Afterlife by Guy Smith

Afterlife
Guy Smith
G3 Media, 2008
104 pages

I think I just found one of the best works of fiction I’ve been sent since I started this review blog–and I’ve reviewed everything from self-published works to mass-marketed offerings from major publishing houses. In just over 100 pages, Guy Smith managed to captivate me with a story that grabbed me more firmly than most of the novels I’ve read–and that takes talent.

What happens when you die? In Afterlife, you either go to the Light, or you hang around here if you have a compelling enough reason. The story follows one soul who had that reason, and through his eyes I got to find out the intricacies of the afterlife imagined by Smith. The nature and experience of being a ghost, the limitations being dead gives you in this world, and even pondering what the true nature of the Light in this fictional Universe is, are all explored in the context of a fast-paced, gripping plotline. Make no mistake–it’s a highly streamlined book, and every word counts for a lot. I read it in less than an hour, but it was definitely time well spent.

I think where the author has his greatest strength is in the running commentary that his first-person protagonist offers. Dialogue in general can be really tough to make believable, but Smith hits it dead-on, if you’ll forgive the pun. Not only was I emotionally engaged in the travails and experiences of a snarky dead guy, but the ending just wrenched the hell out of my heart. This writer’s good at what he does, let me tell you. (Though I’ll admit I got a little green around the gills when he described the effects of a car wreck in detail!)

If you want a brief break in your day to day routine to have a good read, or if you want something to really make you appreciate being alive, or you simply appreciate a well-written piece of fiction, then I would strongly recommend Afterlife. It has a lot going for it on multiple levels of awesome.

Five pawprints out of five.

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Real Alchemy by Robert Allen Bartlett

Real Alchemy: A Primer of Practical Alchemy
Robert Allen Bartlett
Ibis Press, 2009
178 pages

Most of the books you’re going to find on alchemy these days talk history, metaphor, or other theoretical concepts. This is one of the very few that goes into the actual practice of alchemy, step by step. Originally self-published by Bartlett, it’s now available more widely through Ibis, part of Weiser. You’ll have to look twice to tell the difference, though, at least at first glance, since the cover (which I happen to like) is the same. I haven’t read the first edition, so I can’t speak to the differences between the two, just so you know.

I’m not particularly well-versed in alchemy; it’s one of those topics that I think is interesting, but I haven’t had a chance to real sink my teeth into. So as an almost complete novice, I set up the challenge that the book was going to have to give me at least a basic understanding of the practice of alchemy. Thankfully, it delivered! From the brief historical treatment, to the explanation of what all that talk about sulfur, salt and mercury is about, I was able to get the jist of the very basics. However, the book doesn’t stop there!

Beyond the basic theoretical concepts, Bartlett goes into detail discussing what you actually do with all the arcane terminology and the processes they describe. Want to create a tincture or elixir? The directions are here. The author does make it clear that this should not be your only text on alchemy, but the instructables in this one should make it invaluable.

There are some interesting crossovers between alchemy and other disciplines. Astrology and qabalah are the two most notable examples of this, and those who are interested in either of these disciplines may well want to pick up this text for the relevant material. Additionally, as the book does give a basis in alchemy, astrologers and qabalists who were previously unfamiliar with the main topic should have little trouble finding context.

Overall, I found this to be a good way to give myself enough of an understanding of classic alchemy, particularly European, to get what the fuss is all about. Thorough understanding does require actually utilizing the practices, so armchair magicians and the merely curious will no doubt miss out on a lot. But it’s clear even from my novice perspective that this is an essential text.

Five pawprints out of five.

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The Balance of the Two Lands by H. Jeremiah Lewis

The Balance of the Two Lands: Writings on Greco-Egyptian Polytheism
H. Jeremiah Lewis
Bibliotheca Alexandrina, 2009
368 pages

Heh–the review I wrote about just before this one, incidentally, was about the blending of multiple religions! Go figure. However, whereas ChristoPaganism was about modern mixing of neopaganism and Christianity, The Balance of the Two Lands is a different critter indeed! It would seem that among some (not all!) reconstructionists and other highly scholarly pagans, there’s a deep bias against mixing traditions–if you’re a Celtic reconstructionist who happens to get a calling from one of the Lwa of Vodou and answer it, then you can’t really be a Celtic reconstructionist any more according to some folks. Worse yet, you might be considered–an eclectic! Horror of horrors!

Yet eclecticism is a very different concept from syncreticism, which is what this particular book deals with. Syncreticism is a much more deliberate and researched effort than the buffet-style picking and choosing of eclecticism (which can still work quite well for some people in its own right, just FTR). Lewis (aka Sannion), over a period of years, found himself courted both by the Greek and Egyptian pantheons and their respective traditions, and spent time in each religious community independently–with each telling him that he couldn’t go to the other and still be genuine. But he found a definite precedent for Greco-Egyptian syncreticism, most famously in the Ptolemies of Egypt–and this book is the result of years of research and practice to that effect.

There’s not a whole lot about modern Greco-Egyptian polytheistic syncreticism out there, and much of what does exist has been written by Lewis himself, as well as other folks, particularly through Neos Alexandrina. If you want a good dead-tree textbook to have on hand both for theory and ideas to formulate practice, this is a great option. Lewis’ essays run the gamut from hard research about the original syncretic practices, to what it is that modern Greco-Egyptian syncretists can do in daily practice.

As with the other Bibliotheca Alexandrina texts I’ve reviewed (and you’ll find all of the current titles on this blog except for Unbound and Echoes of Alexandria), I found this to be a breath of fresh air when it comes to the research. So many pagan texts today are based on half-assed “scholarship”; Lewis has most thoroughly done his homework, both in finding information and in interpreting it in a practical manner. You don’t need to worry about squishy-soft polytheism or claims of ancient Greco-Egyptian UFOs here. Bibliotheca Alexandrina, as a publisher, has represented itself well with its high standards of research, and this book is no exception.

In short, if you want to study and/or practice Greco-Egyptian syncretic polytheism in the 21st century, this will be an invaluable text to you. Highly recommended.

Five pawprints out of five.

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ChristoPaganism by Joyce and River Higginbotham

ChristoPaganism: An Inclusive Path
Joyce and River Higginbotham
Llewellyn, 2009
310 pages

Hoo, boy. This book is bound to stir up controversy. There are plenty of pagans who seem to have no qualms with drawing inspiration and practices from other religions–pretty much all of them, except for Christianity. You have Jewish witches, and those who draw on indigenous religions (despite the protests of some indigenous practitioners!) Yet try mixing Christianity and paganism, and you get all sorts of complaints from those who say it can’t be done (no doubt many of whom are speaking from a history of bad experiences with Christianity–or at least Christians).

However, for those whose experiences in such blending do undeniably work, or for those who wish to give it a try, this is an invaluable text. The authors have a strong understanding of the theological concepts that go into blending such a seemingly difficult interfaith blending, and make a good case for it. They start out by giving good foundational explanations of neopaganism and Christianity. Some may balk at the “unconventional” approach to Christianity they present, which challenges a lot of assumptions that casual Christians may have, and goes back to a variety of historical research that shows a very different origin and growth of the religion than is popularly understood. (No, I’m not talking about the various grail mythos thingies that talk about Jesus and Mary Magdelene in Europe–it’s much better scholarship than that.)

In making the case for interfaith blending, they draw on a variety of contemporary sources, not the least of which are the writings of Ken Wilber as well as spiral dynamics. I will admit that I thought that occasionally the general message of a broader perspective being more evolved read like it translated into interfaith = more evolved, but a closer reading without this kneejerk reaction gave me a better sense of what the authors were trying to say–that a more evolved perspective allows for the existence of, but doesn’t necessarily include personally, such things. This sounds controversial, but this is a controversial book to begin with, so in for a penny, in for a pound!

There’s also a nicely substantial section of personal testimonies from folks who have done various combinations of Christianity and neopaganism. This may be really helpful to those who feel alone in their path, as well as give ideas on how-tos without dealing with dogma.

Ultimately, many people are going to come to this book with their biases intact whether I advise them to or not; needless to say, I still recommend approaching it with as open a mind as possible. Of all the ways this combination of faiths could have been presented, this is probably one of the sanest and most well-thought-out. While it’s not my personal path, for anyone who has been wanting resources on the topic of mixing Christian and neopagan religious beliefs and practices, this is a great text to have on hand.

Five pawprints out of five.

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The Living Temple of Witchcraft by Christopher Penczak

The Living Temple of Witchcraft: The Descent of the Goddess (Volume One)
Christopher Penczak
Llewellyn Publications, 2008
390 pages

Note: This review was originally published in the second issue of Thorn Magazine.

For the better part of this decade, Christopher Penczak has been building the Temple of Witchcraft, a substantial series of books for the solitary practitioner to get a solid footing in neopagan-flavored magick. The Living Temple of Witchcraft is the fifth book in this series.

Penczak’s strength lies in his ability to cohesively present a collection of material from the pragmatic to the personal so that it flows together in a guided journey through each book. Readers aren’t just given some spells and correspondences and left to figure out how they go together and what they mean. By utilizing each text as a workbook, rather than a theory reader, they may learn more about themselves and what motivates them to practice witchcraft. There is a depth to these books that is far too often missing in practical neopagan literature. The Living Temple of Witchcraft is definitely an advanced text in eclectic paganism, preparing the reader for going beyond self-study and personal practice.

This newest text goes beyond the individual practitioner’s needs and goals, and introduces the reader to concepts and resources necessary for teaching the Temple material to students. The overwhelming bulk of the book, though, prepares the reader for this task by emphasizing personal growth and evolution through mysticism. Don’t let that last term fool you into thinking this is New Agey, unsubstantial fluff. Penczak’s conception of mysticism follows the descent of Inanna into the Underworld; while the ultimate goal of the material herein is positive, many of the steps along the way require the reader to traverse frightening territory within the self.

For example, at one point Penczak integrates the shamanic practice of experiencing death and rebirth. This is never an easy process when done properly, and the exact manifestation that is included in this book focuses on facing one’s fears—and letting them kill you. While numerous books attempt to recreate the shamanic death, often those doing the killing are either random entities that show up, or virtual stock characters. Penczak makes this ordeal very personal by having the reader evoke what terrifies them the most. There’s a solid psychological reason for undergoing this process, multiple times if necessary—“The death is just that part of the outmoded ego patterns and the successful creation of new patterns that better serve you” (144).

Serve you to what end, you may ask? In addition to exercises and other material aimed at strengthening the self and shedding old paradigms of belief and behavior that may hinder personal growth, Penczak offers up some valuable food for thought for would-be teachers. A good example may be found in the chapter on communication. Along with expected tips, such as making sure you have everything you need for a lesson before the lesson begins, and making sure students have time to ask questions, he also includes the consideration of whether the would-be teacher has experience with public speaking, or suffers from performance anxiety in some (or all) settings. He is also careful to remind the reader that students all progress at their own individual pace, and so trying to rush slower students along is a poor plan.

For those unfamiliar with the Temple of Witchcraft series, do be aware that this is a very eclectic set of traditions. In addition to the Descent of Inanna, Penczak also draws on the seven primary chakras as an organizational structure for the material. Each of the chapters is centered around the qualities and lessons of a chakra. For example, chapter one, the Root chapter, deals with the basic environment of the body, as well as a introductory guide to the more advanced inner mysteries of numerous world traditions. Chapter two, dealing with the stomach chakra, “deals with the ‘gut’ consciousness, the primal instinct. Usually connected with the element of water…[it] is the temple of feeling” (p. 91). The rest of the chapters follow suit. He does draw on material from multiple cultures when speaking of a particular subject, such as in the aforementioned multicultural discussion of mysticism, or when he discusses the concept of the soul from the perspective of several cultures as well as a selection of neopagan and New Age authors. He doesn’t present these as being interconnected in artificial ways, such as trying to claim that every culture he discusses knew about each other and traded notes, or that all mystical systems descend from Atlantis. Rather, he offers these overviews of other cultures’ practices and beliefs as useful information to be aware of when discussing material with students, but with an important caveat such as that given when speaking of models of the soul: “Though given cultural terms, each of these models is influenced by my own understanding, and by those whose sources I’ve drawn upon” (p. 277). He can only dedicate a few paragraphs to each example from each culture, since the book is not meant to be an overview of global mysticism. While some readers may see this as covering topics without enough depth, alternately Penczak may be seen as offering starting points for researching ideas that it would be useful for the would-be teacher to know in more depth. There’s only so much that can be fit into one book, even one as thorough as this.

These are just a couple of examples of the wealth of material in this text. As I was reading, I was struck by how thoroughly Penczak covers ground. While occasionally I expected a particular detail to come a little earlier in the book, sure enough whatever I felt was missing would be explained later on. For example, I latched onto his discussion of witches as clergy in the introduction. I was a bit disappointed at first as I went through the first four chapters dealing with more personal-development-related material. However, when I got to chapter five, I understood how the previous chapters’ material was a necessary basis for being able to teach others. In being trained how to be self-aware in personal ways, readers are better prepared for such questions as “What did you like about your own training?…What did you enjoy about it, and how would you pass it on?…How does your own personality fit with teaching styles?” (p.195). As someone who has been pagan for over a decade and taught my fair share of workshops, I found a great deal of material to give me ideas for my own efforts in passing knowledge and practices on to others.

While I would strongly recommend this text to the general neopagan readership, I do recommend it in tandem with the previous books in the series. Normally I favor stand-alone books and while some of the material here may be useful for those who have already done the basics in other traditions, because Penczak’s books work so well together, they truly do deserve to be considered as a set. And if you’ve already been working through the Temple of Witchcraft series, be assured that this newest text is a pleasing next step in your development.

Five stars out of five.

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Darkwood by M.E. Breen

Darkwood
M.E. Breen
Bloomsbury, 2009
288 pages

I’m not the only geek to observe that young adult fiction has had a really good selection of fantasy and sci-fi, often better than much of what’s presented for entirely-grown-ups. This novel is a good example of that; it’s one of the best fiction reads I’ve had in q good long while (and not just because it has wolves in it!).

Annie is an orphaned girl (no relation to the 20th century comic book character) raised by her aunt and uncle (the latter of whom is no Daddy Warbucks). They live in an area where moonless darkness falls faster than anywhere else, where day turns to night in just a few heartbeats. Out in that darkness are the kinderstalk, massive black wolves that have been known to steal children away, and are the stuff of nightmares. But when her uncle sells her into slavery at a mining operation, she takes the chance to run off into that darkness.

What happens next is a wonderfully fast-paced story. Rather than wasting a lot of time on exposition, Breen does a lovely job of explaining where we are, and why it’s important, as we go there. I really enjoyed her characterization, too; a few of them might have been a little more fleshed out, but given that this is meant for a 9-12 audience, and that it’s a relatively short book, the author did about as well as anyone could, and probably much better. I know that I felt satisfied by the end.

My readers will be interested to note the interesting development of magical powers throughout the book, including a quasi-shamanic human-wolf interrelationship with a curious twist. Plus Annie has a pair of cats as familiars/guardians–what’s not to love about that? And as this is YA, this is a suitable book for youngsters and adults alike, though the latter may find it to be a particularly fast, light read.

Best of all, the ending suggests a potential continuation of the story, so here’s to a sequel! It takes quite a bit for me to latch onto a new author, but this one may just join a small group of authors whose works I look for in the future.

Five pawprints out of five.

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Shamanic Mysteries of Egypt by Scully and Star Wolf

Shamanic Mysteries of Egypt: Awakening the Healing Power of the Heart
Nicki Scully and Linda Star Wolf
Bear & Co, 2007
230 pages

Okay. I’m going to give this book some leeway because the authors make it very clear that what they’re presenting is New Age material. While they may take some concepts and flavorings from Egyptian mythos, what they’ve created are only very loose semblances, and they’re up front about that. Therefore I won’t pan the book as I would if they’d tried to convince me that the material was ancient, but I will have a few caveats.

Not that I dislike the book; for what it is and was intended to be, it turned out great! It’s a rather Aquarian pathworking system using Egyptian and sort-of shamanic elements. The pathworkings are arranged in groups. Two of them are–again, very loosely–based on the major arcana of the tarot, though the connections to the original cards might not immediately be evident. Then there are a number dedicated to the elements, as embodied through Egyptian phenomena (such as the Nile for Water). The authors then bring everything that the pathworker has done up to this point into a cohesive path toward “love” and “healing” (however you wish to interpret those particular concepts).

Kemetic pagans and others may disagree with the fairly light interpretation of the deities and other Egyptian beings; they’re shown as being a bit more nice and cooperative with the developing human spiritual being than ancient mythos describes (but again, this isn’t supposed to be grounded in the older mythos). I’m not sure I entirely agree with this being described as a “shamanic” text; guided meditations aren’t journeys, and while there is a death-rebirth theme to more than one of the pathworkings, that doesn’t make something automatically shamanic.

However, it’s still a quite useful text. The pathworkings, despite my qualms with the trappings, do build on each other, and do challenge the pathworker to delve deep within and wrestle with things that may not be easy to face. Certainly this books offers a good bit to think about and meditate on.

I didn’t like it quite so much as Scully’s Power Animal Meditations, but this is another decent collection of pathworkings along a specific theme. If that’s your style of working, this may be just what you’re after.

Four pawprints out of five.

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Ancestral Magic by Moondancer Drake

Ancestral Magic
Moondancer Drake
P.D. Publishing, 2009
176 pages

I was contacted about reviewing this book because of the theme of magic and mysticism in it (as the title suggests!). And as it’s from a small press that specializes in LGBT themes, that gave me extra incentive to want to check it out. That was a good choice on my part, because not only have I been introduced to a new publisher, but I just got done with an enjoyable read!

The three main characters throughout the book are single mother Sky, her son Drake (who happens to be blind, though this is treated realistically and respectfully throughout the book), and their friend and Sky’s former sister-in-law, Meg. The story starts out pretty quickly, with Sky receiving notice (amid financial woes) that she has inherited an estate from an aunt she never met–which is a bit of a trope, but I was willing to keep going with it. Meg is asked to go along for the move, which of course leaves things open for the crush that Meg’s had on Sky for, well–a while, anyway.

This isn’t just some instant happily-ever-after story, though. Once these three end up in Green Grove, their new home, Sky finds a potential new male suitor, Meg has to deal with her jealousy–oh, and everyone in town is magically talented. Not stage magic, but the sort with wards and healing and invisibility. It’s a rather Wiccan-flavored magic, even using common Craft phrases like “She changes everything She touches, and everything She touches changes” and “So mote it be”, which should appeal to a certain demographic. (There’s also not the sometimes-preachy “Here is what Wicca is and isn’t” dialogue that too many Wiccan-flavored novels go into–bonus!) I won’t spoil the rest of the plot for you; needless to say, it’s a good setup. (Do be aware that there is one mild, nicely-written, sex scene.)

Unfortunately, if I could find any fault in this novel, it’s the pacing. Of the three main characters, only Drake seems at all surprised the first time he’s told about magic. Meg seems to have known all along, but that’s not made very clear until later in the book, and it seems rather abrupt. I think the author could have done more background and buildup of this particular twist in the plotline and made the transition from “Magic? What’s that?” to “Wow, magic IS real!” a bit smoother. I also found the ending to be a bit deflated compared to the buildup, though it did make me happy (I got very invested in the characters–what can I say?)

That being said, it was still a great read; the author has a particularly good skill for characterization and description, and her dialogue is realistic. If the plot was a bit wanting, it was still a good story. I would definitely recommend this to my readers as a good plane ride book, a nice afternoon curl-up-and-read, or a commuting companion.

Four pawprints out of five.

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Egyptian Revenge Spells by Claudia R. Dillaire

Egyptian Revenge Spells: Ancient Rituals for Modern Payback
Claudia R. Dillaire
Crossing Press, 2009
192 pages

It’s no secret that the original pagans were no stranger to curses. From tribal shamans to priests to everyday people utilizing folk magic, part of most magic-workers’ arsenal was curses and other maleficio. The Egyptians weren’t an exception to this, and contemporary examples of magic that would make white lighters’ toes curl can still be found today. Of course, “black magic” being antithetical to the Wiccan rede and many other neopagan ethical guidelines (or, at least many neopagans’ interpretations of said ethical guidelines), curses can sometimes be a subject that gets skirted around–or subjected to flame wars.

Kudos, then, to Claudia Dillaire, for writing a book on something new for a change! In this case, it’s revenge that’s the topic of the day, whether dealing with a jilted lover (including those with stalker-like tendencies), ruining someone financially, or simply messing with someone who has already messed with you. There are dozens of incantations, spells and rituals for multiple uses–and while some of them are most definitely for revenge, there are also some for more benign forms of protection, reflection spells, etc.

This isn’t a book of old Egyptian spells, but is instead a collection of modern Wicca-flavored spellcraft with some Egyptian influence. There’s a decidedly Wiccan feel to them, with the common inclusion of candles, crystals, common “witchy” herbs, and incense, and the fairly standard spoken portions. While they do incorporate calling on Egyptian deities, in some ways this could be any of a number of spell books.

I’m not entirely sure how the author interprets Egyptian neopaganism in the first few chapters, where she’s establishing some context for the spells. Sometimes it seems like she’s comparing “Egyptian magic” to Wicca (that in particular, as opposed to general neopaganism); other times, it’s as though she’s trying to differentiate between them. Given that the spells themselves are pretty heavily Wicca (or at least witchcraft) flavored, I would have hoped she’d be a little clearer about how much Wicca and witchcraft influenced the unique brand of Egyptian magic she compiled from research and practice. In fact, if there’s anything seriously missing here, it’s a better explanation of where, exactly, she’s coming from. I was left a little unsure as to where the connection is between ancient Egyptian religious practices that spanned several millenia, and her personal practices today.

I’m also not a Kemetic pagan, and Egyptian religion and culture aren’t things I know a whole lot about, so I can’t speak too much to the quality of research. There was nothing glaringly wrong, and the bibliography had a mix of scholarly and practical source material. I could have hoped for in-text or other citations, especially for the historical information, but it’s a bit late for that now!

If you’re looking for some inspiration to unleash some wicked magic–or at least vent some frustration creatively–this is a good book. Don’t pick it up as an example of historically-based Kemetic paganism, however; it’s rather too eclectic for that. It’s a unique creation of the author’s, and gripes aside, I think it’s a nice change from the usual strict adherence to “Harm none”.

Four pawprints out of five.

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Seeing in the Dark by Deatsman and Bowersox

Seeing in the Dark: Claim Your Own Shamanic Power Now and in the Coming Age
Colleen Deatsman and Paul Bowersox
Weiser Books, 2009
240 pages

I think I’m reaching the point with (core) shamanism 101 books that I hit with totemism 101 books a few years ago–I’m getting tired of them, and want to see something besides rehashes of the same stuff. I had really hoped, when I read the first few pages of Seeing in the Dark, that it would be something different: the authors spoke of the many ecological and social injustices that we face today, and hinted that shamanism could be a tool for counteracting these destructive forces. Instead, what I got was the usual core shamanism 101 material: journeying without risk, lots of nice helper spirits, medicine wheels, and healing techniques. While these things certainly can be used in making the world a better place, the emphasis was mainly on self-help and other core shamanism standards.

Mind you, it’s good core shamanism 101 material. The book is a pretty complete guide to the basics. Granted, it’s the same thing you’ll find in any of a number of other core shamanism books, albeit with the authors’ own unique way of describing it and the reasons behind it, but this would make a good beginner’s book with a lot of material. And the authors have a keen sense of the human psyche and how to use shamanic techniques to heal it–again, standard core shamanism fare, but they present it in a nicely written fashion, backed up with a decent assortment of practices.

The material sometimes contradicts itself. For example, when talking about helping spirits, on p. 101 the authors quote another writer who essentially says that if you meet a hostile spirit, it always means there’s something wrong with you and your approach that you’re projecting. But then on 113-116, the authors’ own material describes spirits that are hostile in and of themselves, particularly those that are reluctant to or incapable of passing over to the next life. On page 10 they say that modern shamanism isn’t about taking things from other cultures, and then on 132 openly encourage people to borrow freely from other cultures with no caveats. The authors decry the “I” culture of the modern United States, and then describe a form of shamanism that is mainly about the individual shaman getting things from the spirits–teachings and gifts–with almost nothing about giving back to the spirits, making offerings to them, or seeing what it is they need.

I won’t get into my standard disagreements with core shamanism. What I will say is that, contradictions aside, this is a good intro to core shamanism. It didn’t knock my socks off, as it were, but I’m also hard to impress. If you want the basics, and this title’s convenient to you, pick it up. Just be aware that there’s not much to differentiate it from any of a number of other similar titles.

Three and a half pawprints out of five.

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