Trance-Portation by Diana L. Paxson

Trance-Portation: Learning to Navigate the Inner World
Diana L. Paxson
Weiser Books, 2008
276 pages

Given her extensive work in trance work, particularly (though not exclusively) being a founder of modern seidr practice, Diana L. Paxson is an excellent person to be writing an in-depth guide to deliberately achieving altered states of consciousness. While numerous books on (neo)shamanism and other practices give sections or chapters on techniques including drumming, conscious breathing, dancing, and other methodology, this text specialized in explaining trance work in all its detail, and does a great job of fulfilling its goal.

Rather than only focusing on one particular type of trance work (such as only journeying), Paxson offers a more general framework that can be applied in several different contexts. Don’t let this fool you into thinking it’s watered-down however. It’s generalized in the same way William G. Gray’s Magical Ritual Methods explains a generalized approach to ritual magic. In both cases, the authors go into painstaking detail in the mechanics of their subject matter, but without adhering to a specific path.

This truly is a step-by-step guide to trance. Paxson starts with a variety of exercises to train the reader in necessary skills for trance, and to prepare them for what’s next. Trance itself is covered in detail–not only the actual mechanisms for doing so, and ways to shift one’s mind into an altered state, but also information on both physical and incorporeal aid and tools. Additionally, she discusses something many authors overlook–the inherent dangers associated with trance work. Not just medical dangers, which everyone talks about, but the fact that not everything you meet may be nice, and yes, you may have to fight. There are also substantial sections for those who will be guiding others through trance to help them apply the rest of the book to their work.

Trance-portation is a cover-to-cover guide that will be useful to just about any neopagan, neoshaman, or other person wanting help in journeying, astral travel, lucid dreaming, and similar practices. It’s one I’ll be recommended to my own students, and one that I think will be indispensible to most of the people who pick it up.

Five pawprints out of five.

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The Drums of Legenderry by John Orlando

The Drums of Legenderry
John Orlando
Legenderry.com, 2007
154 pages

This is a peculiar little collection of stories for adolescent readers (and I mean peculiar as a very good thing!). They center around the adventures of the Rhythm Maiden, a river spirit, and her family, some of whom travel quite a ways away in their journeying. It’s a mythos created by the author, but in the grand tradition of complex mythologies that include a good deal of symbolism, as well as the ability to carry cultural values and teachings. The stories are set in a faerie-tinged fantasy world where magic is as common as the air you breathe–but has consequences as well!

The rhythm of the stories, if you will, reminds me very much of mythologies from cultures where the oral tradition is the primary form of communication. This sometimes makes them a little odd to read, particularly when it comes to the dialogue between characters. However, when read aloud, the cadence makes a lot more sense (which also makes subsequent reading better as well). While the book is meant for middle-grade readers, most of them could be told to younger children as well (there are a few with a bit of material, such as allusions to domestic abuse, that may be a bit much for the really young ones). I could see this being a neat book for a story time at pagan events–or in the pagan home with children. And, as an adult, I found the stories to be an excellent break from the more serious nonfiction reading I do for school and so forth!

I think my only real criticism of the book is that it could have used an extra pair of eyes to edit it. There are a few inconsistencies here and there–a mammoth being referred to as both he/him and it in the same paragraph, and a character’s name being spelled both Pika and Pica (a typo, perhaps?) Also, a few places the writing seemed a bit rough around the edges, even in the oral retelling, though this may be stylistic preferences on my part.

Still, I can see this being a wonderful addition to just about any pagan library, whether there are children or not. Storytellers in general may want to take a look at this text, as should those who like to receive a good story as well.

Five pawprints out of five.

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The Goddess is in the Details by Deborah Blake

The Goddess is in the Details: Wisdom for the Everyday Witch
Deborah Blake
Llewellyn Publications, May 2009
240 pages

Everybody knows by now that there are entirely too many paganism 101 books out there, especially in the arena of Wicca and witchcraft. There’s a growing number of advanced texts on specialized topics as well, though nowhere near to the point of exhaustion and rehashing. And there’s a niche in between–bridge books that, like 101 books, cover a variety of topics in one text to give the reader a taste of what’s next, but don’t just go over the basics one more time (but with a new hat!). Deborah Blake’s newest title, The Goddess is in the Details, is a part of this latter niche.

What do you do once you have the basics down? Well, for one thing, you start thinking about where all this new information and the practices you’ve been developing fit into your everyday life. Blake isn’t the first person to write a book that addresses practical matters, but she does it in a wonderfully open manner that will go far in assuaging the fears of folks feeling a bit intimidated to take the next step. She covers a lot of important ground with regards to ethics–not just the reality of “harm none”, but things like healthy relationships in regards to common pagan ethical guidelines. She also explores other sorts of relationships, to include what to do if you live with people who aren’t pagan, and what to do about the whole broom closet conundrum. There are some interesting writings as well on stretching one’s wings in magical practice, and again thinking about the whys and hows, as well as what to do besides light another candle. And self-care is a strong theme; one of the first things Blake talks about is how harmful it can be to say mean things to yourself, and that they aren’t “just words”.

There are some sections of 101 material; for example, the Sabbats are covered yet again–though this is within the context of a chapter that takes celebrations beyond just those eight days. Also, there are a number of topics where I wish she could have dedicated more space to explanations; for example, I really liked her intro to animal familiars, but she didn’t really do much beyond give the reader a method for attracting a familiar. I would have liked to have seen a little more how-to info on what to do once you have a familiar in your life–it’s obvious from her anecdotes that her feline helpers have been strong influences on her. Granted, this is one of the limitations of the “cover a little bit of a lot” format, but there were places where I was left hoping for more, just because what she did present was intriguing.

The best audience for this book are the newbies who have gotten the basics down and feel ready to at least begin exploring the next step. Traditionalists may find the eclectic nature of the material a bit off-putting, but many readers won’t mind so much. Use this book as a resource for branching out–she cites a lot of source material, though do be aware that the majority of her sources are specifically in the pagan/metaphysical/etc. genre as opposed to root sources such as history, psychology, etc. This isn’t necessarily bad, but eventually readers will want to get into things that aren’t necessarily of this genre.

Overall, a great book for branching out beyond the basics!

Five pawprints out of five.

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Bell, Book and Murder by Rosemary Edghill

Bell, Book and Murder: The Bast Novels
Rosemary Edghill
Forge Books, 1994
448 pages

Okay, so a lot of folks who read these reviews most likely have already read these novels at least once. I read the first one years ago, and just now got around to hunting down the omnibus edition including the entire trilogy. I enjoyed it thoroughly, so here’s my review, just in case there are pagan folk who need a good tip-off on a thoroughly wonderful piece of pagan-flavored fiction.

Bast is a thirty-something Gardnerian Wiccan in New York city. She works doing book layout as a freelancer, and has a “coffin-sized and shaped” apartment. Active in her local pagan community, she also ends up being a key figure in solving three separate murders, one per novel. Her fellow pagans and magicians are realistic, running the gamut from flakes to uber-serious ceremonialists, and all points in between. Bast herself is well-grounded and mature, but not without her flaws.

The mysteries themselves are well-paced and inventive, and while they incorporate the pagan aspects of the novels to one extent or another, it’s in a believable style. I never felt like any of the stories were strained–I think the latter two books, particularly their endings, were better than the first, but even the first was a great read.

You know all those recent novels where authors try to add information about paganism in the duration of the storyline? This is the book that they aspire to be (and only a few achieve similar quality). Instead of clumsy attempts to have a lesson on neopaganism at one point in the book, Bast does what any good writer does when introducing niche material into a storyline–she weaves it in seamlessly with the narrator’s commentary. Details on paganism are integrated fluidly along with the basics of (pre-computer) book layout, and what it’s like to live in the Big Apple. I learned a good deal about the latter two, and thought the former was quite well handled as well.

What I loved the most about her portrayal of neopaganism, though, is that never once is there anything unbelievable. There’s no Harry Potter-esque magic. There’s not even speculation in the vein of the famous British Wiccan ritual during WWII that may or may not have been actually effective (and may not even occurred for that matter). There aren’t any incarnated angels or cross-planar spirits physically materializing or voices of deities in the middle of New York. Bast does spells and rituals in the course of the novels, but none of them are shown to definitely cause anything out of the ordinary. In other words–the world of Bast could just as easily be this one.

These novels have a lot going for them–well written, excellent integration of specialized material, and believable characters and settings. If you haven’t had a chance to read them yet, they’re probably one of my most highly recommended fiction pieces on this review site to date.

Five pleased pawprints out of five.

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The Great Shift edited by Martine Vallee

The Great Shift: Co-Creating a New World for 2012 and Beyond
Edited by Martine Vallee
Weiser, 2009
256 pages

As 2012 approaches, it’s becoming a hotter topic. Just what will occur? Are we all doomed, or will absolutely nothing out of the ordinary happen? I suppose I should preface this review by saying that I don’t believe in the 2012 mythos, that significant events happen every day that are completely unrelated, and that I don’t take channelled texts literally–I don’t believe they’re more than the writer “channelling” some part of their mind not normally used. If you compare the results of channelling with the culture of the channeller, you see a lot of cultural similarities. So my approach to this anthology of channelled writings about 2012 is already biased.

The book is divided into three parts, one apiece for Lee Carroll “channelling” Kryon, Tom Kenyon “channelling” the Hathors and Mary Magdalen, and Patricia Cori “channelling” the High Council of Sirius. (Why doesn’t anyone ever channel anyone more boring?) About the only way I could take this book seriously was to look at it as purely a mythos, rather than a literal “we channelled this from beings who actually exist Somewhere Out There”. And in that light, there were actually some pieces of good advice that can essentially be summarized as:

–Take good care of your physical health and be aware of your body, instead of ignoring it until something goes seriously wrong
–Be good to yourself emotionally and mentally, and tend to your health there
–Be kind to other people; there’s enough nastiness in the world that needs balancing out

These are quite applicable pieces of advice in these times, and the writers often provide some really useful insights on how to accomplish these things. Western cultures, especially the dominant culture in the U.S., tend to lack interconnection and awareness, and I found some nice reminders to reach out to others, and to reach within myself as well.

Unfortunately, it’s couched in a lot of New Age material, including (of course) crystal skulls and Egypt, and star beings and not-at-all-vicious-as-in-the-Bible-angels. Because of this, I found myself twitching a good bit of the time I was reading. Still, to each their own. If you have more tolerance for New Age material, you’ll have an easier time with the book; even if you don’t, feel free to glean whatever’s useful from it.

Two and a half pawprints out of five.

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In the Blood by Adrian Phoenix

In the Blood
Adrian Phoenix
Pocket Books, 2009
390 pages

I was excited when I heard that this sequel to Rush of Wings was out. I’m pretty jaded about vampire novels these days, what with the utter glut of them on the market, but Phoenix’s work stands out like few others. Once again, I found myself immersed in a captivating alternate reality blending urban fantasy, murder mystery, and just a hint of erotica.

Phoenix picks up where the last novel left off, returning Heather Wallace to her home in Seattle, where Dante Baptiste–vampire and Heather’s love interest–is to be touring with his band. This is a plausible setup for the novel, and leads nicely into a story where loose ends from the previous book are brought into play. Since there’s only a space of a few weeks from one book to the next, it makes for a quick transition.

Dante’s health is worsening, Heather’s life has been complicated by family drama, and Lucien–well, Lucien seems to be dealing with the things that all fictitious angels seem to deal with, specifically warring in heavenly realms. These seemingly disparate experiences have more connection than what is immediately apparent, and within just a few chapters I was drawn irretrievably into wanting to know What Happens Next.

You would think that a vampire named Dante from New Orleans would be just another Lestat wannabe. Not so. Phoenix’s characterization of Dante continues to be rich and well-developed, and the same holds for all her characters. They’re believable, they have flaws (and it’s obvious she’s done her research on details), and yet carry the action of the plot with ease and grace. The character development from one novel to the next is also seamless, and this helped me to thoroughly and completely enjoy the ride.

If you’re sick of Laurell K. Hamilton, Stephenie Meyer, and other huge names, Adrian Phoenix is an excellent up-and-coming alternative. My suggestion would be to treat yourself to this pair of novels; my bet is that you’ll be waiting with bated breath for the next one, just like me.

Five pawprints out of five.

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Wicca Unveiled by J. Philip Rhodes – February BBBR

Wicca Unveiled: The Complete Rituals of Modern Witchcraft
J. Philip Rhodes
Speaking Tree, 2000
192 pages

While I’m tired of Wicca 101 rehashes, at least this one is on traditional rather than eclectic Wicca. Rhodes has many years’ experience in British Traditional Wiccan (BTW) covens, and uses this book to pass on information about the rituals and beliefs involved. Granted, I’m not BTW myself, so to an extent this review isn’t quite as informed as, say, Mike Gleason’s, but here are my thoughts.

On the plus side, the book is a fairly complete overview. It includes different initiatory and celebratory rituals, such as those for handfasting, and initiations in the Wiccan degree system. There’s also the prerequisite Sabbat and Esbat rites, and even planetary rituals which hail more towards modern Wicca’s ceremonial magical roots. Basic correspondences and incense recipes are to be found in the appendices, though they’re rather sparse.

However, there’s nothing that really makes this book stand out. It’s basically BTW for people who want a basic idea of its rites, but don’t want to slog through the Farrars’ massive black book. There are also some assumptions made that have essentially been discounted–the concept of an unbroken line of witchcraft going back hundreds or thousands of years, the “black/white” dichotomy of witchcraft, and other outdated things. The first chapter, which includes the history and theory of witchcraft, could be much more fleshed out as well; the book is mostly rituals.

It’s not terrible, but it’s not great, either. If you want an easy introduction to BTW rites and don’t want to spend too much time researching it, this will work. If you want something more substantial, read the Farrars.

Two and a half pawprints out of five.

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Everyday Witch A to Z by Deborah Blake

Everyday Witch A to Z: An Amusing, Inspiring and Informative Guide to the Wonderful World of Witchcraft
Deborah Blake
Llewellyn, 2008
264 pages

Blake, in her second book, has created a collection of short encyclopedic entries on a variety of topics related to witchcraft. Aimed at being both entertaining and useful, it’s a brightly laid-out text with a wide variety of presentations for the information therein.

I found it to be a mixed bag, personally. Here are some of the things that stood out to me:

Likes:

–There’s a good bit of humor mixed in with the information, which makes it an entertaining read. The “input” from one of Blake’s cats, Magic, is absolutely adorable (though useful as well), and there are some cute puns tossed in, including in section headers.
–There are footnote citations in addition to a bibliography. This pleases me, since it gives at least some idea of where Blake got her information. Unfortunately, the footnotes mainly refer to direct quotes, so there are still a lot of books in the bibliography whose contribution to this book are unclear. However, the footnotes that are there are a definite step in the right direction!
–I like the odd bits of information that I haven’t run into before. I was really curious as to what would be included in the “X” section, and found out about Xorguineria, a Basque form of witchcraft. And there are other gems here and there that, even after over a decade of practice, were brand-new to me.
–This isn’t just an encyclopedia of information. There are spells, advice column entries, and other tidbits scattered throughout, which makes it a practical guide in a lot of ways. It’s sort of a mix between book and magazine–but with a longer shelf life than the latter!

Dislikes:

–I know the tone is supposed to be light-hearted and fun, but it often goes beyond humor and comes across as an attempt to snag the teen demographic (many of whom don’t care for the “teen-friendly” writing aimed at them), whether that was the intent or not. Sometimes a conversational tone can be too casual, and there are several places where this happens.
–Some of the source material is suspect. For example, on p. 10 Blake cites Yasmine Galenorn’s assertion that “son of a bitch” was originally a compliment because “bitch” was supposedly a euphemism for a/the goddess. I would have preferred to see a more solid historical source for this information (I’d lay odds that it ultimately comes from Barbara Walker or another similarly sketchy “scholar”).
–A lot of the material is witchcraft 101 rehashed and barely skimmed over to any depth. In trying to get a wide variety of topics in there, from herbs and stones to ritual etiquette to various deities, the reader is left with a cursory bit of information on most of them.

Some people are going to love this book, and the light-hearted tone. Others are going to look at the things I didn’t care for, and possibly others, and not consider it to be serious or well-researched enough. I think it is a book that has a definite audience, primarily among newer folks who may head to the big box stores to get some introductory information. They may very well find this to be an appealing choice, and it’s definitely a lot more fun than some beginner’s texts. However, I would add the caveat that, like a lot of the typical Llewellyn “skim over a whole bunch of topics in one book” stuff, that it should serve as a gateway to deeper research on what the reader finds most interesting, particularly because of my misgivings with some of the source material.

Personally, I liked Blake’s Circle, Coven and Grove better, but I’m probably also not the ideal audience for this newest book. Therefore I’m giving it…

Three pawprints out of five.

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Bird Cards by Toerien and van Dobben

Bird Cards: The Healing Power of the Bird Kingdom
Jane Toerien and Joyce van Dobben
Altamira-Becht, 2003/Binkey Kok, 2007
158 pages plus 55 cards

This is one of the not-so-well-known animal totem decks out there, specializing in birds as opposed to a wide variety of animals. The specialization is a definite plus, because it allows for a number of birds that normally don’t get a lot of attention in commerical totemism books and decks. Along with some of the usual suspects like Crow, Raven, and Owl, there are some birds I haven’t really seen covered–Thrush, Roller, and Gannet, for example. There are a few surprises, too–Phoenix as a representative of mythological beings, and Dodo as an extinct totem.

The overall tone of this book/deck is intuitive. The author (and artist) relied primarily on a series of direct contacts with the totems/spirits of each bird in a personal ritual setting. This carries over into the individual messages associated with each bird. In fact, the entries are almost uniformly based on the author’s intuition and observation. I wish that she had balanced them out with some biology or lore from various cultures, though. Relying only on an author’s Unverified Personal Gnosis can lead to an imbalanced understanding of the possible teachings of each animal. Additionally, be aware that the writing tends towards New Age language (“deva”, “angel”, “light” and “special bird” are just a few terms to be found). The meanings are also primarily positive, with no warning of potential negative traits of each species–IMO/IME, it’s important to have a balanced approach when working with totems, or other spirits for that matter. I do have to say I’m glad the deck is remarkably free of cultural appropriation–one of the advantages from working with one’s own experiences. So that’s a definite point in its favor.

It is a very useful deck. Toerien offers a nice variety of layouts for the cards, and isn’t dogmatic in how it must or mustn’t be used. And it’s quite possibly one of the loveliest decks I’ve ever seen! van Dobben is an incredible artist, bringing vivacity and brilliant color to each of the birds.

Overall, I think this deck is a good one. I would strongly suggest researching beyond the book when working with an individual bird totem, and also be aware of the “white light” bias of the text. But it’s a nice alternative to some other decks out there. Good stuff!

Four feathers out of five.

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