The Sacred Earth edited by Jason Gardner – July BBBR

The Sacred Earth: Writers on Nature and Spirit
Edited by Jason Gardner
New World Library, 1998
172 pages

This month’s Bargain Bin Book Review is a collection of quotes from various nature writers’ previously published works, ranging from Rachel Carson and Aldo Leopold to Thomas Berry and Paul Shepard. The general theme is spirituality, and what makes Nature sacred; however, the many ways in which “sacred” manifests for the writers are lovely to read. The book is divided into four sections: experience, texture, practice, and belief, and this creates a nice progression of thoughts from one subtheme to the next.

The editor, Gardner, made some very nice selections. Some, like Leopold’s “green fire” in a dying wolf’s eyes, are fairly well-known. However, he also did some digging into more obscure works from some of the writers, and while hardcore environmentalists may be familiar with most of the writing, there were some surprises for me, and no doubt for other readers as well. The topics that the writers covered included all of Nature, from animals and plants, to the weather, to the stars and other heavenly bodies. Yet while many of the quotes spoke of connection and immersion in Nature, and even identification with it, a few spoke of personal disconnection, and distraction, and wishing for better connection. And, of course, the general cultural disconnect from Nature found in the United States was critiqued a number of times. But it was the ones that showed that even these dedicated writers had their off days made me feel better for not being connected to Nature 24/7.

This would be a lovely collection for those pagans for whom Nature is the central part of their paganism. There’s a wealth of quotes for inspiration, and perhaps even for ritual recitation. However, it’s the imagery conveyed in the words that really touched me, and this didn’t require formal meditation, or ritual practice, to appreciate. This is one of those books that you can pick up and open at random, and find something lovely inside.

Five pawprints out of five.

Want to buy this book?

Beyond 2012 by James Endredy

Beyond 2012: A Shaman’s Call to Personal Change and the Transformation of Global Consciousness
James Endredy
Llewellyn, 2008
220 pages

Leave it to James Endredy to write a book on 2012 that actually makes sense. I’ve liked what I’ve read of his work, particularly Ecoshamanism (which is one of my absolute favorite books on shamanism). It took me over a year after I first learned about the book to get it and read it, but I’m glad I did–it came at a good time.

Most of the books on 2012 are gloom-and-doom–the world is coming to an end in 2012 because the Mayan calendar says so, and all the bad things in the world are just more reasons to sit and mope and/or pontificate about this. And yet….and yet….this always struck me as really nowhere near constructive–especially since the end of the world had been predicted numerous time and had never happened. Beyond 2012 completely reframes the 2012 situation. Not only is the world not ending (except, maybe, as we know it) but 2012 is a good marker for a shift in consciousness and the way we make our decisions regarding the very real world we face right this moment, rather than some apocalyptic fantasy near-future. Endredy takes the root information on the 2012 phenomenon and manages to make a great deal of sense about it.

While Endredy’s shamanism does play a significant role in the material in this book, it is not strictly a book on shamanism. The techniques that he includes are more open than that, and are practices for those who wish to put forth conscious effort in making a better world in the face of environmental, social, and other destruction. Building altars, for example, is a fairly common technique in modern spiritual practices, and many of the techniques he provides for self-reflection aren’t so different from many of the concepts I’ve been learning about in my graduate-level psychological training.

What Endredy does provide is a keen awareness of the interconnectivity that humanity has with all of the rest of Nature, and a thoroughly developed, deeply-felt series of relationships with natural phenomena. A large portion of the book is written to reflect dialogues he’s had with the various phenomena of Nature, some of his most important teachers. What has always struck me about his work, both through his writing and in the occasion I was able to participate in a rite of passage he facilitated, is how sincere it is–he’s about the least pretentious person I’ve ever run into, and this includes within his shamanic practice. The material in Beyond 2012 reflects a primary focus on rebuilding that connectivity and awareness on a greater scale, and offering people a variety of tools to choose from. I know I’ll be keeping this text in part for work with my therapeutic clients, because there’s a lot of versatility here.

And in fact, this book has a lot of potential readers. In addition to shamanic practitioners and pagan folk in general utilizing this in spiritual and other manners, environmental activists and mental health professionals both can take the ideas into the wider social sphere. Additionally, I would love to give a copy of this to every person who’s convinced that the world’s going to hell in a handbasket come 2012, to show them that there are much more constructive ways to look at this potentially transitional period. I never thought I’d give this rating to a book on this subject, but here goes:

Five optimistic pawprints out of five.

Want to buy this book?

Women and Religion in the West edited by Aune, Sharma and Vincett

Women and Religion in the West: Challenging Secularization
Edited by Kristin Aune, Sonya Sharma and Giselle Vincett
Vermont/England: Ashgate Publishing Company
230 pages

Note: This review was originally published in the first issue of Thorn Magazine, which I reviewed here.

Women and Religion in the West, far from being a feel-good “we are all sisters” text, is an ambitious project that focuses on the female interpretation of religion and religiosity in the West. It is set within the context of a world that is becoming increasingly secularized, and whose discussion of secularization is also often male-dominated. Additionally, it avoids the common practice of approaching Christianity alone; while that religion is explored, Islam and new religious movements are given ample coverage as well. Each religious category receives its own section of the book, with four essays per section.

All twelve essays in this book are solid. While each essayist has a unique interpretation of the theme, there are a few that particularly stand out.

–“Religious Change in the West: Watch the Women” by Penny Long Marler: Are women the longtime “secret weapon” of organized religion? Marler makes a convincing argument that while men may have been the primary figureheads of Christianity, it is the women who have been the cohesive congregation that made the religion possible. She details demographic and social changes since industrialization, as well as the effects of the defection of women from organized religions to more free-form spiritualities. While the roles of women have often been relegated to the background, the “pink-collar” occupations and volunteer stations within Christianity have created the backbone of the religion. Particularly noteworthy is the adept approach to the nuclear family—and the current disintegration thereof—in conjunction with trends in the Christian religion. As the social structures that rely primarily on the nuclear family are replaced by more flexible ones, the roles of women shift as well. Marler points out research showing that in the Western world, while women may take the role of only homemaker, or only career woman, the majority have a foot in each world, able to adapt as necessary. The pink-collar roles within traditional Christianity have relied on the stay-at-home mother who is a staple of the nuclear family; as that particular structure has become less common, so has adherence to traditional religious structures. Beyond the church, though, there are implications in these changes even for industrial-capitalist economies, and male-dominated society, which Marler discusses to some extent.

–“The Soul of Soulless Conditions: Paganism, Goddess Religion and Witchcraft in Canada” by Sian Reid: While there is a modern trend to perceive secularization as the most advanced stage of cultural religious development, Reid counters with the fact that numerous women continue to find meaning through belief—albeit through spirituality rather than organized religion. She particularly focuses on pagan religions in Canada, as well as on the importance of the feminine Divine to many female pagans. I was particularly struck by research that noted that female and male neopagans may approach the Goddess in different manners: “…while women are inclined to speak of Goddess spirituality in terms of larger gender inequalities and as a means of obtaining ‘self-validation by having a female image of the divine with which to identify’…men are less likely to make reference to patriarchal social structures, and tend to discuss the Goddess ‘more as an expressive or nurturing force that aided one’s immediate self’” (127). This and other general statements may lead to some hearty debate among practicing pagans, and make the essay well worth reading. Reid’s ultimate conclusion, though, is that while traditional religions may be losing adherents, Canadian women are still finding outlets for belief—to include a mirror of themselves in Deity, and the structure of modern pagan religious systems that allow for more flexibility and personal expression.

–“Being Seen By Many Eyes: Muslim Immigrant Women in the United States” by Garbi Schmidt: Schmidt opens this essay by emphasizing some of the basic stereotypes and misunderstandings associated with Islam and Muslim women in particular, but this is just the beginning. The meaning and politics behind such things as the hijab, the veil that is so strongly associated with Muslim women; the specific roles and niches occupied by women within Islam; Muslim women as sexual beings; and other controversial topics are discussed in depth. Schmidt offers an excellent balance between exposing the stereotypes that exist, and denying those stereotypes power through counter-arguments and contrary examples from real life. She shows how faith is a source of strength for Muslim women, even with the negative aspects and assumptions, and it’s a truly eye-opening essay. What’s particularly remarkable is the discussion of Muslim women using differences to their benefit, rather than as a source of stress. While this is not a universal practice, Karima, one of Schmidt’s interviewees, turns the role of being Other into an advantage. Schmidt remarks, “Rather than choosing a strategy of retreat, she stresses the very elements that make her different. Difference becomes a powerful way of marking identity in public spaces. The identity and political position she chooses to take within the United States equally compels her to position herself towards and even against other localities, for example the region her parents came from. Within these diverse contexts, Islam becomes a means for protest and reform” (209). This theme of activism continues through the experiences of women in Schmidt’s essay, and counters the stereotype of the Muslim woman as a hidden, trapped figure.

Pagans should not make the mistake of shying away simply because some of the essays involve monotheistic religions. There is much to learn from all of the essayists regardless of their stance. Additionally, those who were curious, incensed, or puzzled about Kristin Aune’s claim that Buffy the Vampire Slayer is convincing thousands of women to leave church every year may want to get a more solid feel for Aune’s research on women and Christianity. It’s not about pop culture, so much as it is about the state of being a single woman within religious communities, and how this is a state of non-normativity (compared to the state of being married, which according to Aune “continues to hold sway as the normative status in contemporary Britain” (67).

The tone of this book may come across as being fundamentally against traditional religious structures, as the majority of the material concerns women who are defecting from those structures to more free-form spiritualities. One particular exception is Maria Trzebiatowska’s “Vocational Habit(u)s: Catholic Nuns in Contemporary Poland”, a discussion of women entering into a deeper relationship with traditional religious structures despite secularization and criticism by peers. Christianity, however, seems to get the brunt of the theme of anti-religiosity.

Additionally, the relatively limited scope of religions discussed may beg the question of how these themes apply to women in other religions. Judaism is a glaring omission, for example; how might modern Jewish women approach secularization, as well as traditional (particularly orthodox) structures within their religious communities? There is plenty of ground left unexplored, and it almost would have been better to release a series of books, each focusing on a particular religion, to bring more depth to the topic.
Overall, though, this is a much-needed discussion about the state of religion in the world today, with the added benefit of breaking the male-dominated mold too often found in religious studies. Even those not of a particularly sociological bent will find the material to be informative and applicable to everyday religious and spiritual interactions and experiences.

Five pawprints out of five.

Want to buy this book?

Naturalistic Occultism by IAO131

Naturalistic Occultism
IAO131
The Society of Scientific Illuminism, 2009
96 pages

Scientific Illuminism was described by Crowley as “The Method of Science, the Aim of Religion”. A number of attempts to explain magic through science have been made, including (but not limited to) The Science of the Craft by Bill Keith and Real Energy by Isaac and Phaedra Bonewits, both of which (similarly to Peter J. Carroll’s brand of Chaos magic) utilize quantum physics as the “how” of magic. Naturalistic Occultism is much more psychology-heavy, explaining everything from astral projection to divination using almost exclusively various psychological models and schools of thought.

Certain accusations (by others, such as some scientists) that psychology is a “soft” discipline aside, the author does a pretty good job of basic, bare-bones explanations. He certainly achieved his overall goal of explaining occult concepts and techniques without resorting to mysticism and superstition. For example, he shows how the astral body is actually the brain’s own perception and understanding of the shape and appearance of the physical body itself–the image that the brain carries of the body, as it were. This doesn’t stop him from including a brief appendix with instructions on how to astrally project using this concept.

And I suppose that’s one of my complaints with this book–it’s brief. One of my partners, who is similarly enamored of a more scientific way of explaining esoterica, remarked on what he read as seeming like an abstract rather than a full text, and I would agree with him. There are some very good ideas started in this book, and yet the author could have gone so much further. I would have liked to have seen more thorough explanations of how psychology explains the various occult concepts he covers, as well as a greater variety in the concepts explored. I also would have enjoyed more practical applications of the psychological model of magic that is espoused in this book, because I did like the couple of appendices with that sort of thing in them. I wasn’t quite so thrilled by the occasional tendency toward “debunking” that came across in the writing; one can explain the science of mystical practices and still have a constructive view towards those practices, an example being The Spirit of Shamanism by Roger Walsh. (Just as a note, there were some more constructive aspects to the material as well; it didn’t all come across as debunking.)

In short, there needs to be more, because this is a good start. Overall, I liked the book, and I’m only docking it points for its brevity. If you want a very concise look at the psychological model of magic, this is a good text to have on hand. And there most certainly need to be more rational approaches to a series of topics that often fall prey to ridiculousness and need some serious paring with Occam’s Razor. More writing from IAO131 along this vein would be one such welcome thing, to be sure.

Four pawprints out of five.

Want to buy this book?

Watercolour Essences of Moon by Christala Rosina

Watercolour Essences of Moon
Christala Rosina
PublishAmerica, 2006
114 pages

I seem to have tapped, unwittingly, into a vein of pagan and pagan-friendly poets as of late. While Watercolour Essences of Moon isn’t expressly pagan, the themes most certainly are relevant to those pagans for whom Nature is an important factor in spirituality.

Rosina’s work is inspired strongly by the Romantic poets such as Shelley, Coleridge, Blake and others; while I haven’t read them extensively since getting my BA in English years ago, I could definitely sense their influence in this collection of poems. Most of the poems at least allude to, if not center on, natural phenomena ranging from broad-branched trees to splashing, running water. However, it is human nature in specific that Rosina captures quite expertly with her carefully chosen words. While the common themes of love and loneliness are addressed, some of the poems are more playful–for example, “The Lily and the Rose” is a smirking jab at those who claim that “rhyming verse is dead”.

It took me a few times to really get into reading these poems. The author has a background in music, and the quality of the verses is such that they seem to immediately lend themselves to being spoken aloud. At first I wanted to say that this would be the most effective way of conveying the writing, but the poems grew on me over time as reading material as well. Sadly, I live across an ocean from Rosina, so I can’t hear her recite the poems herself, but I hope I did an adequate job myself in the privacy of my own home!

Some of the poems might make for good additions into ritual practices; “Sonnet to the Night”, for example, is a lovely tribute to that particular time, personified as female (the Star Goddess, perhaps?). However, even if you’re just appreciative of poetry, this would be a lovely addition to your collection.

Five pawprints out of five.

Want to buy this book?

Crafting Magick With Pen and Ink by Susan Pesznecker

Crafting Magick With Pen and Ink
Susan Pesznecker
Llewellyn, 2009
240 pages

Note: This review is also appearing in an upcoming issue of Thorn Magazine, along with longer reviews not posted here.

The neopagan community has a lot of writers in many genres, and there’s a demand for resources tailored to our own interests. While general books on “how to be a writer” offer many of the same practical advice found in this book, what makes it stand apart is the more esoteric material. Amid the how-to’s of writing, Pesznecker provides rituals and other magical aids in facilitating one’s creativity.

Pesznecker, who has a Master’s degree in nonfiction writing, explains just about everything the aspiring—or existing—writer could want, neopagan or otherwise. She covers such topics as different methods for provoking greater creativity, refining one’s unique voice, writing effective dialogue and description, revision techniques, and why good readers make better writers. Her information is well-organized, though not always in a strictly linear fashion.

From a magical and spiritual perspective, the author offers quite a bit of support. Along with magical practices to utilize throughout the writing practice to help stay focused, there’s an entire chapter dedicated to writing ritual material and spells. I also liked her concept of writing “sparks”, prompts based on neopagan religious material.

All this theoretical material is nicely punctuated by journaling exercises to further solidify the concepts through practice. Even though I’ve been a published author for a few years and have a pretty good system down with my writing, I picked up some good tips to incorporate, and I’d definitely recommend this to newer writers as well. Whether you’re writing nonfiction, fiction, or ritual material, there’s plenty to love about this resourceful text.

Five pawprints out of five.

Want to buy this book?

Seeking the Spirit of the Book of Change by Master Zhongxian Wu

Seeking the Spirit of the Book of Change: 8 Days to Mastering a Shamanic Yijing (I Ching) Prediction System
Master Zhongxian Wu
Singing Dragon, 2009
240 pages

Note: This review is also appearing in an upcoming issue of Thorn Magazine, along with longer reviews not posted here.

While the core focus of the book is on the Yijing as a divinatory system, Wu presents an elaborate spiritual context surrounding the ceremony of divination. He goes into great detail explaining his particular interpretation of Chinese tea ceremony, not only its physical actions but observations such as the differences in how the tea tastes and feels on different points of the tongue to allow a deeper savoring. There are also various meditative poses for each of the eight days involved in learning Wu’s method of Yijing; while the system could be used by someone with a day job, some of the suggestions (such as spending days hiking) may be difficult without planning.

I’m not entirely sure I agree with the author’s interpretation of the wu as shamans. He presents a highly romanticized picture of the wu as composed primarily of royal “enlightened beings.” While I would assume there were some such practitioners who engaged in divination, Wu fails to mention that “wu” is also attributed to peasant women by some sources, and he doesn’t mention whether the “shaman kings” of the Wu dynasty were uniformly enlightened, or whether some had feet of clay.

Practically speaking, the book is a little hard to follow because of its disorganization, which sometimes comes across as a stream of consciousness of ideas. This doesn’t make the book unreadable, just more difficult to parse.

Four pawprints out of five.

Want to buy this book?

Ancestral Airs by Verda Smedley

Ancestral Airs
Verda Smedley
Dim Light Books, 2008
700 pages

As I was reading this book, I was trying to figure out where to fit it into the categories on this blog. On the one hand, it’s purportedly a reconstruction of a culture 6,000 years old; this includes extensive research into botany, mythology, history and other scholarly studies. But, when you get right down to it, it’s also a fascinating set of stories with well-developed characters, settings, and plots.

Beyond a certain point, we can really know only so much about cultures prior to written history in a region. The stories supposedly tell about the people who lived in the British Isles 6,000 years ago, well before there were any written records; while the author draws from texts about the Celts and other older cultures, these are still newer peoples than what Smedley describes. Whether the people of 4000 BC lived in ways the book described is unknown; nonetheless, the author does a lovely job of weaving together a solid description of her thoughts on the matter, and we get a good picture of what it is they did and believed.

So I chose to primarily read this for its storytelling value. Similarly to my experience of reading MZB’s The Mists of Avalon, it didn’t matter whether the story was literally true or not. I found myself sinking into a world where animism was the central belief, where the plants, animals and other denizens of nature were so important to the people that they took their names from them. I read about the rituals these people performed, as well as the participants’ feelings about them. I witnessed the interactions between individual groups of people, and how they wove into the greater overarching culture of the time. It didn’t really matter whether this was the way things “really happened”; it was a great journey anyway. Even if seen only as a novel, it’s a worthwhile read.

I can’t entirely vouch for the validity of the herbal information; the author knows more about that than I do. A lot of the information about plants peppering the stories dealt with magical uses; however, there were some medicinal uses mentioned as well. For those intrepid enough to backtrack the author’s research, there’s an appendix with the common and Latin names of all the plants (numbering in the hundreds) mentioned. Additionally, she included a thorough bibliography for further research and fact-checking.

This is a book I had to read in bits and chunks over time; at 700 pages, it’s a lot to read! The formatting left a bit to be desired, most notably the complete lack of page numbers which, in a book this length, is frustrating when trying to find where I left off, or where I found a piece of information or a snippet of story I wanted to go back to. Also, I can’t for the life of me find information about the publisher, the owner of the publishing company, or the author.

Ancestral Airs is a thoroughly enjoyable read, regardless of how much salt you choose to take the research with. Whether you choose to read it as I did, in little pieces, or simply spend several hours going from cover to cover in one fell swoop, I hope you like this unique combination of research and narrative.

Four and a half pawprints out of five.

Want to buy this book?

The Ceremonial Circle by Sedonia Cahill and Joshua Halpern – June BBBR

The Ceremonial Circle: Practice, Ritual and Renewal for Personal and Community Healing
Sedonia Cahill and Joshua Halpern
Harper Collins, 1992
200 pages

This month’s Bargain Bin Book Review ended up being a useful resource for both my paganism and my (future) therapeutic practice. Written by two psychologists of a spiritual bent, it can basically be summed up as “ritual practices for people who don’t want to use the word ‘pagan'”. This gives it certain amounts of versatility that more blatantly neopagan books might not have in reaching a broader audience.

The book is essentially a 101 guide to ritual construction. Written in such a way as to not evoke any specific religion (though it draws on “Native American” spirituality–more on that in a moment), it breaks ritual practices down into basic components, but without going too heavily into theory. It’s a practical guide, a toolkit for creating rituals for everything from rites of passage to celebration to grieving, as well as connection to the Earth and other living beings. Not surprisingly, there’s a great focus on healing, including healing of the psyche, and the use of ritual for that purpose.

The authors present a nice balance of how-tos and anecdotes. One entire chapter is dedicated to interviews with various experienced ritual leaders, including Starhawk, to get their perspectives on creating rituals through the medium of a circle. These interviews add a nice touch of “been there, done that, here’s what worked” to the hands-on material.

I did take off some points because of a bit of cultural appropriation. The authors, as mentioned earlier, borrow from what they perceive as “Native American” spirituality. This is presented pretty generically, and without a lot of discussion of the original cultural contexts of the practices. Additionally, there’s not a lot of information presented for each–the sweat lodge, for example, gets a few paragraphs at best, never mind that improperly done it can be deadly. And they toss the word “shamanic” around more than I’m comfortable with; surviving an abusive childhood, for example, does not automatically make one a shaman. While I understand the authors’ desire to present a wide variety of potential ritual practices, “trying to be like the Indians” generally ends up with some deficiencies, and while they did address needing to respect the cultures drawn from, I found this aspect of the book to be pretty lacking.

Overall, though, this is a really valuable resource, especially if you need to design a ritual for people who aren’t necessarily pagan, but are open to animistic spiritual/psychological practices. I’m keeping it for my own uses, and would recommend it to others.

Four pawprints out of five.

Want to buy this book?

Dancing God by Diotima

Dancing God: Poetry of Myths and Magicks
Diotima
Bibliotheca Alexandrina, 2008
200 pages

Poetry usually isn’t my preferred reading material, but every so often I find a book of it that I truly enjoy. Dancing God is the second volume of poetry that’s caught my attention in such a way, the first being The Phillupic Hymns by P. Sufenas Virius Lupus. In this particular text, I was treated to a lovely variety of verses, some of which are strongly flavored by mythology–but all of which speak to the human condition.

Diotima’s verses are generally not long, but instead are bite-sized descriptions of her interaction with the world, Divine and mortal alike. There are four themes, each with its own section: Gods, Myths and Sagas; Love; Life; and Death. Diotima has done a lovely job of sorting her works into these categories, but the variety she displays demonstrates an understanding of multiple perspectives on each theme.

The poems in the Gods, Myths and Sagas section may be of particular interest to pagan readers. Her works encompass several mythologies, from Greek to Celtic to Japanese; primarily, though not exclusively, they are snippets of story or honor (or both!) offered to a particular deity. Some are rooted in the deities’ contemporary cultures, such as a rather macabre description of Dionysus’ darker aspects, a retelling of Fenris’ chaining, and a poem to Hekate as “lady of the hounds”. Others, such as Icarus’ musing on human’s common flight in airplanes, a poem comparing the original manifestation of angels to their modern “cute” depictions, and wondering “Do the old gods walk the streets of London?”, are more modern commentary. They all weave together well, and demonstrate that the gods are not, in fact, dead at all. These would all make lovely incorporations into private rituals and meditations.

All of the poems, however, are exquisitely crafted. Both the kind and the painful sides of love are evoked (I was particularly fond of “Communication”, with its recurring line “Damn you, pick up the phone!”). “Life” is a short section full of little slices thereof, commentary on the day to day (and yet how unusual it can be from this angle!). The theme of death is dealt with using everything from grief to black humor, a good catharsis for working through loss.

Having been assaulted with bad verse and worse attempts, Dancing God is a reminder that we still have muse-touched poets today, those who create beauty through carefully structured words. There’s magic in these pages, and Diotima is an accomplished magician when it comes to evoking the feelings she wishes to convey.

Five pawprints out of five.

Want to buy this book?

« Older entries Newer entries »

Design a site like this with WordPress.com
Get started