately, the end result still retains enough of the original cultural material (such as biases against certain animals like snakes and insects) without explaining the contextual relevance of such elements.

Finally, he waters down certain pieces of information. “The SSC [Shamanic State of Consciousness], it can be said, is safer than dreaming,” he says (xxii). Yet shamanism, even in modern practice, is NOT safe. He doesn’t talk about spiritual defense, other than talking about how one’s power animal and other guardians are supposed to protect you. He barely brings up any dangers, other than seeing animals with bared fangs. Nor does he talk about how close to the edge shamanism can bring a practitioner (or the skills needed to maintain a proper balance).

In short, this is shamanism for the living room. The techniques itself are solid, despite the contextual issues, and can be easily used by most people who pick up this book. If presented as a book on shamanic techniques, I give it a four. However, as a book on *shamanism*, I give it a two. This balances out to….

Three pawprints out of five.

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Choice Centered Tarot – Gail Fairfield – September BBBR

Choice Centered Tarot
Gail Fairfield
Ramp Creek Publishing, 1984
154 pages

This is an older edition of the book now known as “Everyday Tarot”, but since this is what I pulled out of the bargain bin, this is the review you get 😉

I read tarot on the side, but not that often. Still, I have enough experience to have more than the basics down, and I really liked the angle this particular author took. The book is very much a psychological approach to Tarot, with a strong emphasis on what the individual symbols mean to each reader and querent. Rather than being dogmatic about what each card means or doesn’t mean, Fairfield encourages the reader to really think about the symbolism, even to the point of thinking very carefully about the colors in a deck before purchasing it. She advocates an approach to tarot that has a lot of preparation rooted in personalization rather than superstition.

I also like her comparison of divination to sitting in a hot air balloon. You can see a lot more than just the immediate surroundings, and get a much better perspective on what’s going on. It’s a very open-ended approach, one that allows a lot more freedom of personal interpretation and perception.

The meanings she gives for the individual cards are her own, admittedly, but she gives a lot of detail–and the preceding information provides the context within which she reads. Her section on designing and using spreads is also valuable.

Overall, I enjoyed this book. It’s an incredibly useful tool for Tarot readers of any experience level, and would be a definite help in creating a more thoughtful, conscious approach to reading, rather than just going by whatever the book says.

Five pawprints out of five.

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The Shaman – Piers Vitebsky

The Shaman
Piers Vitebsky
Little, Brown and Company, 1995
184 pages

This is one of my favorite books on basic shamanism from an anthropological perspective. I’ve read it before, but this is the first time I’ve read it since I started this review blog. I think it’s well worth talking about, though, so here’s my official review 🙂

The author, an anthropologist, has spent several decades studying shamanism within the context of a number of cultures. He presents a nice collection of facts and anecdotes about the shamanic experiences of people in these cultures. From the altered states of consciousness to the spirits encountered along the way, from healing to showmanship, from the political status of shamans to neoshamanism today, Vitebsky offers one of the best introductions to the concept of shamanism and what it is the shaman does. This concise book is quite thorough, and while the material is densely packed it’s written in a manner that even a rank beginner can understand. You won’t find a bunch of how-to instructions, but what you will get is solid research to get a good understanding of the context of shamanism.

Unlike earlier anthropologists, Vitebsky’s viewpoint is quite enlightened. He points out the shortcomings of his predecessors, who characterized shamans as everything from archaic leftovers to mentally disturbed outcasts. He also cautions against trying to boil shamanism down to a particular facet, such as trance, while tossing out other important aspects, like community and culture. He is not overly critical of neoshamanism, though he only devotes a very small portion of the book to it and explains how it differs from traditional shamanism. He clearly shows his research, and is not afraid to critique other scholars; for example, he challenges Mircea Eliade’s assertion that shamanism has “an apparently timeless quality…[and] appears to stand outside political history” (p. 116). To back up this criticism Vitebsky goes into great detail how shamanism has interacted, both positively and negatively, with both political and religious bodies in various cultures, and how it has sometimes come into great conflict with various powers thereof. (I should also add that I have no opinion myself on Eliade yet, though his work is on my reading pile.)

This contributes to a very down to Earth look at shamanism worldwide, though it does NOT purport to be the do-all and end-all resource; nor does it try to claim that all shamanisms are one shamanism. Rather, as I said, it’s an excellent introductory book, mixing text and illustrations to create a good resource for anyone interested in traditional shamanism from a theoretical point of view (as opposed to a hands-on workbook).

Five pawprints out of five.

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Totems – Brad Steiger

Totems: The Transformative Power of Your Personal Animal Totem
Brad Steiger
HarperSanFrancisco, 1997
218 pages

I’ve actually had this book for years and never got around to reviewing, though I’ve read it a few times and I use it in my totem animal workshop that I present as an example of a book resource.

I like it for the most part. Steiger has done a good job of covering the basics of animal totems, from how to find one to how they can influence us on a daily basis. While the book does have a totem animal dictionary (something that, if you’ve read my reviews, you’ll know I’m not crazy about), it’s a decent one, with a nice selection of animals and good information contained in it. And there’s enough solid material besides the dictionary to make this a good 101 book on totemism.

My main complaint is that due to the large amount of “Indian-centric” terminology in the book, people might think it’s 100% genuine “Native American totemism”. It’s actually a New Age interpretation thereof, and so while it may be inspired by various indigenous cultures, it’s not the same thing as what those cultures are doing. Just take it with the usual grain of salt and you should be fine. Additionally, the author does include a really thorough bibliography, and while there are no internal citations to tell where specific bits of information came from, it’s good to at least get an idea of his sources.

Overall, this is a good starter’s guide to totemism. While it’s not without its flaws, you could definitely do much worse.

Four pawprints out of five.

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The Oracle of the Bones – Claire O’Neill

The Oracle of the Bones
Claire O’Neill
St. Martin’s Press, 1994
128 pages

I really, really liked this book. It’s the handbook for a Western reinterpretation of a method of divination with bones used by several tribes in Africa. It’s nice to see something derived from a culture that’s not from Europe, Asia, or North America. The author is quite clear about her sources and the derivation of the system she presents, rather than trying to say “This is exactly how the Africans do it!” While there aren’t in-text citations, there is a bibliography, which earns points.

The basic system consists of tossing four bones–a long bone, a small bone, a broken bone, and a fat bone–onto a tri-parte circle, each section standing for a different set of qualities. The meaning of the bone depends on where it falls in the circle, and where it is in relation to other bones. The bulk of the book is dedicated to summaries of what each bone/circle combination means and suggestions on how to interpret it.

Unfortunately, I didn’t get the casting cloth that originally came with it, but it’d be a simple thing to make. Additionally, since I bought the book alone, I had to get my own bones (though this was relatively easy, considering the kind of artwork I create). The concept is wonderfully simple, though, and those who are artistically inclined can easily reproduce their own set, especially since this is out of production.

Overall, a unique divination system that I intend to make good use of.

Five pawprints out of five.

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Gift of the Dreamtime – S. Kelley Harrell

Gift of the Dreamtime: Awakening to the Divinity of Trauma
S. Kelley Harrell
Spilled Candy, 2004
156 pages

I’ve been wanting to read this book for a while, and finally had the chance to sit down and do so. I’m very glad that I did; it’s a wonderful resource that I think more people need to know about.

Harrell, a modern shamanic practitioner, offers up her story of how she used shamanic techniques to heal herself from the effects of childhood sexual abuse. She works within a first person narrative, using her words to illustrate her journeys to the Upper and Lower worlds to visit with guides and retrieve pieces of her soul. Rather than abstract descriptions of what “should” happen, she tells the story of her own experiences, both the good and the bad. A warning: while her descriptions of abuse are not incredibly graphic, they may be triggering for some people, so be prepared. There are techniques for healing in her story, but not without the price of facing the past.

I generally am not a fan of narrative shamanic texts, a common format in core shamanism/neoshamanism books. However, this one is an exception. I felt that, rather than trying to impress me with credentials and pidgin-English-speaking guides, Harrell simply wanted to offer up the solutions that helped her in the hopes of sharing healing with others. Hers is a humble story, and instead of 200 pages of ego-stroking and no meat, I got a lot of ideas for working with my own traumas; while I was never abused as a child, I’ve had my own traumas both as a child and an adult, and this book has planted a few seeds in my mind.

The book is not without its potential controversy. At one point Harrell writes about how one of her guides reveals that the reason she was raped was that she owed a debt from a previous life to her rapist. I know this made me look a bit askance, as I’ve seen New Agers take this idea to the extreme of saying that anything bad that happens to a person is caused by bad karma. However, due to the nature and quality of the book, I trust the author to be honest, and she never comes across as the least bit fanatical or off-balance.

Additionally, I would have liked to have seen more content. It seems that she mainly hit the highlights of her journey, and it’s a little unclear how long it takes her to get from one section of the story to the next. Granted, she is revealing a very personal part of herself here, so it may be that she only tells what she’s comfortable with. Still, I’d be curious as to some of the backstory, what happens inbetween the meetings with the various guides, and a timeline of when these journeys happened. The book as it is, though, progresses nicely, so even if she chooses to forever keep the rest under wraps, this is a worthy project.

Overall, I recommend this to those who have experienced trauma in their lives, as well as those who work with such people in a spiritual role, and want some good ideas for healing through shamanic techniques. It’s not a huge how-to book, though there are some basic pieces of information at the end. Rather, it’s one person’s story of how she utilized these techniques to do some pretty serious healing on herself. It gives hope for those of us who sometimes feel that maybe we’re not doing things right, or that perhaps there is no healing to be had.

Five pawprints out of five.

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Carnal Alchemy – Dawn and Flowers

Carnal Alchemy: A Sado-Magical Exploration of Pleasure, Pain and Self-Transformation
Crystal Dawn and Stephen Flowers
Runa-Raven Press, 2001 (originally 1995)
86 pages

I finally got around to reading this book cover to cover after reading it piecemeal for a couple of years. It’s arguably the first book to focus solely on BDSM sex magic (which the authors alternately term Carnal Alchemy, Sado-magic, and Sado-shamanism, p. ix). While it’s not a huge book, it does cover the basics.

Dawn and Flowers do an excellent job of tracing the history of sex magic in general, including BDSM magic. Not only do they cover the usual suspects like De Sade and Von Sacher-Masoch, but they also get into Robert North and the New Flesh Palladium, and Aleister Crowley’s own Sado-magical journeys. There’s also basic information on BDSM and the various toys involved, and common sense safety.

Unfortunately, the book is pretty sparse as far as content goes. There’s very little description of any rituals (the authors’ magical group, the order of the Triskelion, keeps its rituals secret). There are only a couple very brief fictional examples; the reader is left largely up to hir own devices. And the actual material dealing with practical BDSM magic is pretty brief, compared to the background material given. I think they could have given some more information without compromising privacy, though they also confess trepidation with misinterpretation of the material by individuals who stop thinking after the word SEX!

However, for being a pioneering book, it’s to be given good marks. While there’s not a ton of information, what is there is excellent, and it set the stage for a number of books by other authors that followed it.

Four pawprints out of five.

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Animal Energies – Buffalo Horn Man and Firedancer

Animal Energies
Gary Buffalo Horn Man and Sherry Firedancer
Dancing Otter Publishing, 1997
40 pages

This was a tough book to find outside the internet, despite the authors’ claims of selling over 100,000 copies since 1992. It’s a slim little self-published volume that is primarily a totem animal dictionary. So how did it fare?

It’s actually pretty decent as far as dictionaries go, especially for its size. The entry for each animal starts with a bit of natural history, followed by the authors’ interpretations of the totemic qualities. Occasionally they throw in a bit of Native American lore (without citing their sources). While they do focus on Big, Impressive North American Animals, they do sometimes have a few oddities–for instance, the jellyfish is characterized particularly by the fact that it must rely on the waves to move from place to place (which isn’t entirely true–they can move with a belling motion). There are a few other details that they throw in that are questionable; for example, I could find nothing to substantiate the claim that a fox with fleas will hold a stick in its mouth and slowly immerse itself in water until the fleas are on the stick–then let the stick go. Still, for a dictionary this isn’t a bad starting place.

There are no rituals or tips on how to work with the animals–this is only a dictionary. It’s the kind of thing that would appeal to people who may not necessarily be heavily into totemism and related practices. I do cringe a bit when the authors toss around words like “Great Mystery” and “medicine” when they don’t give any tribal information about themselves other than saying they learned from a Native American teacher a couple of decades ago.

Still, cultural appropriation aside, this is a neat little booklet. It’s well-written, and a good resource if you like to have a variety of totem animal dictionaries.

Four pawprints out of five.

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Borrowed Power – Ziff and Rao (editors)

Borrowed Power: Essays on Cultural Appropriation
Ziff, Bruce and P.V. Rao (editors)
Rutgers University Press, 1997
338 pages

Every so often I get into the mood to sink my teeth into a nice, meaty chunk of….

…academic writing.

(What did you think I was going to say?)

So when the craving hit this time, it just so happened to be on the same day as the arrival of my copy of Borrowed Power. It took me almost a week to work my way through it (amid editing manuscripts and other such things) but I finished it, and I can definitely say it was a great read.

Borrowed Power is an anthology addressing cultural appropriation, the use/borrowing/theft of elements by one (usually dominant) culture from another (usually not dominant) culture. A common example in the pagan community is white pagans raised in Suburbia drawing on Native American religious practices and taking them out of context while not actually participating in the culture they draw from. While cultural appropriation isn’t always considered a neopagan topic, it’s one that’s crucial to the evolution of our community. (I deemed it important enough that I’m compiling an anthology specifically on cultural appropriation in the pagan community inspired by Borrowed Powerclick here for details.)

The topics are varied; while one essay addresses “white Indians”, hippies and New Agers who try to be more Indian than the Indians, most either don’t mention the phenomenon or only do so in passing. Instead, the essays cover the legalities of property rights and copyright in the face of cultural theft; financial restitution for cultures that have been taken from; returning historical and cultural religious items to the cultures they were taken from; the impact of non-Native artists using traditional Native American patterns; ethnomusicology; and post-colonialism, among others. While some of the essays focus on Native America, other cultures are addressed. There is an excellent essay addressing the appropriation of African-American culture through music, from jazz to rap.

Most of the essays are readable even to those without an academic background. A few do get tough to chew through, particularly those dealing with legalities, and postcolonialism. But for the most part the writing is accessible, and the tougher writing styles aren’t entirely impossible. There’s an excellent variety of viewpoints and topics presented here, and much food for thought. And, as is expected, the research is impeccable, and is joined by a sensitivity to the cultures being explored that’s often missing from academic writing.

Overall, this is a wonderful read for those who want an introduction to the problem of cultural appropriation. While the specifically neopagan content is almost nil, the concepts herein are worth looking into. (I also recommend this as a source for those writing essays for the anthology I’m compiling, just FYI, along with the cultural appropriation chapter in Earthly Bodies, Magical Selves by Pike.)

Five pawprints out of five.

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